000			04147nam a22005295i 4500
001			205552
003			IT-RoAPU
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008			210830t20092005nju fo d z eng d
020			_a9780691115634 _qprint
020			_a9781400826414 _qPDF
024	7		_a10.1515/9781400826414 _2doi
035			_a(DE-B1597)9781400826414
035			_a(DE-B1597)446328
035			_a(OCoLC)979741718
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aDA690.L8 _bB76 2005
072		7	_aSOC002010 _2bisacsh
082	0	4	_a305.8961/0427/53
084			_aonline - DeGruyter
100	1		_aBrown, Jacqueline Nassy _eautore
245	1	0	_aDropping Anchor, Setting Sail : _bGeographies of Race in Black Liverpool / _cJacqueline Nassy Brown.
250			_aCourse Book
264		1	_aPrinceton, NJ : _bPrinceton University Press, _c[2009]
264		4	_c©2005
300			_a1 online resource (320 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tCONTENTS -- _tPREFACE -- _tCHAPTER ONE Setting Sail -- _tCHAPTER TWO. Black Liverpool, Black America, and the Gendering of Diasporic Space -- _tCHAPTER THREE. 1981 -- _tCHAPTER FOUR. Genealogies: Place, Race, and Kinship -- _tCHAPTER FIVE. Diaspora and Its Discontents: A Trilogy -- _tCHAPTER SIX. My City, My Self: A Folk Phenomenology -- _tCHAPTER SEVEN. A Slave to History: Local Whiteness in a Black Atlantic Port -- _tCHAPTER EIGHT. The Ghost of Muriel Fletcher -- _tCHAPTER NINE. Local Women and Global Men: The Liverpool That Was -- _tPOSTSCRIPT: The Leaving of Liverpool -- _tNOTES -- _tREFERENCES -- _tINDEX
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThe port city of Liverpool, England, is home to one of the oldest Black communities in Britain. Its members proudly date their history back at least as far as the nineteenth century, with the global wanderings and eventual settlement of colonial African seamen. Jacqueline Nassy Brown analyzes how this worldly origin story supports an avowedly local Black politic and identity--a theme that becomes a window onto British politics of race, place, and nation, and Liverpool's own contentious origin story as a gloriously cosmopolitan port of world-historical import that was nonetheless central to British slave trading and imperialism. This ethnography also examines the rise and consequent dilemmas of Black identity. It captures the contradictions of diaspora in postcolonial Liverpool, where African and Afro-Caribbean heritages and transnational linkages with Black America both contribute to and compete with the local as a basis for authentic racial identity. Crisscrossing historical periods, rhetorical modes, and academic genres, the book focuses singularly on "place," enabling its most radical move: its analysis of Black racial politics as enactments of English cultural premises. The insistent focus on English culture implies a further twist. Just as Blacks are racialized through appeals to their assumed Afro-Caribbean and African cultures, so too has Liverpool--an Irish, working-class city whose expansive port faces the world beyond Britain--long been beyond the pale of dominant notions of authentic Englishness. Dropping Anchor, Setting Sail studies "race" through clashing constructions of "Liverpool."
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650		0	_aBlacks _zEngland _zLiverpool.
650		7	_aSOCIAL SCIENCE / Anthropology / Cultural & Social. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781400826414
856	4	0	_uhttps://www.degruyter.com/isbn/9781400826414
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9781400826414.jpg
942			_cEB
999			_c205552 _d205552