000 04112nam a22005775i 4500
001 206158
003 IT-RoAPU
005 20221214233552.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 210729t20102010nju fo d z eng d
020 _a9780691145754
_qprint
020 _a9781400834914
_qPDF
024 7 _a10.1515/9781400834914
_2doi
035 _a(DE-B1597)9781400834914
035 _a(DE-B1597)446999
035 _a(OCoLC)979749453
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPS225
_b.H86 2010
072 7 _aLIT004020
_2bisacsh
082 0 4 _a810/.9/005
_222
084 _aonline - DeGruyter
100 1 _aHungerford, Amy
_eautore
245 1 0 _aPostmodern Belief :
_bAmerican Literature and Religion since 1960 /
_cAmy Hungerford.
250 _aCourse Book
264 1 _aPrinceton, NJ :
_bPrinceton University Press,
_c[2010]
264 4 _c©2010
300 _a1 online resource (240 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _a20/21
505 0 0 _tFrontmatter --
_tCONTENTS --
_tAcknowledgments --
_tINTRODUCTION: Belief in Meaninglessness --
_tChapter One. Believing in Literature --
_tChapter Two. Supernatural Formalism in the Sixties --
_tChapter Three. The Latin Mass of Language --
_tChapter Four. The Bible and llliterature --
_tChapter Five. The Literary Practice of Belief --
_tCONCLUSION: The End of The Road, Devil on the Rise --
_tNotes --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aHow can intense religious beliefs coexist with pluralism in America today? Examining the role of the religious imagination in contemporary religious practice and in some of the best-known works of American literature from the past fifty years, Postmodern Belief shows how belief for its own sake--a belief absent of doctrine--has become an answer to pluralism in a secular age. Amy Hungerford reveals how imaginative literature and religious practices together allow novelists, poets, and critics to express the formal elements of language in transcendent terms, conferring upon words a religious value independent of meaning. Hungerford explores the work of major American writers, including Allen Ginsberg, Don DeLillo, Cormac McCarthy, Toni Morrison, and Marilynne Robinson, and links their unique visions to the religious worlds they touch. She illustrates how Ginsberg's chant-infused 1960s poetry echoes the tongue-speaking of Charismatic Christians, how DeLillo reimagines the novel and the Latin Mass, why McCarthy's prose imitates the Bible, and why Morrison's fiction needs the supernatural. Uncovering how literature and religion conceive of a world where religious belief can escape confrontations with other worldviews, Hungerford corrects recent efforts to discard the importance of belief in understanding religious life, and argues that belief in belief itself can transform secular reading and writing into a religious act. Honoring the ways in which people talk about and practice religion, Postmodern Belief highlights the claims of the religious imagination in twentieth-century American culture.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021)
650 0 _aAmerican literature
_y20th century
_xHistory and criticism.
650 0 _aPostmodernism (Literature).
650 0 _aReligion and literature
_zUnited States
_xHistory
_y20th century.
650 0 _aReligion in literature.
650 7 _aLITERARY CRITICISM / American / General.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781400834914
856 4 0 _uhttps://www.degruyter.com/isbn/9781400834914
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9781400834914.jpg
942 _cEB
999 _c206158
_d206158