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008 220729t20222011nju fo d z eng d
020 _a9781400836420
_qPDF
024 7 _a10.1515/9781400836420
_2doi
035 _a(DE-B1597)9781400836420
035 _a(DE-B1597)627113
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aNB615
_b.C65 2011eb
072 7 _aART015080
_2bisacsh
082 0 4 _a730.92/245
_222
084 _aonline - DeGruyter
100 1 _aCole, Michael W.
_eautore
245 1 0 _aAmbitious Form :
_bGiambologna, Ammanati, and Danti in Florence /
_cMichael W. Cole.
264 1 _aPrinceton, NJ :
_bPrinceton University Press,
_c[2022]
264 4 _c©2011
300 _a1 online resource (400 p.) :
_b167 halftones.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tIntroduction --
_t1 Models --
_t2 Professions --
_t3 Naturalism --
_t4 Pose --
_t5 Sculpture as Architecture --
_t6 Chapels --
_t7 Sculpture in the City --
_tConclusion --
_tPhoto Credits --
_tNotes --
_tAcknowledgments --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aAmbitious Form describes the transformation of Italian sculpture during the neglected half century between the death of Michelangelo and the rise of Bernini. The book follows the Florentine careers of three major sculptors--Giambologna, Bartolomeo Ammanati, and Vincenzo Danti--as they negotiated the politics of the Medici court and eyed one another's work, setting new aims for their art in the process. Only through a comparative look at Giambologna and his contemporaries, it argues, can we understand them individually--or understand the period in which they worked. Michael Cole shows how the concerns of central Italian artists changed during the last decades of the Cinquecento. Whereas their predecessors had focused on specific objects and on the particularities of materials, late sixteenth-century sculptors turned their attention to models and design. The iconic figure gave way to the pose, individualized characters to abstractions. Above all, the multiplicity of master crafts that had once divided sculptors into those who fashioned gold or bronze or stone yielded to a more unifying aspiration, as nearly every ambitious sculptor, whatever his training, strove to become an architect.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022)
650 0 _aArt and architecture
_zItaly
_zFlorence
_xHistory
_y16th century.
650 0 _aArt
_xPolitical aspects
_zItaly
_zFlorence
_xHistory
_y16th century.
650 0 _aSculpture, Italian
_zItaly
_zFlorence
_xHistory
_y16th century.
650 7 _aART / History / Renaissance.
_2bisacsh
653 _aAby Warburg.
653 _aAdriaen de Vries.
653 _aAlessandro Allori.
653 _aAlessandro Vittoria.
653 _aAndrea Riccio.
653 _aAndrea del Verrocchio.
653 _aAntipope John XXIII.
653 _aAscanio Condivi.
653 _aBanderole.
653 _aBaptistery.
653 _aBartolomeo Ammannati.
653 _aBenvenuto Cellini.
653 _aBoboli Gardens.
653 _aBrought to Light.
653 _aCaravaggio.
653 _aCavalieri.
653 _aCounter-Reformation.
653 _aDaniele da Volterra.
653 _aDavid (Michelangelo).
653 _aDe Re Aedificatoria.
653 _aDe rerum natura.
653 _aDesiderio da Settignano.
653 _aDuke of Florence.
653 _aErwin Panofsky.
653 _aFarnese Hercules.
653 _aFasti.
653 _aFibonacci.
653 _aFigurative art.
653 _aFilarete.
653 _aFilippo Brunelleschi.
653 _aFlorence Cathedral.
653 _aFrancesco Mochi.
653 _aFrancesco da Sangallo.
653 _aFriedrich Sustris.
653 _aGalleria Borghese.
653 _aGerhard Wolf.
653 _aGiambologna.
653 _aGian Lorenzo Bernini.
653 _aGian Paolo Lomazzo.
653 _aGiovanni Angelo Montorsoli.
653 _aGiuliano de' Medici.
653 _aHieronymus Cock.
653 _aHugo van der Goes.
653 _aIllusionism (art).
653 _aJ. Paul Getty Museum.
653 _aJacopo Sansovino.
653 _aJan Gossaert.
653 _aJan van Scorel.
653 _aJohn Chrysostom.
653 _aLaurentian Library.
653 _aLeone Leoni.
653 _aLuca della Robbia.
653 _aMarzocco.
653 _aMassimo.
653 _aMatteo Civitali.
653 _aMedici Chapel.
653 _aMichel de Montaigne.
653 _aMichelangelo Naccherino.
653 _aMichelangelo.
653 _aMichelozzo.
653 _aMinimalism.
653 _aModello.
653 _aMonumental sculpture.
653 _aMuseo del Prado.
653 _aNon finito.
653 _aPantheon, Rome.
653 _aParagone.
653 _aPicturesque.
653 _aPierino da Vinci.
653 _aPietra serena.
653 _aPietro Bernini.
653 _aPietro Francavilla.
653 _aPietro Tacca.
653 _aPontormo.
653 _aPope Julius II.
653 _aPope Sixtus V.
653 _aPraxiteles.
653 _aPutto.
653 _aRenaissance art.
653 _aRoman Inquisition.
653 _aSandro Botticelli.
653 _aSanta Maria sopra Minerva.
653 _aSanta Trinita.
653 _aSebastiano Serlio.
653 _aSigismondo.
653 _aSignoria.
653 _aStefano della Bella.
653 _aStoldo Lorenzi.
653 _aStrozzi family.
653 _aTaddeo Landini.
653 _aThe Work of Art in the Age of Mechanical Reproduction.
653 _aTitian.
653 _aTomb of Antipope John XXIII.
653 _aTommaso Laureti.
653 _aVatican Museums.
653 _aVeduta.
653 _aVenus Genetrix (sculpture).
653 _aVilla Medici.
653 _aVitruvius.
653 _aWoman Bathing (van Eyck).
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781400836420
856 4 0 _uhttps://www.degruyter.com/isbn/9781400836420
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781400836420/original
942 _cEB
999 _c206249
_d206249