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| 001 | 204877 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106150543.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 240625t20062006nyu fo d z eng d | ||
| 020 |
_a9781845450946 _qprint |
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_a9780857457011 _qPDF |
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| 024 | 7 |
_a10.1515/9780857457011 _2doi |
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| 035 | _a(DE-B1597)9780857457011 | ||
| 035 | _a(DE-B1597)635933 | ||
| 035 | _a(OCoLC)994873550 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aSOC010000 _2bisacsh |
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| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 2 |
_aA Belle Epoque? : _bWomen and Feminism in French Society and Culture 1890-1914 / _ced. by Carrie Tarr, Diana Holmes. |
| 264 | 1 |
_aNew York ; _aOxford : _bBerghahn Books, _c[2006] |
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| 264 | 4 | _c©2006 | |
| 300 | _a1 online resource (364 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aPolygons: Cultural Diversities and Intersections ; _v9 |
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| 505 | 0 | 0 |
_tFrontmatter -- _tCONTENTS -- _tACKNOWLEDGEMENTS -- _tLIST OF ILLUSTRATIONS -- _tINTRODUCTION -- _tPART I FEMINISM AND FEMINISTS -- _tCHAPTER 1 NEW REPUBLIC, NEW WOMEN? FEMINISM AND MODERNITY AT THE BELLE EPOQUE -- _tCHAPTER 2 1890–1914: A ‘BELLE EPOQUE’ FOR FEMINISM? -- _tCHAPTER 3 MARGUERITE DURAND AND LA FRONDE: VOICING WOMEN OF THE BELLE EPOQUE -- _tCHAPTER 4 THE UNCOMPROMISING DOCTOR MADELEINE PELLETIER: FEMINIST AND POLITICAL ACTIVIST -- _tCHAPTER 5 CLANS AND CHRONOLOGIES: THE SALON OF NATALIE BARNEY -- _tPART II NEW TECHNOLOGIES, NEW WOMEN? -- _tCHAPTER 6 VÉLO-MÉTRO-AUTO: WOMEN’S MOBILITY IN BELLE EPOQUE PARIS -- _tCHAPTER 7 POPULARISING NEW WOMEN IN BELLE EPOQUE ADVERTISING POSTERS -- _tCHAPTER 8 AN AMERICAN IN PARIS: LOÏE FULLER, DANCE AND TECHNOLOGY -- _tCHAPTER 9 BECOMING WOMEN: CINEMA, GENDER AND TECHNOLOGY -- _tPART III WOMEN AND SPECTACLE -- _tCHAPTER 10 SPECTACLES OF THEMSELVES: WOMEN WRITING FOR THE STAGE IN BELLE EPOQUE FRANCE -- _tCHAPTER 11 BEING A DANCER IN 1900: SIGN OF ALIENATION OR QUEST FOR AUTONOMY? -- _tCHAPTER 12 VISIONS OF RECIPROCITY IN THE WORK OF CAMILLE CLAUDEL -- _tPART IV WOMEN, WRITING AND RECEPTION -- _tCHAPTER 13 FEMINIST DISCOURSE IN WOMEN’S NOVELS OF PROFESSIONAL DEVELOPMENT -- _tCHAPTER 14 DANIEL LESUEUR AND THE FEMINIST ROMANCE -- _tCHAPTER 15 VIRGINAL PERVERSION/RADICAL SUBVERSION: RACHILDE AND DISCOURSES OF LEGITIMATION -- _tCHAPTER 16 DECADENCE AND THE WOMAN WRITER: RENÉE VIVIEN’S UNE FEMME M’APPARUT -- _tCHAPTER 17 SENSUAL DEVIATIONS AND VERBAL ABUSE: ANNA DE NOAILLES IN THE CRITIC’S EYE -- _tCHAPTER 18 PROLETARIAN WOMEN, PROLETARIAN WRITING: THE CASE OF MARGUERITE AUDOUX -- _tPART V COLONISED AND OTHER WOMEN -- _tCHAPTER 19 COLONISER AND COLONISED IN HUBERTINE AUCLERT’S WRITINGS ON ALGERIA -- _tCHAPTER 20 THE CHIVALROUS COLONISER: COLONIAL FEMINISM AND THE ROMAN À THÈSE IN THE BELLE EPOQUE -- _tCHAPTER 21 MARCELLE TINAYRE’S NOTES D’UNE VOYAGEUSE EN TURQUIE: CREATING SOLIDARITY AMONG WOMEN -- _tCONCLUSION -- _tSELECT CHRONOLOGY 1870–1914 -- _tBIBLIOGRAPHY -- _tNOTES ON CONTRIBUTORS -- _tINDEX |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aThe Third Republic, known as the ‘belle époque’, was a period of lively, articulate and surprisingly radical feminist activity in France, borne out of the contradiction between the Republican ideals of liberty, equality and fraternity and the reality of intense and systematic gender discrimination. Yet, it also was a period of intense and varied artistic production, with women disproving the critical nearconsensus that art was a masculine activity by writing, painting, performing, sculpting, and even displaying an interest in the new "seventh art" of cinema. This book explores all these facets of the period, weaving them into a complex, multi-stranded argument about the importance of this rich period of French women’s history. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 0 |
_aWomen _zFrance _xHistory _y19th century. |
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| 650 | 0 |
_aWomen _zFrance _xHistory _y20th century. |
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| 650 | 0 |
_aWomen _zFrance _xSocial conditions _y19th century. |
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| 650 | 0 |
_aWomen _zFrance _xSocial conditions _y20th century. |
|
| 650 | 7 |
_aSOCIAL SCIENCE / Feminism & Feminist Theory. _2bisacsh |
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| 653 | _aGender Studies and Sexuality, Cultural Studies (General), History: 18th/19th Century. | ||
| 700 | 1 |
_aAllison, Maggie _eautore |
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| 700 | 1 |
_aCross, Máire _eautore |
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| 700 | 1 |
_aEngelking, Tama Lea _eautore |
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| 700 | 1 |
_aEnglish, Jeri _eautore |
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| 700 | 1 |
_aEzra, Elizabeth _eautore |
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| 700 | 1 |
_aHawthorne, Melanie _eautore |
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| 700 | 1 |
_aHolmes, Diana _eautore _ecuratore |
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| 700 | 1 |
_aIrvine, Margot _eautore |
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| 700 | 1 |
_aIskin, Ruth E. _eautore |
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| 700 | 1 |
_aKershaw, Angela _eautore |
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| 700 | 1 |
_aLaplace-Claverie, Hélène _eautore |
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| 700 | 1 |
_aMorita, Naoko _eautore |
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| 700 | 1 |
_aNoort, Kimberly van _eautore |
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| 700 | 1 |
_aNorris, Anna _eautore |
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| 700 | 1 |
_aPerry, Catherine _eautore |
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| 700 | 1 |
_aReynolds, Siân _eautore |
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| 700 | 1 |
_aRogers, Juliette M. _eautore |
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| 700 | 1 |
_aRyan, Angela _eautore |
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| 700 | 1 |
_aTarr, Carrie _eautore _ecuratore |
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| 700 | 1 |
_aTaïeb, Edith _eautore |
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| 700 | 1 |
_aYee, Jennifer _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780857457011 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780857457011 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780857457011/original |
| 942 | _cEB | ||
| 999 |
_c204877 _d204877 |
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