| 000 | 03637nam a22007575i 4500 | ||
|---|---|---|---|
| 001 | 205397 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214233522.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 210830t20082008nju fo d z eng d | ||
| 019 | _a(OCoLC)1013937125 | ||
| 019 | _a(OCoLC)1037921111 | ||
| 019 | _a(OCoLC)1038632787 | ||
| 020 |
_a9780691124407 _qprint |
||
| 020 |
_a9781400824557 _qPDF |
||
| 024 | 7 |
_a10.1515/9781400824557 _2doi |
|
| 035 | _a(DE-B1597)9781400824557 | ||
| 035 | _a(DE-B1597)447003 | ||
| 035 | _a(OCoLC)979578028 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 050 | 4 |
_aP94 _b.A33 2008eb |
|
| 072 | 7 |
_aPOL008000 _2bisacsh |
|
| 082 | 0 | 4 |
_a324.7/30973 _222 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aAdatto, Kiku _eautore |
|
| 245 | 1 | 0 |
_aPicture Perfect : _bLife in the Age of the Photo Op - New Edition / _cKiku Adatto. |
| 250 | _aNew | ||
| 264 | 1 |
_aPrinceton, NJ : _bPrinceton University Press, _c[2008] |
|
| 264 | 4 | _c©2008 | |
| 300 | _a1 online resource (304 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction: The Age of the Photo Op -- _tChapter 1. Picture Perfect -- _tChapter 2. Photo-Op Politics -- _tChapter 3. Contesting Control of the Picture -- _tChapter 4. Exposed Images -- _tChapter 5. Mythic Pictures and Movie Heroes -- _tChapter 6. The Person and the Pose -- _tNotes -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aWe say the camera doesn't lie, but we also know that pictures distort and deceive. In Picture Perfect, Kiku Adatto brilliantly examines the use and abuse of images today. Ranging from family albums to Facebook, political campaigns to popular movies, images of war to pictures of protest. Adatto reveals how the line between the person and the pose, the real and the fake, news and entertainment is increasingly blurred. New technologies make it easier than ever to capture, manipulate, and spread images. But even in the age of the Internet, we still seek authentic pictures and believe in the camera's promise to document, witness, and interpret our lives. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) | |
| 650 | 0 | _aImages, Photographic. | |
| 650 | 0 |
_aJournalism _zUnited States. |
|
| 650 | 0 | _aJournalism. | |
| 650 | 0 |
_aMass media and culture _zUnited States. |
|
| 650 | 0 | _aMass media and culture. | |
| 650 | 0 |
_aMass media _xInfluence. |
|
| 650 | 0 | _aMass media. | |
| 650 | 0 |
_aMotion pictures _xSocial aspects _zUnited States. |
|
| 650 | 0 | _aMotion pictures. | |
| 650 | 0 | _aPhotography, Artistic. | |
| 650 | 0 | _aPhotojournalism. | |
| 650 | 0 |
_aPopular culture _zUnited States. |
|
| 650 | 0 | _aPopular culture. | |
| 650 | 0 |
_aTelevision broadcasting _zUnited States. |
|
| 650 | 0 | _aTelevision broadcasting. | |
| 650 | 0 |
_aTelevision in politics _zUnited States. |
|
| 650 | 0 | _aTelevision in politics. | |
| 650 | 7 |
_aPOLITICAL SCIENCE / Political Process / Campaigns & Elections. _2bisacsh |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781400824557 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781400824557 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/cover/covers/9781400824557.jpg |
| 942 | _cEB | ||
| 999 |
_c205397 _d205397 |
||