000			07005nam a22016695i 4500
001			206220
003			IT-RoAPU
005			20221214233554.0
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008			220729t20222011nju fo d z eng d
020			_a9781400835911 _qPDF
024	7		_a10.1515/9781400835911 _2doi
035			_a(DE-B1597)9781400835911
035			_a(DE-B1597)627107
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aN6923.B9 _bB345 2011eb
072		7	_aART015080 _2bisacsh
082	0	4	_a709.2 _222
084			_aonline - DeGruyter
100	1		_aBarkan, Leonard _eautore
245	1	0	_aMichelangelo : _bA Life on Paper / _cLeonard Barkan.
264		1	_aPrinceton, NJ : _bPrinceton University Press, _c[2022]
264		4	_c©2011
300			_a1 online resource (384 p.) : _b165 color illus. 40 halftones. 3 line illus.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tPreface -- _tAcknowledgments -- _t1 Hieroglyphs of the Mind -- _t2 On the Same Page -- _t3 Picture Writing -- _t4 Making a Name -- _t5 Crowded Sheets -- _t6 Private in Public -- _t7 Vat. lat. 3211 -- _t8 Drawing the Line -- _tNotes -- _tCredits -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aA groundbreaking account of the role of writing in Michelangelo's artMichelangelo is best known for great artistic achievements such as the Sistine ceiling, the David, the Pietà, and the dome of St. Peter's. Yet throughout his seventy-five year career, he was engaged in another artistic act that until now has been largely overlooked: he not only filled hundreds of sheets of paper with exquisite drawings, sketches, and doodles, but also, on fully a third of these sheets, composed his own words. Here we can read the artist's marginal notes to his most enduring masterpieces; workaday memos to assistants and pupils; poetry and letters; and achingly personal expressions of ambition and despair surely meant for nobody's eyes but his own. Michelangelo: A Life on Paper is the first book to examine this intriguing interplay of words and images, providing insight into his life and work as never before.This sumptuous volume brings together more than two hundred stunning, museum-quality reproductions of Michelangelo's most private papers, many in color. Accompanying them is Leonard Barkan's vivid narrative, which explains the important role the written word played in the artist's monumental public output. What emerges is a wealth of startling juxtapositions: perfectly inscribed sonnets and tantalizing fragments, such as "Have patience, love me, sufficient consolation"; careful notations listing money spent for chickens, oxen, and funeral rites for the artist's father; a beautiful drawing of a Madonna and child next to a mock love poem that begins, "You have a face sweeter than boiled grape juice, and a snail seems to have passed over it." Magnificently illustrated and superbly detailed, this book provides a rare and intimate look at how Michelangelo's artistic genius expressed itself in words as well as pictures.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022)
650		7	_aART / History / Renaissance. _2bisacsh
653			_aAesthetic Theory.
653			_aAgostino di Duccio.
653			_aAncient art.
653			_aAndrea del Verrocchio.
653			_aApelles.
653			_aArch of Constantine.
653			_aArs Poetica (Horace).
653			_aAscanio Condivi.
653			_aBattle of Cascina (Michelangelo).
653			_aBiblioteca Ambrosiana.
653			_aBook.
653			_aBuonarroti.
653			_aCalligraphy.
653			_aCasa Buonarroti.
653			_aCavalieri.
653			_aCimabue.
653			_aClassicism.
653			_aCode word (figure of speech).
653			_aCodex Arundel.
653			_aCodex Madrid (Leonardo).
653			_aCodex Urbinas.
653			_aCouncil of Florence.
653			_aCreative work.
653			_aCristofano Allori.
653			_aDante Alighieri.
653			_aDard Hunter.
653			_aDe Beneficiis.
653			_aDella Rovere.
653			_aDivine Comedy.
653			_aDoni Tondo.
653			_aDrawing.
653			_aEdgar Wind.
653			_aEl Greco.
653			_aElizabethan literature.
653			_aEmblem book.
653			_aEnglish poetry.
653			_aErnst Gombrich.
653			_aFoot the bill.
653			_aGherardo Perini.
653			_aGhirlandaio.
653			_aIconography.
653			_aInvention.
653			_aJames S. Ackerman.
653			_aLaurentian Library.
653			_aLeonardo da Vinci.
653			_aLiterary theory.
653			_aLoeb Classical Library.
653			_aMartianus Capella.
653			_aMartin Kemp (art historian).
653			_aMedici Chapel.
653			_aMedici Madonna (van der Weyden).
653			_aMetonymy.
653			_aMichelangelo.
653			_aMirror writing.
653			_aMutatis mutandis.
653			_aNarcissism.
653			_aNarrative.
653			_aNew Narrative.
653			_aNon finito.
653			_aNude (art).
653			_aParagone.
653			_aParis Codex.
653			_aPathetic fallacy.
653			_aPentimento.
653			_aPetrarch.
653			_aPhysiognomy.
653			_aPicture and Text.
653			_aPiero di Cosimo.
653			_aPietro Aretino.
653			_aPietro Perugino.
653			_aPoetry.
653			_aPope Julius II.
653			_aPutto.
653			_aQuintilian.
653			_aReligious symbolism.
653			_aRichard Crashaw.
653			_aRoland Barthes.
653			_aRomanticism.
653			_aSandro Botticelli.
653			_aSean.
653			_aSebastiano del Piombo.
653			_aSelf-fashioning.
653			_aSelf-portrait.
653			_aSistine Chapel.
653			_aStephen Greenblatt.
653			_aSubtext.
653			_aSubtitle (captioning).
653			_aSuperiority (short story).
653			_aTextual criticism.
653			_aTheory of art.
653			_aTheory of painting.
653			_aTimanthes.
653			_aTitian.
653			_aTitulus (inscription).
653			_aUffizi.
653			_aUt pictura poesis.
653			_aV.
653			_aVittoria Colonna.
653			_aWriting.
653			_aZeuxis.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781400835911?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9781400835911
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781400835911/original
942			_cEB
999			_c206220 _d206220