000			06189nam a22011655i 4500
001			207060
003			IT-RoAPU
005			20221214233630.0
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008			220629t20222000nju fo d z eng d
010			_a2020759631
020			_a9781400849826 _qPDF
024	7		_a10.1515/9781400849826 _2doi
035			_a(DE-B1597)9781400849826
035			_a(DE-B1597)581234
035			_a(OCoLC)1312727316
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aNX454
050		4	_aNX454
072		7	_aART015000 _2bisacsh
082	0	4	_a709.034 _221
084			_aonline - DeGruyter
100	1		_aSiegel, Jonah _eautore
245	1	0	_aDesire and Excess : _bThe Nineteenth-Century Culture of Art / _cJonah Siegel.
264		1	_aPrinceton, NJ : _bPrinceton University Press, _c[2022]
264		4	_c©2000
300			_a1 online resource (328 p.) : _b54 halftones
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tCONTENTS -- _tLIST OF FIGURES -- _tACKNOWLEDGEMENTS -- _tPREFACE. The Apparent Permanence of the Museum as Against Its Actual Permanence: The Nineteenth-Century Culture of Art -- _tIntroduction. The Museum as Mortuary -- _tPART ONE: ART IN THE MUSEUM: ARTIST AND FRAGMENT AT THE TURN OF THE NINETEENTH CENTURY -- _tPART TWO: THE AUTHOR AS WORK OF ART ACCUMULATION, DISPLAY, AND DEATH IN LITERARY BIOGRAPHY -- _tPART THREE: ABSENCE AND EXCESS: THE PRESENCE OF THE OBJECT -- _tPART FOUR: THE DEATHS OF THE CRITICS -- _tAFTERWORD. LAS MENINAS AS COVER: FOUCAULT, VELAZQUEZ, AND THE REFLECTION OF THE MUSEUM -- _tNOTES -- _tILLUSTRATION CREDITS -- _tINDEX
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aIn this fascinating look at the creative power of institutions, Jonah Siegel explores the rise of the modern idea of the artist in the nineteenth century, a period that also witnessed the emergence of the museum and the professional critic. Treating these developments as interrelated, he analyzes both visual material and literary texts to portray a culture in which art came to be thought of in powerful new ways. Ultimately, Siegel shows that artistic controversies commonly associated with the self-consciously radical movements of modernism and postmodernism have their roots in a dynamic era unfairly characterized as staid, self-satisfied, and stable.The nineteenth century has been called the Age of the Museum, and yet critics, art theorists, and poets during this period grappled with the question of whether the proliferation of museums might lead to the death of Art itself. Did the assembly and display of works of art help the viewer to understand them or did it numb the senses? How was the contemporary artist to respond to the vast storehouses of art from disparate nations and periods that came to proliferate in this era?Siegel presents a lively discussion of the shock experienced by neoclassical artists troubled by remains of antiquity that were trivial or even obscene, as well as the anxious aesthetic reveries of nineteenth-century art lovers overwhelmed by the quantity of objects quickly crowding museums and exhibition halls. In so doing, he illuminates the fruitful crises provoked when the longing for admired art is suddenly satisfied. Drawing upon neoclassical art and theory, biographies of early nineteenth-century writers including Keats and Scott, and the writings of art critics such as Hazlitt, Ruskin, and Wilde, this book reproduces a cultural matrix that brings to life the artistic passions and anxieties of an entire era.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650		0	_aArt and literature _xHistory _y19th century.
650		0	_aArtists _xHistory _y19th century.
650		0	_aArts, Modern _y19th century _xHistoriography.
650		7	_aART / History / General. _2bisacsh
653			_aAdorno, Theodor.
653			_aAlbert Memorial.
653			_aAltick, Richard.
653			_aAppreciations (Pater).
653			_aAudran, Girard.
653			_aAurora Leigh (Browning).
653			_aBallantyne, John.
653			_aBeckett, Samuel.
653			_aBenjamin, Walter.
653			_aBloom, Harold.
653			_aBourdieu, Pierre.
653			_aBritish Institute.
653			_aCafarelli, Annette.
653			_aCartoons (Raphael).
653			_aChartier, Roger.
653			_aCockerell, Charles.
653			_aConstable, Archibald.
653			_aCrystal Palace.
653			_aDarwin, Charles.
653			_aDelaroche, Paul.
653			_aDickens, Charles.
653			_aDying Gladiator.
653			_aEllmann, Maud.
653			_aElysium (Barry).
653			_aFarnese Hercules.
653			_aFlaubert, Gustave.
653			_aFra Angelico.
653			_aGadamer, Hans-Georg.
653			_aGould, Cecil.
653			_aGuillory, John.
653			_aHaydon, Robert.
653			_aHeidegger, Martin.
653			_aHibbert, Christopher.
653			_aIliad (Homer).
653			_aIndicator.
653			_aIngres.
653			_aIsabella (Keats).
653			_aJohnson, Edgar.
653			_aJoyce, James.
653			_aKendrick, Walter.
653			_aLamarque, Peter.
653			_aLevey, Michael.
653			_aLives of the Artists (Vasari).
653			_aLowth, Robert.
653			_aMasson, David.
653			_aMenzies, William.
653			_aNadel, Ira.
653			_aNewton, Charles.
653			_aNibelungenlied.
653			_aOldfield, Edmund.
653			_aOssian.
653			_aartworld concept.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781400849826?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9781400849826
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781400849826/original
942			_cEB
999			_c207060 _d207060