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020 _a9780691148564
_qprint
020 _a9781400836475
_qPDF
024 7 _a10.1515/9781400836475
_2doi
035 _a(DE-B1597)9781400836475
035 _a(DE-B1597)446834
035 _a(OCoLC)979593508
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aML410.B46
_bH35 2010
072 7 _aMUS020000
_2bisacsh
084 _aonline - DeGruyter
245 0 0 _aAlban Berg and His World /
_ced. by Christopher Hailey.
250 _aCourse Book
264 1 _aPrinceton, NJ :
_bPrinceton University Press,
_c[2010]
264 4 _c©2010
300 _a1 online resource (392 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aThe Bard Music Festival ;
_v22
505 0 0 _tFrontmatter --
_tContents --
_tPreface and Acknowledgments --
_tPermissions and Credits --
_tBerg's Worlds --
_tHermann Watznauer's Biography of Alban Berg --
_tA Descriptive Overview of Berg's Night (Nocturne) --
_tBerg and the Orchestra --
_t" . . . deinen Wuchs wie Musik": Portraits, Identities, and the Dynamics of Seeing in Berg's Operatic Sphere --
_t"Remembrance of things that are to come": Some Reflections on Berg's Palindromes --
_t1934, Alban Berg, and the Shadow of Politics: Documents of a Troubled Year --
_tAlban Berg zum Gedenken: The Berg Memorial Issue of 23: A Viennese Music Journal --
_tAlban Berg and the Memory of Modernism --
_tIndex --
_tNotes on the Contributors --
_tBackmatter
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aAlban Berg and His World is a collection of essays and source material that repositions Berg as the pivotal figure of Viennese musical modernism. His allegiance to the austere rigor of Arnold Schoenberg's musical revolution was balanced by a lifelong devotion to the warm sensuousness of Viennese musical tradition and a love of lyric utterance, the emotional intensity of opera, and the expressive nuance of late-Romantic tonal practice. The essays in this collection explore the specific qualities of Berg's brand of musical modernism, and present newly translated letters and documents that illuminate his relationship to the politics and culture of his era. Of particular significance are the first translations of Berg's newly discovered stage work Night (Nocturne), Hermann Watznauer's intimate account of Berg's early years, and the famous memorial issue of the music periodical 23. Contributors consider Berg's fascination with palindromes and mirror images and their relationship to notions of time and identity; the Viennese roots of his distinctive orchestral style; his links to such Viennese contemporaries as Alexander Zemlinsky, Franz Schreker, and Erich Wolfgang Korngold; and his attempts to maneuver through the perilous shoals of gender, race, and fascist politics. The contributors are Antony Beaumont, Leon Botstein, Regina Busch, Nicholas Chadwick, Mark DeVoto, Douglas Jarman, Sherry Lee, and Margaret Notley. Bard Music Festival: ? Berg and His WorldBard CollegeAnnandale-on-Hudson, New YorkAugust 13-15, 2010 and August 20-22, 2010
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021)
650 0 _aComposers
_zAustria
_vBiography.
650 7 _aMUSIC / History & Criticism.
_2bisacsh
700 1 _aBeaumont, Antony
_eautore
700 1 _aBotstein, Leon
_eautore
700 1 _aBusch, Regina
_eautore
700 1 _aChadwick, Nick
_eautore
700 1 _aDevoto, Mark
_eautore
700 1 _aHailey, Christopher
_eautore
_ecuratore
700 1 _aJarman, Douglas
_eautore
700 1 _aLee, Sherry D.
_eautore
700 1 _aNotley, Margaret
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781400836475?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9781400836475
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9781400836475.jpg
942 _cEB
999 _c206252
_d206252