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001			206551
003			IT-RoAPU
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007			cr || ||||||||
008			210729t20112003nju fo d z eng d
019			_a(OCoLC)1054879225
020			_a9780691155401 _qprint
020			_a9781400841226 _qPDF
024	7		_a10.1515/9781400841226 _2doi
035			_a(DE-B1597)9781400841226
035			_a(DE-B1597)447904
035			_a(OCoLC)979577689
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aMUS020000 _2bisacsh
084			_aonline - DeGruyter
100	1		_aBabbitt, Milton _eautore
245	1	4	_aThe Collected Essays of Milton Babbitt / _cMilton Babbitt; ed. by Stephen Peles, Joseph N. Straus, Andrew Mead, Stephen Dembski.
250			_aCourse Book
264		1	_aPrinceton, NJ : _bPrinceton University Press, _c[2011]
264		4	_c©2003
300			_a1 online resource (544 p.) : _b70 line illus. 9 tables.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tCONTENTS -- _tAcknowledgments -- _tPreface -- _tThe String Quartets of Bartók 1949 -- _tReview of Schoenberg et son école and Qu'est ce que la musique de douze sons? by René Leibowitz. 1950 -- _tReview of Polyphonie-Revue musicale trimestrielle; Quatrième cahier: Le Système dodécaphonique 1950 -- _tReview of Felix Salzer, Structural Hearing: Tonal Coherence in Music 1952 -- _tTintinnabulation of the Crochets 1953 -- _tMusical America's Several Generations 1954 -- _tSome Aspects of Twelve-Tone Composition 1955 -- _tThe Composer as Specialist 1958 -- _tTwelve-Tone Invariants as Compositional Determinants 1960 -- _tThe Revolution in Sound: Electronic Music 1960 -- _tPast and Present Concepts of the Nature and Limits of Music 1961 -- _tSet Structure as a Compositional Determinant 1961 -- _tTwelve-Tone Rhythmic Structure and the Electronic Medium 1962 -- _tReply to George Perle 1963 -- _tRemarks on the Recent Stravinsky 1964 -- _tThe Synthesis, Perception, and Specification of Musical Time 1964 -- _tAn Introduction to the R.C.A. Synthesizer 1964 -- _tThe Structure and Function of Musical Theory 1965 -- _tThe Use of Computers in Musicological Research 1965 -- _tEdgard Varèse: A Few Observations of His Music 1966 -- _tThree Essays on Schoenberg 1968 -- _tOn Relata I 1970 -- _tContribution to "The Composer in Academia: Reflections on a Theme of Stravinsky" 1970 -- _tIn Memoriam: Mátyás Seiber 1970 -- _tContribution to "Stravinsky (1882-1971): A Composer's Memorial" 1971 -- _tContemporary Music Composition and Music Theory as Contemporary Intellectual History [1972] -- _tIn Memoriam: Stefan Wolpe 1972 -- _tSince Schoenberg 1974 -- _tCelebrative Speech 1976 -- _tResponses: A First Approximation 1976 -- _tIntroduction to Marion Bauer's Twentieth Century Music 1978 -- _tForeword to Beyond Orpheus 1979 -- _tBen Weber (1916-1979) 1979 -- _tRobert Miller (1930-1981) 1981 -- _tThe More than the Sounds of Music 1984 -- _tI Remember Roger (Contribution to "In Memoriam: Roger Sessions") 1985 -- _t"All the Things They Are": Comments on Kern 1985 -- _tHans Keller: A Memoir 1986 -- _tStravinsky's Verticals and Schoenberg's Diagonals: A Twist of Fate 1987 -- _tOn Having Been and Still Being an American Composer 1989 -- _tA Life of Learning 1991 -- _tBrave New Worlds 1994 -- _t"My Vienna Triangle at Washington Square," Revisited and Dilated 1999 -- _tINDEX
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aLike his compositions, Milton Babbitt's writings about music have exerted an extraordinary influence on postwar music and thinking about music. In essays and public addresses spanning fifty years, Babbitt has grappled profoundly with central questions in the composition and apprehension of music. These writings range from personal memoirs and critical reviews to closely reasoned metatheoretical speculations and technical exegesis. In the history of music theory, there has been only a small handful of figures who have produced work of comparable stature. Taken as a whole, Babbitt's writings are not only an invaluable testimony to his thinking--a priceless primary source for the intellectual and cultural history of the second half of the twentieth century--but also a remarkable achievement in their own right. Prior to this collection, Babbitt's writings were scattered through a wide variety of journals, books, and magazines--many hard to find and some unavailable--and often contained typographical errors and editorial corruptions of various kinds. This volume of almost fifty pieces gathers, corrects, and annotates virtually everything of significance that Babbitt has written. The result is complete, authoritative, and fully accessible--the definitive source of Babbitt's influential ideas.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021)
650		0	_aMusic _xHistory and criticism.
650		7	_aMUSIC / History & Criticism. _2bisacsh
700	1		_aDembski, Stephen _ecuratore
700	1		_aMead, Andrew _ecuratore
700	1		_aPeles, Stephen _ecuratore
700	1		_aStraus, Joseph N. _ecuratore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781400841226
856	4	0	_uhttps://www.degruyter.com/isbn/9781400841226
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9781400841226.jpg
942			_cEB
999			_c206551 _d206551