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020 _a9780857459473
_qprint
020 _a9780857459480
_qPDF
024 7 _a10.1515/9780857459480
_2doi
035 _a(DE-B1597)9780857459480
035 _a(DE-B1597)636608
035 _a(OCoLC)855505453
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER004030
_2bisacsh
082 0 4 _a791
084 _aonline - DeGruyter
100 1 _aFrey, Mattias
_eautore
245 1 0 _aPostwall German Cinema :
_bHistory, Film History and Cinephilia /
_cMattias Frey.
264 1 _aNew York ;
_aOxford :
_bBerghahn Books,
_c[2013]
264 4 _c©2013
300 _a1 online resource (218 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aFilm Europa ;
_v14
505 0 0 _tFrontmatter --
_tCONTENTS --
_tList of Illustrations --
_tAcknowledgements --
_tIntroduction --
_tChapter 1 Rebirth of a Nation: Das Wunder von Bern, the 1950s, and the Reactions to the New German Cinema --
_tChapter 2 Pop Retro-vision: Baader, Der Baader Meinhof Komplex, and the RAF Film --
_tChapter 3 The Ambivalent View: 23, Historical Paranoia, and the 1980s --
_tChapter 4 “Ostalgie,” Historical Ownership, and Material Authenticity: Good Bye, Lenin! and Das Leben der Anderen --
_tChapter 5 Unification, Spatial Anxiety, and the Recuperation of Material Culture: Die Unberührbare --
_tChapter 6 The Future of the German Past --
_tSelect Bibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aSince the fall of the Berlin Wall, there has been a proliferation of German historical films. These productions have earned prestigious awards and succeeded at box offices both at home and abroad, where they count among the most popular German films of all time. Recently, however, the country’s cinematic take on history has seen a significant new development: the radical style, content, and politics of the New German Cinema. With in-depth analyses of the major trends and films, this book represents a comprehensive assessment of the historical film in today’s Germany. Challenging previous paradigms, it takes account of a postwall cinema that complexly engages with various historiographical forms and, above all, with film history itself.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650 7 _aPERFORMING ARTS / Film & Video / History & Criticism.
_2bisacsh
653 _aFilm and Television Studies, History: 20th Century to Present.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780857459480
856 4 0 _uhttps://www.degruyter.com/isbn/9780857459480
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780857459480/original
942 _cEB
999 _c204971
_d204971