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001			204141
003			IT-RoAPU
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008			210830t20162016hiu fo d z eng d
020			_a9780824846763 _qprint
020			_a9780824872564 _qPDF
024	7		_a10.1515/9780824872564 _2doi
035			_a(DE-B1597)9780824872564
035			_a(DE-B1597)484671
035			_a(OCoLC)958654473
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aART019000 _2bisacsh
082	0	4	_81p _a700 _qDE-101
084			_aonline - DeGruyter
245	0	4	_aThe Zoomorphic Imagination in Chinese Art and Culture / _ced. by Jerome Silbergeld, Eugene Y. Wang.
264		1	_aHonolulu : _bUniversity of Hawaii Press, _c[2016]
264		4	_c©2016
300			_a1 online resource (472 p.) : _b124 color and 90 b&w illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tPreface -- _tAcknowledgments -- _tChronology of Chinese Dynasties -- _tTrading Places: An Introduction to Zoomorphism and Anthropomorphism in Chinese Art -- _tchapter 1. The Taotie Motif on Early Chinese Ritual Bronzes -- _tchapter 2. Labeling the Creatures: Some Problems in Han and Six Dynasties Iconography -- _tchapter 3. Representing the Twelve Calendrical Animals as Beastly, Human, and Hybrid Beings in Medieval China -- _tchapter 4. The Didactic Use of Animal Images in Southern Song Buddhism: The Case of Mount Baoding in Dazu, Sichuan -- _tchapter 5. Evil Dragon, Golden Rodent, Sleek Hound: The Evolution of Soushan Tu Paintings in the Northern Song Period -- _tchapter 6. Animals in Chinese Rebus Paintings -- _tchapter 7. The Pictorial Form of a Zoomorphic Ecology: Dragons and Their Painters in Song and Southern Song China -- _tchapter 8. The Political Animal: Metaphoric Rebellion in Zhao Yong's Painting of Heavenly Horses -- _tchapter 9. How the Giraffe Became a Qilin: Intercultural Signification in Ming Dynasty Arts -- _tchapter 10. Weird Science: European Origins of the Fantastic Creatures in the Qing Court Painting, the Manual of Sea Oddities -- _tchapter 11. Huang Yong Ping and the Power of Zoomorphic Ambiguity -- _tGlossary -- _tContributors -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aChina has an age-old zoomorphic tradition. The First Emperor was famously said to have had the heart of a tiger and a wolf. The names of foreign tribes were traditionally written with characters that included animal radicals. In modern times, the communist government frequently referred to Nationalists as "running dogs," and President Xi Jinping, vowing to quell corruption at all levels, pledged to capture both "the tigers" and "the flies." Splendidly illustrated with works ranging from Bronze Age vessels to twentieth-century conceptual pieces, this volume is a wide-ranging look at zoomorphic and anthropomorphic imagery in Chinese art. The contributors, leading scholars in Chinese art history and related fields, consider depictions of animals not as simple, one-for-one symbolic equivalents: they pursue in depth, in complexity, and in multiple dimensions the ways that Chinese have used animals from earliest times to the present day to represent and rhetorically stage complex ideas about the world around them, examining what this means about China, past and present.In each chapter, a specific example or theme based on real or mythic creatures is derived from religious, political, or other sources, providing the detailed and learned examination needed to understand the means by which such imagery was embedded in Chinese cultural life. Bronze Age taotie motifs, calendrical animals, zoomorphic modes in Tantric Buddhist art, Song dragons and their painters, animal rebuses, Heaven-sent auspicious horses and foreign-sent tribute giraffes, the fantastic specimens depicted in the Qing Manual of Sea Oddities, the weirdly indeterminate creatures found in the contemporary art of Huang Yong Ping-these and other notable examples reveal Chinese attitudes over time toward the animal realm, explore Chinese psychology and patterns of imagination, and explain some of the critical means and motives of Chinese visual culture.The Zoomorphic Imagination in Chinese Art and Culture will find a ready audience among East Asian art and visual culture specialists and those with an interest in literary or visual rhetoric.Contributors: Sarah Allan, Qianshen Bai, Susan Bush, Daniel Greenberg, Carmelita (Carma) Hinton, Judy Chungwa Ho, Kristina Kleutghen, Kathlyn Liscomb, Jennifer Purtle, Jerome Silbergeld, Henrik Sørensen, and Eugene Y. Wang.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650		0	_aAnimals in art.
650		0	_aArt, Chinese.
650		7	_aART / Asian / General. _2bisacsh
700	1		_aAllan, Sarah _eautore
700	1		_aBai, Qianshen _eautore
700	1		_aBush, Susan _eautore
700	1		_aGreenberg, Daniel _eautore
700	1		_aHinton, Carmelita _eautore
700	1		_aHinton, Carmelita (Carma) _eautore
700	1		_aHo, Judy Chungwa _eautore
700	1		_aKleutghen, Kristina _eautore
700	1		_aLiscomb, Kathlyn _eautore
700	1		_aPurtle, Jennifer _eautore
700	1		_aSilbergeld, Jerome _eautore _ecuratore
700	1		_aSørensen, Henrik _eautore
700	1		_aSørensen, Henrik H. _eautore
700	1		_aWang, Eugene Y. _eautore _ecuratore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780824872564
856	4	0	_uhttps://www.degruyter.com/isbn/9780824872564
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9780824872564.jpg
942			_cEB
999			_c204141 _d204141