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001			204514
003			IT-RoAPU
005			20250106150526.0
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008			240625t20212021hiu fo d z eng d
010			_a2020057438
020			_a9780824889562 _qPDF
024	7		_a10.1515/9780824889562 _2doi
035			_a(DE-B1597)9780824889562
035			_a(DE-B1597)576705
035			_a(OCoLC)1273287756
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aML3746.7.Y3 _bK66 2021
072		7	_aMUS015000 _2bisacsh
082	0	4	_a781.62/95705188 _qOCoLC _223/eng/20230216
084			_aonline - DeGruyter
100	1		_aKoo, Sunhee _eautore
245	1	0	_aSound of the Border : _bMusic and Identity of Korean Minority in China / _cSunhee Koo; ed. by Frederick Lau.
264		1	_aHonolulu : _bUniversity of Hawaii Press, _c[2021]
264		4	_c©2021
300			_a1 online resource (240 p.) : _b20 b&w illustrations, 2 maps
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aMusic and Performing Arts of Asia and the Pacific
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tRomanization and Other Conventions -- _tIntroduction -- _tChapter 1. China’s Northeastern Border and Korean Migration to China -- _tChapter 2. Korean Music in China: In the Past and in the Present Day -- _tChapter 3. The Construction of Chaoxianzu Musical Identity -- _tChapter 4. The Chaoxianzu Kayagŭm: Tradition Fused with Modernity -- _tChapter 5. Musical Signs and Essentializing Chaoxianzuness -- _tChapter 6. Chaoxianzu Vocal Music: Its Development and Dissemination -- _tChapter 7. Returning to a Home Never Lived In? Chaoxianzu Musicians in South Korea -- _tConclusion -- _tNotes -- _tGlossary -- _tReferences -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aUsing ethnographic data collected in China and South Korea between 2004 and 2011, author Sunhee Koo provides a comprehensive view of the music of Koreans in China (Chaoxianzu), from its time as manifestation of a displaced culture to its return home after more than a century of amalgamation and change in China. As the first English-language book on the music and identity of China’s Korean minority community, Sound of the Border investigates diasporic mutations of Korean culture, influenced by power dynamics in the host country and the constant renewal of relationships with the homeland. Between the 1860s and the 1940s, about two million Koreans migrated to China in search of economic opportunity and political stability. Settling primarily in the northeastern part of China bordering the Russian Far East, these Koreans had flexibility in crossing geopolitical and cultural boundaries throughout the first half of the twentieth century. In 1949, the majority of Koreans in China accepted their new citizenship designation as one of the PRC’s fifty-five official national minorities. The subsequent partition of the Korean peninsula in 1953 further politicized their ethnic identity, and for the next forty years they were only authorized to interact with North Korea. It was only in the early 1990s that Chaoxianzu were able to renew their relationship with South Korea, although they now faced new challenges due to an ethno-national prejudice as it focused on the nation’s industrial advancement as the most prominent measure of its social superiority. Sunhee Koo examines the unique construction of diasporic Korean music in China and uses it as a window to understanding the complexities and diversification of Korean identity, shaped by the ideological and political bifurcation and post–Cold War political resurgence that have affected Northeast Asia. The performances of Korean Chinese musicians—positioned between their adopted state and the two Koreas—embody a complex cultural intersection crisscrossing ideological, political, and social boundaries in historical and present-day Northeast Asia. Migrants enact their agency in creating a unique sound for Korean Chinese identity through navigating cultural resources accessed in their host and the two distinctive motherlands.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650		0	_aChosŏnjok _xEthnic identity.
650		0	_aChosŏnjok _xMusic _xHistory and criticism.
650		0	_aChosŏnjok _xEthnic identity.
650		0	_aChosŏnjok _xMusic _xHistory and criticism.
650		0	_aMusic _zChina _zYanbian Chaoxianzu Zizhizhou _xHistory and criticism.
650		7	_aMUSIC / Ethnomusicology. _2bisacsh
653			_aKorean musicians in China.
653			_aKoreans in China.
700	1		_aLau, Frederick _ecuratore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780824889562?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780824889562
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780824889562/original
942			_cEB
999			_c204514 _d204514