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008			240625t20132013nyu fo d z eng d
020			_a9780857458834 _qprint
020			_a9780857458841 _qPDF
024	7		_a10.1515/9780857458841 _2doi
035			_a(DE-B1597)9780857458841
035			_a(DE-B1597)636956
035			_a(OCoLC)855900809
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aFOR008000 _2bisacsh
082	0	4	_a843.91409358405318 _223
084			_aonline - DeGruyter
100	1		_aSilverman, Max _eautore
245	1	0	_aPalimpsestic Memory : _bThe Holocaust and Colonialism in French and Francophone Fiction and Film / _cMax Silverman.
264		1	_aNew York ; _aOxford : _bBerghahn Books, _c[2013]
264		4	_c©2013
300			_a1 online resource (216 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tList of Illustrations -- _tAcknowledgements -- _tIntroduction: Staging Memory as Palimpsest -- _tChapter 2. Concentrationary Memory -- _tChapter 3. Anti-colonialism Revisited -- _tChapter 4. Colonial Hauntings of the Holocaust Imaginary -- _tChapter 5. The Memory of the Image -- _tChapter 6. Memory Traces -- _tChapter 7. Cosmopolitical Memory -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThe interconnections between histories and memories of the Holocaust, colonialism and extreme violence in post-war French and Francophone fiction and film provide the central focus of this book. It proposes a new model of ‘palimpsestic memory’, which the author defines as the condensation of different spatio-temporal traces, to describe these interconnections and defines the poetics and the politics of this composite form. In doing so it is argued that a poetics dependent on tropes and techniques, such as metaphor, allegory and montage, establishes connections across space and time which oblige us to perceive cultural memory not in terms of its singular attachment to a particular event or bound to specific ethno-cultural or national communities but as a dynamic process of transfer between different moments of racialized violence and between different cultural communities. The structure of the book allows for both the theoretical elaboration of this paradigm for cultural memory and individual case-studies of novels and films.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650		0	_aColonies in literature.
650		0	_aColonies in motion pictures.
650		0	_aFrench fiction _xHistory and criticism _x20th century.
650		0	_aFrench fiction _xHistory and criticism _xFrench-speaking countries.
650		0	_aFrench fiction _y20th century _xHistory and criticism.
650		0	_aFrench fiction _zFrench-speaking countries _xHistory and criticism.
650		0	_aHolocaust, Jewish (1939-1945), in literature.
650		0	_aHolocaust, Jewish (1939-1945), in motion pictures.
650		7	_aFOREIGN LANGUAGE STUDY / French. _2bisacsh
653			_aFilm and Television Studies, Genocide History, Colonial History.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780857458841?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780857458841
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780857458841/original
942			_cEB
999			_c204945 _d204945