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| 001 | 204596 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106150531.0 | ||
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| 008 | 240625t20082008nyu fo d z eng d | ||
| 020 |
_a9781845450205 _qprint |
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| 020 |
_a9780857450098 _qPDF |
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_a10.1515/9780857450098 _2doi |
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| 035 | _a(DE-B1597)9780857450098 | ||
| 035 | _a(DE-B1597)637484 | ||
| 035 | _a(OCoLC)645100602 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 | _aDC402 .S73 2007 | |
| 072 | 7 |
_aHIS013000 _2bisacsh |
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| 082 | 0 | 4 | _a305.52 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 |
_aStardom in Postwar France / _ced. by Diana Holmes, John Gaffney. |
| 264 | 1 |
_aNew York ; _aOxford : _bBerghahn Books, _c[2008] |
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| 264 | 4 | _c©2008 | |
| 300 | _a1 online resource (248 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aPolygons: Cultural Diversities and Intersections ; _v12 |
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| 505 | 0 | 0 |
_tFrontmatter -- _tCONTENTS -- _tIntroduction -- _t1. Stardom in Theory and Context -- _t2. 1950s Popular Culture: Star-Gazing and Myth-Making with Roland Barthes and Edgar Morin -- _t3. ‘A Girl of Today’: Brigitte Bardot -- _t4. Rock ’n’ Roll Stardom: Johnny Hallyday -- _t5. Stardom on Wheels: Raymond Poulidor -- _t6. The Auteur as Star: Jean-Luc Godard -- _t7. The Intellectual as Celebrity: Claude Lévi-Strauss -- _t8. ‘Starlette de la Littérature’: Françoise Sagan -- _t9. The Only Act in Town: Charles de Gaulle -- _tConclusion -- _tBibliography -- _tNotes on Contributors -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aThe 1950s and 1960s were a key moment in the development of postwar France. The period was one of rapid change, derived from post-World War II economic and social modernization; yet many traditional characteristics were retained. By analyzing the eruption of the new postwar world in the context of a France that was both modern and traditional, we can see how these worlds met and interacted, and how they set the scene for the turbulent 1960s and 70s. The examination of the development of mass culture in post-war France, undertaken in this volume, offers a valuable insight into the shifts that took place. By exploring stardom from the domain of cinema and other fields, represented here by famous figures such as Brigitte Bardot, Johnny Hallyday or Jean-Luc Godard, and less conventionally treated areas of enquiry (politics [de Gaulle], literary [Françoise Sagan], and intellectual culture [Lévi-Strauss]) the reader is provided with a broad understanding of the mechanisms of popularity and success, and their cultural, social, and political roles. The picture that emerges shows that many cultural articulations remained or became identifiably "French," in spite of the American mass-culture origins of these social, economic, and cultural transformations. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 0 |
_aCelebrities _zFrance _xHistory _y20th century. |
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| 650 | 0 | _aFame. | |
| 650 | 7 |
_aHISTORY / Europe / France. _2bisacsh |
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| 653 | _aHistory: 20th Century to Present, Film and Television Studies, Cultural Studies (General). | ||
| 700 | 1 |
_aDine, Philip _eautore |
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| 700 | 1 |
_aGaffney, John _eautore _ecuratore |
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| 700 | 1 |
_aHolmes, Diana _eautore _ecuratore |
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| 700 | 1 |
_aJohnson, Christopher _eautore |
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| 700 | 1 |
_aLloyd, Heather _eautore |
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| 700 | 1 |
_aSmith, Alison _eautore |
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| 700 | 1 |
_aTinker, Chris _eautore |
|
| 700 | 1 |
_aWeiner, Susan _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780857450098 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780857450098 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780857450098/original |
| 942 | _cEB | ||
| 999 |
_c204596 _d204596 |
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