| 000 | 03361nam a22005535i 4500 | ||
|---|---|---|---|
| 001 | 207317 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214233640.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 210830t20141982nju fo d z eng d | ||
| 019 | _a(OCoLC)1013962941 | ||
| 020 | _a9780691614700 _qprint | ||
| 020 | _a9781400853540 _qPDF | ||
| 024 | 7 | _a10.1515/9781400853540 _2doi | |
| 035 | _a(DE-B1597)9781400853540 | ||
| 035 | _a(DE-B1597)448400 | ||
| 035 | _a(OCoLC)922707152 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 050 | 4 | _aML270.8.P22 | |
| 072 | 7 | _aMUS041000 _2bisacsh | |
| 082 | 0 | 4 | _a781/.09/032 _222 | 
| 084 | _aonline - DeGruyter | ||
| 100 | 1 | _aCohen, Albert _eautore | |
| 245 | 1 | 0 | _aMusic in the French Royal Academy of Sciences : _bA Study in the Evolution of Musical Thought / _cAlbert Cohen. | 
| 250 | _aCourse Book | ||
| 264 | 1 | _aPrinceton, NJ : _bPrinceton University Press, _c[2014] | |
| 264 | 4 | _c©1982 | |
| 300 | _a1 online resource (178 p.) | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 490 | 0 | _aPrinceton Legacy Library ; _v844 | |
| 505 | 0 | 0 | _tFrontmatter -- _tContents -- _tPreface -- _tAcknowledgments -- _tList of Illustrations -- _tAbbreviations -- _tCHAPTER I. THE EARLY YEARS: MUSIC AS DISCIPLINE -- _tCHAPTER II. ACOUSTICS, PHONATION, AND AUDITION: MUSIC AS SOUND -- _tCHAPTER III. MACHINES ET INVENTIONS: MUSIC AS CRAFT -- _tCHAPTER IV. THEORY AND PRACTICE: MUSIC AS SYSTEM -- _tCONCLUSION -- _tAppendices -- _tBibliography -- _tIndex | 
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aThis book describes a colorful period in French social and cultural history, during which music and science combined to provide the intellectual and aesthetic spirit of the Age of Enlightenment with an enormous vitality. Investigating the place assigned to music in France's preeminent scientific institution, the Paris Academy, the author shows the role played by the scientific movement in the evolution of musical thought prior to the Revolution.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) | |
| 650 | 0 | _aMusic _zFrance _xHistory and criticism. | |
| 650 | 7 | _aMUSIC / Instruction & Study / Theory. _2bisacsh | |
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781400853540 | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781400853540 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/cover/covers/9781400853540.jpg | 
| 942 | _cEB | ||
| 999 | _c207317 _d207317 | ||