000			03883nam a22005655i 4500
001			204032
003			IT-RoAPU
005			20221214233427.0
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008			220302t20042004hiu fo d z eng d
020			_a9780824827359 _qprint
020			_a9780824865054 _qPDF
024	7		_a10.1515/9780824865054 _2doi
035			_a(DE-B1597)9780824865054
035			_a(DE-B1597)484065
035			_a(OCoLC)875895241
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aPHI001000 _2bisacsh
082	0	4	_86p _a100 _qDE-101
084			_aonline - DeGruyter
245	0	4	_aThe Structure of Detachment : _bThe Aesthetic Vision of Kuki Shuzo / _ced. by Jon Mark Mikkelsen, J. Thomas Rimer, Hiroshi Nara.
264		1	_aHonolulu : _bUniversity of Hawaii Press, _c[2004]
264		4	_c©2004
300			_a1 online resource (200 p.) : _b59 illus.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction -- _tPART I: translation of Iki no kõzõ -- _tTranslator's Preface -- _tThe Structure of Iki -- _tPART II :Essays -- _tCapturing the Shudders and Palpitations: Kuki's Quest for a Philosophy of Life -- _tLiterary Stances :The Structure of Iki -- _tReading Kuki Shūzō's The Structure of Iki in the Shadow of L'affaire Heidegger -- _tKuki Shūzō Chronology -- _tContributors -- _tTranslation Index -- _tEssay Index
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aPublished in 1930, when Japan was struggling to define and assert its national and cultural identity, The Structure of Iki (Iki no kôzô) re-introduced the Japanese to a sophisticated tradition of urbane and spirited stylishness (iki) that was forged in the Edo period. Upon his return from Europe, Kuki Shûzô (1888-1941) made use of the new theoretical frameworks based on Western Continental methodology to redefine the significance of iki in Japanese society and culture. By applying Heidegger's hermeneutics to this cultural phenomenon, he attempted to recast traditional understanding in the context of Western aesthetic theory and reestablish the centrality of a purely Japanese sense of "taste."The three critical essays that accompany this new translation of The Structure of Iki look at various aspects of Kuki, his work, and the historical context that influenced his thinking. Hiroshi Nara first traces Kuki's interest in a philosophy of life through his exposure to Husserl, Heidegger, and Bergson. In the second essay, J. Thomas Rimer compels readers to reexamine The Structure of Iki as a work in the celebrated tradition of zuihitsu (stream-of-consciousness writings) and takes into account French literary influences on Kuki. The philosopher's controversial link with Heidegger is explored by Jon Mark Mikkelsen in the final essay.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650		7	_aPHILOSOPHY / Aesthetics. _2bisacsh
700	1		_aMikkelsen, Jon Mark _ecuratore
700	1		_aNara, Hiroshi _eautore _ecuratore
700	1		_aRimer, J. Thomas _ecuratore
700	1		_aShùzõ, kuki _eautore
700	1		_amikkelsen, jon mark _eautore
700	1		_anara, hiroshi _eautore
700	1		_arimer, j. thomas _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780824865054
856	4	0	_uhttps://www.degruyter.com/isbn/9780824865054
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780824865054/original
942			_cEB
999			_c204032 _d204032