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| 001 | 204980 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106150547.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 240625t20132013nyu fo d z eng d | ||
| 010 | _a2013006043 | ||
| 020 |
_a9780857459701 _qprint |
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| 020 |
_a9780857459718 _qPDF |
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| 024 | 7 |
_a10.1515/9780857459718 _2doi |
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| 035 | _a(DE-B1597)9780857459718 | ||
| 035 | _a(DE-B1597)636499 | ||
| 035 | _a(OCoLC)861692438 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 0 | 0 |
_aPN1997.3 _b.F44313 2013 |
| 072 | 7 |
_aPER004030 _2bisacsh |
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| 082 | 0 | 4 | _a791.4372 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aFellini, Federico _eautore |
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| 245 | 1 | 4 |
_aThe Journey of G. Mastorna : _bThe Film Fellini Didn't Make / _cFederico Fellini. |
| 264 | 1 |
_aNew York ; _aOxford : _bBerghahn Books, _c[2013] |
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| 264 | 4 | _c©2013 | |
| 300 | _a1 online resource (226 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tForeword -- _tPreface -- _tAcknowledgements -- _tIntroduction -- _tThe Journey of G. Mastorna -- _tImagining Mastorna -- _tSelected Bibliography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aFederico Fellini’s script for perhaps the most famous unmade film in Italian cinema, The Journey of G. Mastorna (1965/6), is published here for the first time in full English translation. It offers the reader a remarkable insight into Fellini’s creative process and his fascination with human mortality and the great mystery of death. Written in collaboration with Dino Buzzati, Brunello Rondi, and Bernardino Zapponi, the project was ultimately abandoned for a number of reasons, including Fellini’s near death, although it continued to inhabit his creative imagination and the landscape of his films for the rest of his career. Marcus Perryman has written two supporting essays which discuss the reasons why the film was never made, compare it to the two other films in the trilogy La Dolce Vita and 8½, and analyze the script in the light of It’s a Wonderful Life and Fredric Brown’s sci-fi novel What Mad Universe. In doing so he opens up an entire world of connections to Fellini’s other films, writers and collaborators. It should be essential reading for students and academics studying Fellini’s work. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / History & Criticism. _2bisacsh |
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| 653 | _aFilm and Television Studies. | ||
| 700 | 1 |
_aBondanella, Peter _eautore |
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| 700 | 1 |
_aBuzzati, Dino _eautore |
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| 700 | 1 |
_aFellini, Federico _eautore |
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| 700 | 1 |
_aRondi, Brunello _eautore |
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| 700 | 1 |
_aZapponi, Bernardino _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780857459718 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780857459718 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780857459718/original |
| 942 | _cEB | ||
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_c204980 _d204980 |
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