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008 210729t20102011nju fo d z eng d
020 _a9780691146447
_qprint
020 _a9781400836628
_qPDF
024 7 _a10.1515/9781400836628
_2doi
035 _a(DE-B1597)9781400836628
035 _a(DE-B1597)446951
035 _a(OCoLC)979754803
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPN1995.9.F54
072 7 _aHIS054000
_2bisacsh
082 0 4 _a791.43/655
_222
084 _aonline - DeGruyter
245 0 0 _aNoir Urbanisms :
_bDystopic Images of the Modern City /
_ced. by Gyan Prakash.
250 _aCourse Book
264 1 _aPrinceton, NJ :
_bPrinceton University Press,
_c[2010]
264 4 _c©2011
300 _a1 online resource (288 p.) :
_b29 halftones.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aPublications in Partnership with the Shelby Cullom Davis Center at Princeton University ;
_v3
505 0 0 _tFrontmatter --
_tContents --
_tIntroduction. Imaging the Modern City, Darkly --
_tModernism and Urban Dystopia --
_tChapter 1. The Phantasm of the Apocalypse --
_tChapter 2. Sounds Like Hell --
_tChapter 3. Tlatelolco --
_tThe Aesthetics of the Dark City --
_tChapter 4. A Regional Geography of Film Noir --
_tChapter 5. Oh No, There Goes Tokyo --
_tChapter 6. Postsocialist Urban Dystopia? --
_tChapter 7. Friction, Collision, and the Grotesque --
_tImaging Urban Crisis --
_tChapter 8. Topographies of Distress --
_tChapter 9. Living in Dystopia --
_tChapter 10. Imaging Urban Breakdown --
_tContributors --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aDystopic imagery has figured prominently in modern depictions of the urban landscape. The city is often portrayed as a terrifying world of darkness, crisis, and catastrophe. Noir Urbanisms traces the history of the modern city through its critical representations in art, cinema, print journalism, literature, sociology, and architecture. It focuses on visual forms of dystopic representation--because the history of the modern city is inseparable from the production and circulation of images--and examines their strengths and limits as urban criticism. Contributors explore dystopic images of the modern city in Germany, Mexico, Japan, India, South Africa, China, and the United States. Their topics include Weimar representations of urban dystopia in Fritz Lang's 1927 film Metropolis; 1960s modernist architecture in Mexico City; Hollywood film noir of the 1940s and 1950s; the recurring fictional destruction of Tokyo in postwar Japan's sci-fi doom culture; the urban fringe in Bombay cinema; fictional explorations of urban dystopia in postapartheid Johannesburg; and Delhi's out-of-control and media-saturated urbanism in the 1980s and 1990s. What emerges in Noir Urbanisms is the unsettling and disorienting alchemy between dark representations and the modern urban experience. In addition to the editor, the contributors are David R. Ambaras, James Donald, Rubén Gallo, Anton Kaes, Ranjani Mazumdar, Jennifer Robinson, Mark Shiel, Ravi Sundaram, William M. Tsutsui, and Li Zhang.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021)
650 0 _aCities and towns in motion pictures.
650 0 _aCity and town life in motion pictures.
650 0 _aFilm noir
_xHistory and criticism.
650 7 _aHISTORY / Social History.
_2bisacsh
700 1 _aAmbaras, David R.
_eautore
700 1 _aDonald, James
_eautore
700 1 _aGallo, Rubén
_eautore
700 1 _aMazumdar, Ranjani
_eautore
700 1 _aPrakash, Gyan
_eautore
_ecuratore
700 1 _aRobinson, Jennifer
_eautore
700 1 _aShiel, Mark
_eautore
700 1 _aSundaram, Ravi
_eautore
700 1 _aTsutsui, William M.
_eautore
700 1 _aZhang, Li
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781400836628
856 4 0 _uhttps://www.degruyter.com/isbn/9781400836628
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9781400836628.jpg
942 _cEB
999 _c206266
_d206266