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| 001 | 205949 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214233543.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 210830t20121991nju fo d z eng d | ||
| 020 |
_a9780691027159 _qprint |
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| 020 |
_a9781400831623 _qPDF |
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| 024 | 7 |
_a10.1515/9781400831623 _2doi |
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| 035 | _a(DE-B1597)9781400831623 | ||
| 035 | _a(DE-B1597)446809 | ||
| 035 | _a(OCoLC)979632162 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aMUS020000 _2bisacsh |
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| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 |
_aMendelssohn and His World / _ced. by R. Larry Todd. |
| 250 | _aCourse Book | ||
| 264 | 1 |
_aPrinceton, NJ : _bPrinceton University Press, _c[2012] |
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| 264 | 4 | _c©1991 | |
| 300 | _a1 online resource (428 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aThe Bard Music Festival ; _v30 |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tPreface -- _tAcknowledgments -- _tPART I: ESSAYS -- _tThe Aesthetics of Assimilation and Affirmation: Reconstructing the Career of Felix Mendelssohn -- _tSome Notes on an Anthem by Mendelssohn -- _tMendelssohn and the Berlin Singakademie: The Composer at the Crossroads -- _tThe Power of Class: Fanny Hensel -- _tSamplings -- _tElijah, Johann Sebastian Bach, and the New Covenant: On the Aria "Es ist genug" in Felix Mendelssohn- Bartholdy''s Oratorio Elijah -- _tThe Incidental Politics to Mendelssohn's Antigone -- _tThe Unfinished Mendelssohn -- _tPART II: MEMOIRS -- _tConversations with Felix Mendelssohn -- _tFrom the Memoirs of Adolf Bernhard Marx -- _tReminiscences of Felix Mendelssohn-Bartholdy -- _tReminiscences of Mendelssohn by His English Pupil -- _tFrom the Memoirs of F. Max Müller -- _tFrom the Memoirs of Ernst Rudorff -- _tPART III LETTERS -- _tLetters from Felix Mendelssohn-Bartholdy to Aloys Fuchs -- _tMendelssohn as Teacher -- _tPART IV: CRITICISM AND RECEPTION -- _tRobert Schumann with Reference to Mendelssohn-Bartholdy and the Development of Modern Music in General -- _tHeinrich Heine on Mendelssohn -- _tOn F. Mendelssohn-Bartholdy's Oratorio Elijah -- _tOn Mendelssohn and Some of His Contemporary Critics -- _tFelix Mendelssohn -- _tIndex of Names and Compositions -- _tList of Contributors |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aDuring the 1830s and 1840s the remarkably versatile composer-pianist-organist-conductor Felix Mendelssohn-Bartholdy stood at the forefront of German and English musical life. Bringing together previously unpublished essays by historians and musicologists, reflections on Mendelssohn written by his contemporaries, the composer's own letters, and early critical reviews of his music, this volume explores various facets of Mendelssohn's music, his social and intellectual circles, and his career. The essays in Part I cover the nature of a Jewish identity in Mendelssohn's music (Leon Botstein); his relationship to the Berlin Singakademie (William A. Little); the role of his sister Fanny Hensel, herself a child prodigy and accomplished composer (Nancy Reich); Mendelssohn's compositional craft in the Italian Symphony and selected concert overtures (Claudio Spies); his oratorio Elijah (Martin Staehelin); his incidental music to Sophocles' Antigone (Michael P. Steinberg); his anthem "Why, O Lord, delay forever?" (David Brodbeck); and an unfinished piano sonata (R. Larry Todd). Part II presents little-known memoirs by such contemporaries as J. C. Lobe, A. B. Marx, Julius Schubring, C. E. Horsley, Max Mller, and Betty Pistor. Mendelssohn's letters are represented in Part III by his correspondence with Wilhelm von Boguslawski and Aloys Fuchs, here translated for the first time. Part IV contains late nineteenth-century critical reviews by Heinrich Heine, Franz Brendel, Friedrich Niecks, Otto Jahn, and Hans von Blow. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) | |
| 650 | 7 |
_aMUSIC / History & Criticism. _2bisacsh |
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| 700 | 1 |
_aBotstein, Leon _eautore |
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| 700 | 1 |
_aBrendel, Franz _eautore |
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| 700 | 1 |
_aBrodbeck, David _eautore |
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| 700 | 1 |
_aGillespie, Susan _eautore |
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| 700 | 1 |
_aHake, Bruno _eautore |
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| 700 | 1 |
_aHanslick, Eduard _eautore |
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| 700 | 1 |
_aHorsley, Charles Edward _eautore |
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| 700 | 1 |
_aJahn, Otto _eautore |
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| 700 | 1 |
_aLittle, WM. A. _eautore |
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| 700 | 1 |
_aLobe, Johann Christian _eautore |
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| 700 | 1 |
_aNiecks, Friedrich _eautore |
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| 700 | 1 |
_aReich, Nancy B. _eautore |
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| 700 | 1 |
_aSchubring, Julius _eautore |
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| 700 | 1 |
_aSpies, Claudio _eautore |
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| 700 | 1 |
_aStaehelin, Martin _eautore |
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| 700 | 1 |
_aSteinberg, Michael P. _eautore |
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| 700 | 1 |
_aTodd, R. Larry _eautore _ecuratore |
|
| 700 | 1 |
_aVon Bülow, Hans _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781400831623 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781400831623 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/cover/covers/9781400831623.jpg |
| 942 | _cEB | ||
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_c205949 _d205949 |
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