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008 221107t20211988nju fo d z eng d
020 _a9781400828395
_qPDF
024 7 _a10.1515/9781400828395
_2doi
035 _a(DE-B1597)9781400828395
035 _a(DE-B1597)577572
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPN1995
_b.A22 1993eb
072 7 _aPER004030
_2bisacsh
082 0 4 _a791.430944
_222
084 _aonline - DeGruyter
100 1 _aAbel, Richard
_eautore
245 1 0 _aFrench Film Theory and Criticism, Volume 2 :
_bA History/Anthology, 1907-1939. Volume 2: 1929-1939 /
_cRichard Abel.
264 1 _aPrinceton, NJ :
_bPrinceton University Press,
_c[2021]
264 4 _c©1988
300 _a1 online resource (328 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tNote on Notes --
_tPreface --
_tAcknowledgments --
_tPART ONE: 1929-1934 --
_tIntroduction --
_tThe Transition to Sound --
_tSelected Texts --
_tPART TWO: 1934-1939 --
_tIntroduction --
_tCulture and Politics: The Popular Front Era --
_tSelected Texts --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThese two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022)
650 0 _aFilm criticism
_zFrance.
650 0 _aMotion pictures
_zFrance
_xHistory.
650 7 _aPERFORMING ARTS / Film & Video / History & Criticism.
_2bisacsh
653 _aAccords Matignon.
653 _aAction française.
653 _aArabesques (1929).
653 _aArtaud, Antonin.
653 _aBailby, Léon.
653 _aBancroft, George.
653 _aBaudelaire, Charles.
653 _aBeaumont, Henry.
653 _aBlonde Venus (1932).
653 _aBorger, Lenny.
653 _aBrasillach, Robert.
653 _aBunuel, Luis.
653 _aCahiers du film, Les.
653 _aCandide.
653 _aCarné, Marcel.
653 _aCensorship Commission.
653 _aCheronnet, Louis.
653 _aCiboulette (1931).
653 _aCinéma du peuple.
653 _aCinémagazine.
653 _aCognasse (1931).
653 _aComédie française.
653 _aCrainquebille (1923).
653 _aDalio, Marcel.
653 _aDekorba, Maurice.
653 _aDoumergue, Gaston.
653 _aDucaux, Annie.
653 _aDuvivier, Julien.
653 _aEhrenberg, Ilya.
653 _aEpstein, Jean.
653 _aEpstein, Marie.
653 _aExperimental Cinema.
653 _aFayard, Arthème.
653 _aFondane, Benjamin.
653 _aForfaiture (1937).
653 _aFrankfurt School.
653 _aFrench Communist Party.
653 _aGallimard.
653 _aHawks, Howard.
653 _aHepburn, Katherine.
653 _aHurricane (1937).
653 _aIvens, Joris.
653 _aJaubert, Maurice.
653 _aJezebel (1938).
653 _aJouvenal, Henry de.
653 _aKaufman, Boris.
653 _aMadone des sleepings.
653 _aMarxism.
653 _aMon Film.
653 _aMusset, Alfred de.
653 _aNanook (1922).
653 _aOedipus Rex.
653 _aamour, Philippe.
653 _aanimation film.
653 _adocumentary film.
653 _afascism.
653 _afilm: and poetry.
700 1 _aAbel, Richard
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781400828395?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9781400828395
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781400828395/original
942 _cEB
999 _c205719
_d205719