000			03916nam a22006495i 4500
001			205635
003			IT-RoAPU
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006			m|||||o||d||||||||
007			cr || ||||||||
008			210729t20092006nju fo d z eng d
020			_a9780691126593 _qprint
020			_a9781400827398 _qPDF
024	7		_a10.1515/9781400827398 _2doi
035			_a(DE-B1597)9781400827398
035			_a(DE-B1597)446361
035			_a(OCoLC)979725976
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aML1255
072		7	_aMUS006000 _2bisacsh
082	0	4	_a784.2/18409034 _222
084			_aonline - DeGruyter
100	1		_aBonds, Mark Evan _eautore
245	1	0	_aMusic as Thought : _bListening to the Symphony in the Age of Beethoven / _cMark Evan Bonds.
250			_aCourse Book
264		1	_aPrinceton, NJ : _bPrinceton University Press, _c[2009]
264		4	_c©2006
300			_a1 online resource (208 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction -- _tAbbreviations -- _tPrologue. An Unlikely Genre: The Rise of the Symphony -- _tChapter 1. Listening with Imagination: The Revolution in Aesthetics -- _tChapter 2. Listening as Thinking: From Rhetoric to Philosophy -- _tChapter 3. Listening to Truth: Beethoven's Fifth Symphony -- _tChapter 4. Listening to the Aesthetic State: Cosmopolitanism -- _tChapter 5. Listening to the German State: Nationalism -- _tEpilogue. Listening to Form: The Refuge of Absolute Music -- _tNotes -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aBefore the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as "more pleasure than culture," and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from the limits of language. What had once been perceived as entertainment was heard increasingly as a vehicle of thought. Listening had become a way of knowing. Music as Thought traces the roots of this fundamental shift in attitudes toward listening in the late eighteenth and early nineteenth centuries. Focusing on responses to the symphony in the age of Beethoven, Mark Evan Bonds draws on contemporary accounts and a range of sources--philosophical, literary, political, and musical--to reveal how this music was experienced by those who heard it first. Music as Thought is a fascinating reinterpretation of the causes and effects of a revolution in listening.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021)
650		0	_aMUSIC _vGenres &amp _xStyles _vClassical.
650		0	_aMusic appreciation.
650		0	_aMusic _vGenres and amp _xStyles _vClassical.
650		0	_aMusic _vPhilosophy and aesthetics.
650		0	_aMusic _x18th century.
650		0	_aMusic _x19th century.
650		0	_aMusic _xPhilosophy and aesthetics.
650		0	_aMusic _y18th century.
650		0	_aMusic _y19th century.
650		0	_aSymphony _x19th century.
650		0	_aSymphony _y19th century.
650		7	_aMUSIC / Genres & Styles / Classical. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781400827398
856	4	0	_uhttps://www.degruyter.com/isbn/9781400827398
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9781400827398.jpg
942			_cEB
999			_c205635 _d205635