000			06864nam a22017295i 4500
001			206457
003			IT-RoAPU
005			20230501181958.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			230127t20222011nju fo d z eng d
020			_a9781400839780 _qPDF
024	7		_a10.1515/9781400839780 _2doi
035			_a(DE-B1597)9781400839780
035			_a(DE-B1597)627114
035			_a(OCoLC)1338020920
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aGN347
072		7	_aART009000 _2bisacsh
082	0	4	_a301 _223/eng/20220718
084			_aonline - DeGruyter
100	1		_aBelting, Hans _eautore
245	1	3	_aAn Anthropology of Images : _bPicture, Medium, Body / _cHans Belting.
264		1	_aPrinceton, NJ : _bPrinceton University Press, _c[2022]
264		4	_c©2011
300			_a1 online resource (216 p.) : _b61 halftones.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tA New Introduction for the English Reader -- _t1 An Anthropology of Images: Picture, Medium, Body -- _t2 The Locus of Images: The Living Body -- _t3 The Coat of Arms and the Portrait: Two Media of the Body -- _t4 Image and Death -- _t5 Media and Bodies: Dante’s Shadows and Greenaway’s TV -- _t6 The Transparency of the Medium: The Photographic Image -- _tNotes -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aA compelling theory that places the origin of human picture making in the bodyIn this groundbreaking book, renowned art historian Hans Belting proposes a new anthropological theory for interpreting human picture making. Rather than focus exclusively on pictures as they are embodied in various media such as painting, sculpture, or photography, he links pictures to our mental images and therefore our bodies. The body is understood as a "living medium" that produces, perceives, or remembers images that are different from the images we encounter through handmade or technical pictures. Refusing to reduce images to their material embodiment yet acknowledging the importance of the historical media in which images are manifested, An Anthropology of Images presents a challenging and provocative new account of what pictures are and how they function.The book demonstrates these ideas with a series of compelling case studies, ranging from Dante's picture theory to post-photography. One chapter explores the tension between image and medium in two "media of the body," the coat of arms and the portrait painting. Another, central chapter looks at the relationship between image and death, tracing picture production, including the first use of the mask, to early funerary rituals in which pictures served to represent the missing bodies of the dead. Pictures were tools to re-embody the deceased, to make them present again, a fact that offers a surprising clue to the riddle of presence and absence in most pictures and that reveals a genealogy of pictures obscured by Platonic picture theory.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)
650		0	_aEthnology in art.
650		0	_aVisual anthropology.
650		0	_aVisual sociology.
650		7	_aART / Criticism. _2bisacsh
653			_aAlex Katz.
653			_aAllegory.
653			_aAnalogy.
653			_aAnecdote.
653			_aAnthropology of art.
653			_aAnthropology of media.
653			_aAntithesis.
653			_aAphorism.
653			_aArchaeology.
653			_aArt criticism.
653			_aArt history.
653			_aArt.
653			_aBody image.
653			_aCamera Work.
653			_aCamera.
653			_aCase study.
653			_aClose-up.
653			_aCoat of arms.
653			_aConceptual art.
653			_aConsciousness.
653			_aCountermovement.
653			_aCreation myth.
653			_aCreative work.
653			_aCultural anthropology.
653			_aCultural geography.
653			_aCultural heritage.
653			_aCultural history.
653			_aCultural memory.
653			_aDichotomy.
653			_aEmblem.
653			_aEmerging technologies.
653			_aEscutcheon (heraldry).
653			_aExplanation.
653			_aFilm theory.
653			_aFine art.
653			_aFunerary art.
653			_aGenre.
653			_aGeorges Bataille.
653			_aGudea.
653			_aHistorical anthropology.
653			_aHistoricity.
653			_aHistoriography.
653			_aHuman figure (aesthetics).
653			_aHumanism.
653			_aHumanities.
653			_aIconicity.
653			_aIconoclasm.
653			_aIconography.
653			_aIconology.
653			_aIllustration.
653			_aImagery.
653			_aInference.
653			_aIntentionality.
653			_aInvention.
653			_aMark So.
653			_aMasaccio.
653			_aMedium theory.
653			_aMental image.
653			_aMetaphor.
653			_aMetonymy.
653			_aModernity.
653			_aNecromancy.
653			_aNeuromancer.
653			_aOn Photography.
653			_aPhilosophical anthropology.
653			_aPhilosophy.
653			_aPhotogram.
653			_aPhotograph.
653			_aPhotography.
653			_aPhotojournalism.
653			_aPhysiognomy.
653			_aPictorialism.
653			_aPigment.
653			_aPrimitive culture.
653			_aPrimitivism.
653			_aPropaganda.
653			_aProvenance.
653			_aReligious image.
653			_aReproducibility.
653			_aSecularization.
653			_aSemiotics.
653			_aSightline.
653			_aSimulacrum.
653			_aSocial anthropology.
653			_aSpecial effect.
653			_aSpecial rights.
653			_aStructural anthropology.
653			_aSubtitle (captioning).
653			_aSymptom.
653			_aTechnology.
653			_aTerminology.
653			_aTheory.
653			_aThought.
653			_aUniqueness.
653			_aVisual artifact.
653			_aVisual arts.
653			_aVisual culture.
653			_aVisual rhetoric.
653			_aWork of art.
653			_aWriting.
700	1		_aDunlap, Thomas _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781400839780?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9781400839780
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781400839780/original
942			_cEB
999			_c206457 _d206457