| 000 | 06185nam a22017055i 4500 | ||
|---|---|---|---|
| 001 | 205050 | ||
| 003 | IT-RoAPU | ||
| 005 | 20230501181943.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 230127t19911984nju fo d z eng d | ||
| 020 |
_a9780691002880 _qprint |
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| 020 |
_a9781400820252 _qPDF |
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| 024 | 7 |
_a10.1515/9781400820252 _2doi |
|
| 035 | _a(DE-B1597)9781400820252 | ||
| 035 | _a(DE-B1597)528122 | ||
| 035 | _a(OCoLC)1129187287 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 | _aND237.E15 J64 1991 | |
| 072 | 7 |
_aART016000 _2bisacsh |
|
| 082 | 0 | 4 | _a759.13 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aJohns, Elizabeth _eautore |
|
| 245 | 1 | 0 |
_aThomas Eakins : _bThe Heroism of Modern Life / _cElizabeth Johns. |
| 264 | 1 |
_aPrinceton, NJ : _bPrinceton University Press, _c[1991] |
|
| 264 | 4 | _c©1984 | |
| 300 | _a1 online resource (328 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tList of Illustration -- _tDimensions of Eakins' Works -- _tAcknowledgments -- _tPreface -- _tThomas Eakins - The Heroism of Modern Life -- _tChapter One. Eakins, Modern Life, and the Portrait -- _tChapter Two. Max Schmitt in a Single Scull, or The Champion single Sculls -- _tChapter Three. The Gross Clinic, or Portrait of Professor Gross -- _tChapter Four. William Rush Craving His Allegorical Figure of the Schuylkill River -- _tChapter Five. The Concert Singer -- _tChapter Six. Walt Whitman -- _tbibliographic Essay -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aWhy did Thomas Eakins, now considered the foremost American painter of the nineteenth century, make portraiture his main field in an era when other major artists disdained such a choice? With a rich discussion of the cultural and vocational context of the late nineteenth and early twentieth centuries, Elizabeth Johns answers this question. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) | |
| 650 | 0 |
_aPainting _xPsychological aspects. |
|
| 650 | 7 |
_aART / Individual Artists / General. _2bisacsh |
|
| 653 | _aAlexander Stirling Calder. | ||
| 653 | _aAnders Zorn. | ||
| 653 | _aAnthony van Dyck. | ||
| 653 | _aArchives of American Art. | ||
| 653 | _aBeaumont Newhall. | ||
| 653 | _aBeautiful Song. | ||
| 653 | _aBrandywine River Museum. | ||
| 653 | _aBureau of American Ethnology. | ||
| 653 | _aCarl Zigrosser. | ||
| 653 | _aCecilia Beaux. | ||
| 653 | _aCentury Association. | ||
| 653 | _aCharles Baudelaire. | ||
| 653 | _aCharles Willson Peale. | ||
| 653 | _aCollege Art Association. | ||
| 653 | _aCollege of Physicians of Philadelphia. | ||
| 653 | _aCounter-Reformation. | ||
| 653 | _aCulture and Society. | ||
| 653 | _aCurrier and Ives. | ||
| 653 | _aDaguerreotype. | ||
| 653 | _aDocumenta. | ||
| 653 | _aDover Publications. | ||
| 653 | _aEdmund Clarence Stedman. | ||
| 653 | _aEdwin Austin Abbey. | ||
| 653 | _aF. O. Matthiessen. | ||
| 653 | _aFairmount Water Works. | ||
| 653 | _aFine art. | ||
| 653 | _aFrederick Gutekunst. | ||
| 653 | _aG. (novel). | ||
| 653 | _aGilbert Stuart. | ||
| 653 | _aGiovanni Boldini. | ||
| 653 | _aGrand manner. | ||
| 653 | _aGuillaume Dupuytren. | ||
| 653 | _aGustave Courbet. | ||
| 653 | _aHarper's Weekly. | ||
| 653 | _aHenri Fantin-Latour. | ||
| 653 | _aHis Family. | ||
| 653 | _aIllustration. | ||
| 653 | _aImpressionism. | ||
| 653 | _aIsrael in Egypt. | ||
| 653 | _aJack Kevorkian. | ||
| 653 | _aJames Abbott McNeill Whistler. | ||
| 653 | _aJames Laver. | ||
| 653 | _aJames Tissot. | ||
| 653 | _aJohn F. Peto. | ||
| 653 | _aJohn Ferguson Weir. | ||
| 653 | _aJohn Neagle. | ||
| 653 | _aJohn Singer Sargent. | ||
| 653 | _aLeonardo da Vinci. | ||
| 653 | _aLinda Nochlin. | ||
| 653 | _aMathew Brady. | ||
| 653 | _aMetropolitan Museum of Art. | ||
| 653 | _aMr. John. | ||
| 653 | _aMrs. | ||
| 653 | _aMuseo del Prado. | ||
| 653 | _aNapoleon Sarony. | ||
| 653 | _aNational Gallery of Art. | ||
| 653 | _aNelson-Atkins Museum of Art. | ||
| 653 | _aNew Poems. | ||
| 653 | _aNew York Graphic. | ||
| 653 | _aOratorio. | ||
| 653 | _aPathology. | ||
| 653 | _aPennsylvania Academy of the Fine Arts. | ||
| 653 | _aPhiladelphia Museum of Art. | ||
| 653 | _aPhysician. | ||
| 653 | _aPicturesque. | ||
| 653 | _aPoetry. | ||
| 653 | _aPompeo Batoni. | ||
| 653 | _aPotboiler. | ||
| 653 | _aRalph Waldo Emerson. | ||
| 653 | _aRembrandt Peale. | ||
| 653 | _aS. Weir Mitchell. | ||
| 653 | _aSadakichi Hartmann. | ||
| 653 | _aSamuel Murray. | ||
| 653 | _aSelf-Made Man (book). | ||
| 653 | _aSmithsonian Institution. | ||
| 653 | _aStanley Sadie. | ||
| 653 | _aThe Agnew Clinic. | ||
| 653 | _aThe Concert Singer. | ||
| 653 | _aThe Gross Clinic. | ||
| 653 | _aThe Other Hand. | ||
| 653 | _aThe Phillips Collection. | ||
| 653 | _aThe Physician. | ||
| 653 | _aThe Realist. | ||
| 653 | _aThe Three Ages of Man (Titian). | ||
| 653 | _aThomas Bond (physician). | ||
| 653 | _aThomas Carlyle. | ||
| 653 | _aThomas Couture. | ||
| 653 | _aThomas Eakins. | ||
| 653 | _aThomas Sully. | ||
| 653 | _aUnion League of Philadelphia. | ||
| 653 | _aV. | ||
| 653 | _aVisual art of the United States. | ||
| 653 | _aWhitney Museum of American Art. | ||
| 653 | _aWilliam Harnett. | ||
| 653 | _aWilliam Merritt Chase. | ||
| 653 | _aWilliam Rush and His Model. | ||
| 653 | _aWilliam Rush. | ||
| 653 | _aWilliam Sidney Mount. | ||
| 653 | _aWilliam-Adolphe Bouguereau. | ||
| 653 | _aWood engraving. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781400820252?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781400820252 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781400820252/original |
| 942 | _cEB | ||
| 999 |
_c205050 _d205050 |
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