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008 220302t20082008hiu fo d z eng d
020 _a9780824831882
_qprint
020 _a9780824864057
_qPDF
024 7 _a10.1515/9780824864057
_2doi
035 _a(DE-B1597)9780824864057
035 _a(DE-B1597)483945
035 _a(OCoLC)257557879
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aLIT008030
_2bisacsh
082 0 4 _83p
_a830
_qDE-101
084 _aonline - DeGruyter
100 1 _aSilver, Mark H.
_eautore
245 1 0 _aPurloined Letters :
_bCultural Borrowing and Japanese Crime Literature, 1868-1937 /
_cMark H. Silver.
264 1 _aHonolulu :
_bUniversity of Hawaii Press,
_c[2008]
264 4 _c©2008
300 _a1 online resource (224 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgments --
_tNote on Names and Romanization --
_t1. Introduction: Cultural Borrowing and Japanese Crime Literature --
_t2. Affirmations of Authority: Premodern and Early Meiji Crime Literature --
_t3. Borrowing the Detective Novel: Kuroiwa Ruikò and the Uses of Translation --
_t4. Arresting Change: Okamoto Kidò's Stories of Nostalgic Remembrance --
_t5. Anxieties of Influence: Edogawa Ranpo's Horrifying Hybrids --
_tCoda: Cultural Borrowing Reconsidered --
_tNotes --
_tBibliography --
_tIndex --
_tAbout the Author
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThis engaging study of the detective story's arrival in Japan-and of the broader cross-cultural borrowing that accompanied it-argues for a reassessment of existing models of literary influence between "unequal" cultures. Because the detective story had no pre-existing native equivalent in Japan, the genre's formulaic structure acted as a distinctive cultural marker, making plain the process of its incorporation into late nineteenth- and early twentieth-century Japanese letters. Mark Silver tells the story of Japan's adoption of this new Western literary form at a time when the nation was also remaking itself in the image of the Western powers. His account calls into question conventional notions of cultural domination and resistance, demonstrating the variety of possible modes for cultural borrowing, the surprising vagaries of intercultural transfer, and the power of the local contexts in which "imitation" occurs.Purloined Letters considers a fascinating range of primary texts populated by wise judges, faceless corpses, wily confidence women, desperate blackmailers, a fetishist who secrets himself for days inside a leather armchair, and a host of other memorable figures. The work begins by analyzing Tokugawa courtroom narratives and early Meiji biographies of female criminals (dokufu-mono, or "poison-woman stories"), which dominated popular crime writing in Japan before the detective story's arrival. It then traces the mid-Meiji absorption of French, British, and American detective novels into Japanese literary culture through the quirky translations of muckraking journalist Kuroiwa Ruiko. Subsequent chapters take up a series of detective stories nostalgically set in the old city of Edo by Okamoto Kido (a Kabuki playwright inspired by Arthur Conan Doyle's Sherlock Holmes) and the erotic, grotesque, and macabre works of Edogawa Ranpo, whose pen-name punned on "Edgar Allan Poe.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 0 _aDetective and mystery stories, Japanese
_xHistory and criticism.
650 0 _aJapanese fiction
_xWestern influences.
650 0 _aJapanese fiction
_y19th century
_xHistory and criticism.
650 0 _aJapanese fiction
_y20th century
_xHistory and criticism.
650 7 _aLITERARY CRITICISM / Asian / Japanese.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780824864057
856 4 0 _uhttps://www.degruyter.com/isbn/9780824864057
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780824864057/original
942 _cEB
999 _c203938
_d203938