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008 210830t20141980nju fo d z eng d
019 _a(OCoLC)1013941952
019 _a(OCoLC)1029814891
019 _a(OCoLC)1032685040
019 _a(OCoLC)1037982033
019 _a(OCoLC)1042008571
019 _a(OCoLC)1046622630
019 _a(OCoLC)1046687990
019 _a(OCoLC)1047016719
020 _a9780691615721
_qprint
020 _a9781400857500
_qPDF
024 7 _a10.1515/9781400857500
_2doi
035 _a(DE-B1597)9781400857500
035 _a(DE-B1597)448489
035 _a(OCoLC)922709665
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPR830.T3
072 7 _aLIT004130
_2bisacsh
082 0 4 _a823.0872
_219
084 _aonline - DeGruyter
100 1 _aWilt, Judith
_eautore
245 1 0 _aGhosts of the Gothic :
_bAusten, Eliot and Lawrence /
_cJudith Wilt.
250 _aCourse Book
264 1 _aPrinceton, NJ :
_bPrinceton University Press,
_c[2014]
264 4 _c©1980
300 _a1 online resource (326 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aPrinceton Legacy Library ;
_v535
505 0 0 _tFrontmatter --
_tContents --
_tList of Illustrations --
_tPreface --
_tPart I --
_tIntroduction: "This Heretic Narrative": Approaches To A Gothic Theoretic --
_tChapter One: Gothic Fathers: The Castle Of Otranto, The Italian, The Monk, Melmoth The Wanderer --
_tChapter Two: Gothic Brothers: Frankenstein, The Memoirs and Confessions of A Justified Sinner, Dr. Jekyll and Mr. Hyde, Dracula --
_tPart II --
_tIntroduction: The Gothic Heritage --
_tChapter Three: Jane Austen: The Anxieties Of Common Life --
_tChapter Four: George Eliot: The Garment Of Fear --
_tChapter Five: D. H. Lawrence: Ghosts In The Daylight --
_tConclusion: A High, Vibrating Place --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aIn a fascinating study of what, during the last decade, rekindled an avid readership, Judith Wilt proposes a new theory of Gothic fiction that challenges its reputation as merely a formula to be outgrown or a stock of images for the creation of terror. Emphasizing instead its status as an enduring component of the imagination, she establishes the Gothic as the mothering" form for three other popular genres--detective, historical, and science fiction.Originally published in 1980.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650 0 _aEnglish fiction
_xHistory and criticism.
650 0 _aGothic revival (Literature)
_xGreat Britain.
650 0 _aGothic revival (Literature)
_zGreat Britain.
650 0 _aHorror tales
_xHistory and criticism.
650 0 _aInfluence (Literary, artistic, etc.)
_xGreat Britain.
650 0 _aInfluence (Literary, artistic, etc.).
650 7 _aLITERARY CRITICISM / European / General.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781400857500
856 4 0 _uhttps://www.degruyter.com/isbn/9781400857500
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9781400857500.jpg
942 _cEB
999 _c207667
_d207667