000			03699nam a22005415i 4500
001			203966
003			IT-RoAPU
005			20221214233425.0
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007			cr || ||||||||
008			220302t20072007hiu fo d z eng d
020			_a9780824831752 _qprint
020			_a9780824864385 _qPDF
024	7		_a10.1515/9780824864385 _2doi
035			_a(DE-B1597)9780824864385
035			_a(DE-B1597)484712
035			_a(OCoLC)257448116
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aML3917.P37 _bM69 2007eb
072		7	_aSOC002010 _2bisacsh
082	0	4	_a781.62/9946 _222
084			_aonline - DeGruyter
100	1		_aMoyle, Richard _eautore
245	1	0	_aSongs from the Second Float : _bA Musical Ethnography of Taku Atoll, Papua New Guinea / _cRichard Moyle.
264		1	_aHonolulu : _bUniversity of Hawaii Press, _c[2007]
264		4	_c©2007
300			_a1 online resource (384 p.) : _b95 illus., 5 maps
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aPacific Islands Monographs Series
505	0	0	_tFrontmatter -- _tEditor's Note -- _tContents -- _tIllustrations -- _tAcknowledgments -- _tPreface -- _tIntroduction -- _tChapter 1. Geography and History -- _tChapter 2. Takū Society as the Locus for Musicking -- _tChapter 3. Religious Contexts of Music -- _tChapter 4. Processes of Takū Music -- _tChapter 5. The Nature of Takū Song -- _tChapter 6. The Nature of Takū Dance -- _tConclusion -- _tNotes -- _tGlossary of Takū Terms -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThis book, based on fieldwork spanning a decade, gives a comprehensive analysis of the musical life of a unique Polynesian community whose geographical isolation, together with a local ban on missionaries and churches, combine to allow its 600 members to maintain a level of traditional cultural practices unique to the region.Takü is arguably the only location where traditional Polynesian religion continues to be practiced. This book explores the many ways in which spirit activities impact on both domestic and ritual life, how group singing and dancing give audible and visible expression to a variety of religious beliefs, and how spirit mediums relay songs and dances from the recent dead. Takü's community is well able to articulate the significance of their own strong performance tradition, and this book allows expert singers and dancers to speak passionately for themselves on subjects they understand intimately.Musical ethnographies from the Pacific are rare. Like Moyle's earlier landmark volumes on Samoan and Tongan music, and also his trilogy on Australian Aboriginal music, this work will be of immense value to Pacific studies and will assume a place among the recognized staples of ethnomusicological research.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650		0	_aMusic _xSocial aspects _zPapua New Guinea _zTauu Islands.
650		7	_aSOCIAL SCIENCE / Anthropology / Cultural & Social. _2bisacsh
700	1		_aHanlon, David _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780824864385
856	4	0	_uhttps://www.degruyter.com/isbn/9780824864385
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780824864385/original
942			_cEB
999			_c203966 _d203966