000			06924nam a22017295i 4500
001			206781
003			IT-RoAPU
005			20221214233618.0
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007			cr || ||||||||
008			220729t20222013nju fo d z eng d
020			_a9781400845125 _qPDF
024	7		_a10.1515/9781400845125 _2doi
035			_a(DE-B1597)9781400845125
035			_a(DE-B1597)627112
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aND553.F32 _bA85 2013eb
072		7	_aART015100 _2bisacsh
082	0	4	_a759.4 _223
084			_aonline - DeGruyter
100	1		_aAlsdorf, Bridget _eautore
245	1	0	_aFellow Men : _bFantin-Latour and the Problem of the Group in Nineteenth-Century French Painting / _cBridget Alsdorf.
264		1	_aPrinceton, NJ : _bPrinceton University Press, _c[2022]
264		4	_c©2013
300			_a1 online resource (352 p.) : _b42 color illus. 122 halftones.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction -- _t1. The Self in Group Portraiture -- _t2. A Crisis of Pride -- _t3. Studio of the Self -- _t4. Deviance and Disappearance -- _t5. The Irregularists -- _tConclusion -- _tNotes -- _tSelected Bibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aFocusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frédéric Bazille, and Pierre-Auguste Renoir, Fellow Men argues for the importance of the group as a defining subject of nineteenth-century French painting. Through close readings of some of the most ambitious paintings of the realist and impressionist generation, Bridget Alsdorf offers new insights into how French painters understood the shifting boundaries of their social world, and reveals the fragile masculine bonds that made up the avant-garde.A dedicated realist who veered between extremes of sociability and hermetic isolation, Fantin-Latour painted group dynamics over the course of two decades, from 1864 to 1885. This was a period of dramatic change in French history and art--events like the Paris Commune and the rise and fall of impressionism raised serious doubts about the power of collectivism in art and life. Fantin-Latour's monumental group portraits, and related works by his friends and colleagues from the 1850s through the 1880s, represent varied visions of collective identity and test the limits of association as both a social and an artistic pursuit. By examining the bonds and frictions that animated their social circles, Fantin-Latour and his cohorts developed a new pictorial language for the modern group: one of fragmentation, exclusion, and willful withdrawal into interior space that nonetheless presented individuality as radically relational.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022)
650		0	_aArt and society _zFrance _xHistory _y19th century.
650		0	_aArtists _zFrance _vPortraits.
650		0	_aGroup identity in art.
650		0	_aPortrait painting, French _y19th century.
650		0	_aPortraits, Group _zFrance.
650		7	_aART / History / Modern (late 19th Century to 1945). _2bisacsh
653			_aAcademic art.
653			_aAlfred Sisley.
653			_aAllegory.
653			_aAlois Riegl.
653			_aAlphonse Legros.
653			_aAmbroise Vollard.
653			_aAnomie.
653			_aAntoine Guillemet.
653			_aApotheosis.
653			_aArt criticism.
653			_aArthur Rimbaud.
653			_aBad Painting.
653			_aBanality (sculpture series).
653			_aBohemian style.
653			_aBoredom.
653			_aBourgeoisie.
653			_aCamille Pissarro.
653			_aCaricature.
653			_aCarle Vernet.
653			_aChampfleury.
653			_aCharles Baudelaire.
653			_aCubism.
653			_aDegenerate art.
653			_aEasel.
653			_aEdgar Allan Poe.
653			_aEdgar Degas.
653			_aEdmund Gosse.
653			_aEmmanuel Chabrier.
653			_aEnfant terrible.
653			_aExclusion.
653			_aFarce.
653			_aFine art.
653			_aFrans Hals.
653			_aFrench art.
653			_aGenre painting.
653			_aGeorg Simmel.
653			_aGustave Caillebotte.
653			_aGustave Courbet.
653			_aGustave Moreau.
653			_aHedda Sterne.
653			_aHenri Fantin-Latour.
653			_aHistory painting.
653			_aHomage (arts).
653			_aHorace Vernet.
653			_aHyperbole.
653			_aImpressionism.
653			_aJacques Derrida.
653			_aJacques-Louis David.
653			_aJames Abbott McNeill Whistler.
653			_aJames Tissot.
653			_aJan van Eyck.
653			_aJean-Auguste-Dominique Ingres.
653			_aJohn Ashbery.
653			_aJohn Rewald.
653			_aJoseph de Maistre.
653			_aJuan Bautista Martínez del Mazo.
653			_aJules Dalou.
653			_aL'Artiste.
653			_aLa Vie (painting).
653			_aLas Meninas.
653			_aLe Déjeuner sur l’herbe.
653			_aLes Nabis.
653			_aLinda Nochlin.
653			_aLiterature.
653			_aLouis Blanc.
653			_aLuncheon of the Boating Party.
653			_aMarthe.
653			_aMary Cassatt.
653			_aMasculinity.
653			_aMaurice Denis.
653			_aMichael Fried.
653			_aModernism.
653			_aModernity.
653			_aMusic in the Tuileries.
653			_aNarcissism.
653			_aNude (art).
653			_aObscenity.
653			_aOil sketch.
653			_aPainting.
653			_aPaul Delaroche.
653			_aPaul Gauguin.
653			_aPaul Verlaine.
653			_aPhotography.
653			_aPhysiognomy.
653			_aPierre-Auguste Renoir.
653			_aPostmodern literature.
653			_aPublic morality.
653			_aRealism (arts).
653			_aRembrandt.
653			_aRidicule.
653			_aRococo.
653			_aRomanticism.
653			_aSketchbook.
653			_aSoziologie.
653			_aStill life.
653			_aThe Artist at Work.
653			_aThe Irascibles.
653			_aThe Painter's Studio.
653			_aThe Philosopher.
653			_aÉdouard Manet.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781400845125
856	4	0	_uhttps://www.degruyter.com/isbn/9781400845125
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781400845125/original
942			_cEB
999			_c206781 _d206781