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| 008 | 220302t20172017hiu fo d z eng d | ||
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_a9780824872083 _qprint |
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_a9780824873233 _qPDF |
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| 024 | 7 |
_a10.1515/9780824873233 _2doi |
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| 035 | _a(DE-B1597)9780824873233 | ||
| 035 | _a(DE-B1597)484279 | ||
| 035 | _a(OCoLC)1076462590 | ||
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_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aLIT008010 _2bisacsh |
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| 082 | 0 | 4 | _a838.91209 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aHoefle, Arnhilt Johanna _eautore |
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| 245 | 1 | 0 |
_aChina's Stefan Zweig : _bThe Dynamics of Cross-Cultural Reception / _cArnhilt Johanna Hoefle; ed. by Sheldon Hsiao-peng Lu. |
| 264 | 1 |
_aHonolulu : _bUniversity of Hawaii Press, _c[2017] |
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| 264 | 4 | _c©2017 | |
| 300 | _a1 online resource (224 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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| 490 | 0 | _aCritical Interventions | |
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_tFrontmatter -- _tContents -- _tAcknowledgments -- _tNote on Use of Characters and Romanization -- _t1. Introduction: The Stefan Zweig Conundrum -- _tPART ONE. Stefan Zweig and the Making of Modern China (1921-1949) -- _t2. Introducing Zweig in Turbulent Times: From the New Culture Movement to Illegal Communist Propaganda -- _t3. Zweig and the Chinese Love-Letter Fever: The Many Uses of Letter from an Unknown Woman in Republican China -- _tPART TWO. Communist Rereadings of Stefan Zweig (1949-2013 -- _t4. The Antibourgeois Bourgeois Writer: The Rediscovery of Zweig in Communist China -- _t5. The Ideal Woman? The "Zweig-Style Female Figures" in Post-Mao China -- _tOutlook: Zweig on the Chinese Screen and Stage -- _tNotes -- _tGlossary of Chinese Terms -- _tBibliography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aDuring his lifetime Austrian novelist Stefan Zweig (1881-1942) was among the most widely read German-language writers in the world. Always controversial, he fell into critical disfavor as writers and critics in a devastated postwar Europe attacked the poor literary quality of his works and excoriated his apolitical fiction as naïve Habsburg nostalgia. Yet in other parts of the world, Zweig's works have enjoyed continued admiration and popularity, even canonical status.China's Stefan Zweig unveils the extraordinary success of Zweig's novellas in China, where he has been read in an entirely different way. During the New Culture Movement of the 1920s, Zweig's novellas were discovered by intellectuals turning against Confucian tradition. In the 1930s, left-wing scholars criticized Zweig as a decadent bourgeois writer, yet after the communist victory in 1949 he was re-introduced as a political writer whose detailed psychological descriptions exposed a brutal and hypocritical bourgeois capitalist society. In the 1980s, after the Cultural Revolution, Zweig's works triggered a large-scale "Stefan Zweig fever," where Zweig-style female figures, the gentle, loving, and self-sacrificing women who populate his novels, became the feminine ideal. Zweig's seemingly anachronistic poetics of femininity allowed feminists to criticize Maoist gender politics by praising Zweig as "the anatomist of the female heart." As Arnhilt Hoefle makes clear, Zweig's works have never been passively received. Intermediaries have actively selected, interpreted, and translated his works for very different purposes.China's Stefan Zweig not only re-conceptualizes our understanding of cross-cultural reception and its underlying dynamics, but proposes a serious re-evaluation of one of the most successful yet misunderstood European writers of the twentieth century. Zweig's works, which have inspired recent film adaptations such as Xu Jinglei's Letter from an Unknown Woman (2005) and Wes Anderson's Grand Budapest Hotel (2014), are only beginning to be rediscovered in Europe and North America, but the heated debate about his literary merit continues. This book, with its wealth of hitherto unexplored Chinese-language sources, sheds light on the Stefan Zweig conundrum through the lens of his Chinese reception to reveal surprising, and long overlooked, literary dimensions of his works. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 7 |
_aLITERARY CRITICISM / Asian / Chinese. _2bisacsh |
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| 700 | 1 |
_aLu, Sheldon Hsiao-peng _ecuratore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780824873233 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780824873233 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780824873233/original |
| 942 | _cEB | ||
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_c204143 _d204143 |
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