000			06688nam a22011775i 4500
001			206718
003			IT-RoAPU
005			20221214233615.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			210830t20211993nju fo d z eng d
020			_a9781400843985 _qPDF
024	7		_a10.1515/9781400843985 _2doi
035			_a(DE-B1597)9781400843985
035			_a(DE-B1597)589776
035			_a(OCoLC)1262307918
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPN1998.3.N68
072		7	_aPER004030 _2bisacsh
082	0	4	_a791.43 023 092 _220
084			_aonline - DeGruyter
100	1		_aBruno, Giuliana _eautore
245	1	0	_aStreetwalking on a Ruined Map : _bCultural Theory and the City Films of Elvira Notari / _cGiuliana Bruno.
264		1	_aPrinceton, NJ : _bPrinceton University Press, _c[2021]
264		4	_c©1993
300			_a1 online resource (436 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tMapping Out Discourse: An Introduction -- _tPART I. SUPPRESSED KNOWLEDGE OF ELVIRA CODA NOTARI AND NEAPOLITAN FILM: A HISTORICAL PANORAMA -- _t1. Questions of History and Film in Italian Culture -- _t2. Film Journals and Film Historiography -- _tPART II. FILM IN THE CITYSCAPE: A TOPOANALYSIS OF SPECTATORSHIP -- _t3. Streetwalking around Plato's Cave, or The Unconscious Is Housed -- _t4. Spectatorial Embodiments: Anatomies of the Visible and the Female Bodyscape -- _tPART III. MANUFACTURING FILM CULTURE -- _t5. Dora Film: An Urban Production House -- _t6. Women at Work: Manufacturing Movies -- _t7. Dora Film of America: Women and Immigrants in the American Dream -- _t8. Censorship: A Cuton the Wings of Desire -- _tPART IV. THE METROPOLITAN TEXTURE -- _t9. Fragments o f an Analyst's Discourse: Lacunae -- _t10. The Architecture of Public Melodrama: A Corporeality of the Street -- _t11. Between the Feast and the Law: The Carnivalization of Narration -- _t12. City Views: Filmic Cityscape, Artistic Perspective, and Touristic Travel -- _tPART V. FEMALE GEOGRAPHIES -- _t13. Anatomy of an Analysis: The Authorial Noir -- _t14. Popular Cinema and Women's Literature: The Transito of Female Discourse -- _t15. Medical Figures: Hysteria and the Anatomy Lesson -- _t16. Topographies of Dark Female Pleasures -- _t17. Written on the Body: Eroticism, Death, and Hagiography -- _tNotes -- _tFilmography -- _tList of Illustrations -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aEmphasizing the importance of cultural theory for film history, Giuliana Bruno enriches our understanding of early Italian film as she guides us on a series of "inferential walks" through Italian culture in the first decades of this century. This innovative approach---the interweaving of examples of cinema with architecture, art history, medical discourse, photography, and literature--addresses the challenge posed by feminism to film study while calling attention to marginalized artists. An object of this critical remapping is Elvira Notari (1875-1946), Italy's first and most prolific woman filmmaker, whose documentary-style work on street life in Naples, a forerunner of neorealism, was popularly acclaimed in Italy and the United States until its suppression during the Fascist regime. Since only fragments of Notari's films exist today, Bruno illuminates the filmmaker's contributions to early Italian cinematography by evoking the cultural terrain in which she operated. What emerges is an intertextual montage of urban film culture highlighting a woman's view on love, violence, poverty, desire, and death. This panorama ranges from the city's exteriors to the body's interiors. Reclaiming an alternative history of women's filmmaking and reception, Bruno draws a cultural history that persuasively argues for a spatial, corporal interpretation of film language.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650		0	_aCity and town life in motion pictures.
650		0	_aMotion pictures for women _zItaly.
650		0	_aMotion pictures _zItaly _xHistory.
650		0	_aWomen in motion pictures.
650		7	_aPERFORMING ARTS / Film & Video / History & Criticism. _2bisacsh
653			_aAccattone (film).
653			_aAleramo, Sibilla.
653			_aAmoroso, Roberto.
653			_aAntonioni, Michelangelo.
653			_aArtaud, Antonin.
653			_aArtemisia (book).
653			_aAutomartirio (film).
653			_aBataille, Georges.
653			_aBebè vi saluta (film).
653			_aBernini, Gianlorenzo.
653			_aBovi, Michele.
653			_aCaesar Productions.
653			_aCangiullo, Francesco.
653			_aCrary, Jonathan.
653			_aCuore (book).
653			_aDaisy Film.
653			_aDalbono, Edoardo.
653			_aDe Sica, Vittorio.
653			_aDoane, Mary Ann.
653			_aEakins, Thomas.
653			_aEisenstein, Sergei.
653			_aEsposito, Pasquale.
653			_aFarassino, Alberto.
653			_aFerrigno, Antonio.
653			_aFlaubert, Gustave.
653			_aFreud, Sigmund.
653			_aGall, Franz Joseph.
653			_aGentili, Hester.
653			_aGnesella (film).
653			_aHansen, Miriam.
653			_aHawks and Sparrows (film).
653			_aI vermi (novel).
653			_aIlluminati, Ivo.
653			_aIrigaray, Luce.
653			_aJoli, Antonio.
653			_aKarenne Film.
653			_aKleine, George.
653			_aKuhn, Annette.
653			_aLacan, Jacques.
653			_aLe Brun, Charles.
653			_aLe ombre (novel).
653			_aLombardo, Gustavo.
653			_aMancini, Antonio.
653			_aNapoli nel cinema (book).
653			_aNepoti, Alberto.
653			_aNotari, Maria.
653			_aNotari, Olga.
653			_aOpen City (film).
653			_aPaolella, Roberto.
653			_aPubblica Sicurezza.
653			_aRaggio, Elettra.
653			_acinematografeide (film epidemics).
653			_acompilation film.
653			_adeviant personalities.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781400843985?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9781400843985
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9781400843985.jpg
942			_cEB
999			_c206718 _d206718