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019 _a(OCoLC)979583446
020 _a9780691603247
_qprint
020 _a9781400859382
_qPDF
024 7 _a10.1515/9781400859382
_2doi
035 _a(DE-B1597)9781400859382
035 _a(DE-B1597)447718
035 _a(OCoLC)889254949
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPN1892
072 7 _aLIT006000
_2bisacsh
082 0 4 _a809.2/512
_219
084 _aonline - DeGruyter
100 1 _aZerba, Michelle
_eautore
245 1 0 _aTragedy and Theory :
_bThe Problem of Conflict Since Aristotle /
_cMichelle Zerba.
250 _aCourse Book
264 1 _aPrinceton, NJ :
_bPrinceton University Press,
_c[2014]
264 4 _c©1988
300 _a1 online resource (314 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aPrinceton Legacy Library ;
_v900
505 0 0 _tFrontmatter --
_tContents --
_tPreface --
_tAcknowledgments --
_tNote on Translations --
_tIntroduction --
_tChapter One. Hegel: Conflict And Order --
_tChapter Two. Aristotle: Conflict and Disorder --
_tChapter Three. Renaissance And Neoclassical Dramatic Theory: Conflict and Didacticism --
_tChapter Four. Kant and Schiller: Conflict and the Sublime --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aMichelle Zerba engages current debates about the relationship between literature and theory by analyzing responses of theorists in the Western tradition to tragic conflict. Isolating the centrality of conflict in twentieth-century definitions of tragedy, Professor Zerba discusses the efforts of modern critics to locate in Aristotle's Poetics the origins of this focus on agon. Through a study of ethical and political ideas formative of the Poetics, she demonstrates why Aristotle and his Renaissance and Neoclassical beneficiaries exclude conflict from their accounts of tragedy. The agonistic element, the book argues, first emerges in dramatic criticism in nineteenth-century Romantic theories of the sublime and, more influentially, in Hegel's lectures on drama and history.This turning point in the history of speculation about tragedy is examined with attention to a dynamic between the systematic aims of theory and the subversive conflicts of tragic plays. In readings of various Classical and Renaissance dramatists, Professor Zerba reveals that strife in tragedy undermines expectations of coherence, closure, and moral stability, on which theory bases its principles of dramatic order. From Aristotle to Hegel, the philosophical interest in securing these principles determines attitudes toward conflict.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)
650 0 _aConflict (Psychology) in literature.
650 0 _aTragedy.
650 7 _aLITERARY CRITICISM / Semiotics & Theory.
_2bisacsh
653 _aAeschylus.
653 _aAesthetic Theory.
653 _aAnguish.
653 _aAntinomy.
653 _aAntithesis.
653 _aAppeal to emotion.
653 _aAristotle.
653 _aArs Poetica (Horace).
653 _aAverroes.
653 _aBussy D'Ambois.
653 _aCatharsis.
653 _aCharacters of Shakespear's Plays.
653 _aClassical unities.
653 _aClassicism.
653 _aClosed circle.
653 _aColuccio Salutati.
653 _aConsciousness.
653 _aContemptus mundi.
653 _aCritical theory.
653 _aCriticism.
653 _aCritique.
653 _aDecorum.
653 _aDeontological ethics.
653 _aDialectic.
653 _aDisputation.
653 _aDissoi logoi.
653 _aDivine law.
653 _aDramatic theory.
653 _aEthical dilemma.
653 _aEuripides.
653 _aExistentialism.
653 _aExternality.
653 _aFrancis Fergusson.
653 _aGood and evil.
653 _aGreek tragedy.
653 _aHamartia.
653 _aHannah Arendt.
653 _aHedonism.
653 _aHegelianism.
653 _aHubris.
653 _aIntentionality.
653 _aIrony.
653 _aIrrational Man.
653 _aIrrationality.
653 _aJacques Derrida.
653 _aJean Hyppolite.
653 _aKarl Jaspers.
653 _aKing Lear.
653 _aLiterary criticism.
653 _aLiterary theory.
653 _aLodovico Castelvetro.
653 _aMental space.
653 _aMimesis.
653 _aMoral absolutism.
653 _aMoral realism.
653 _aMorality.
653 _aMyth.
653 _aNew Thought.
653 _aNicomachean Ethics.
653 _aOn Truth.
653 _aPathos.
653 _aPhilosopher.
653 _aPhilosophy.
653 _aPity.
653 _aPlatitude.
653 _aPlautus.
653 _aPoetics (Aristotle).
653 _aPoetry.
653 _aPolonius.
653 _aPre-Socratic philosophy.
653 _aProhairesis.
653 _aQuintilian.
653 _aRationality.
653 _aRenaissance tragedy.
653 _aRepublic (Plato).
653 _aRevenge tragedy.
653 _aRhetoric.
653 _aRomanticism.
653 _aSatire.
653 _aScholasticism.
653 _aShakespearean tragedy.
653 _aSophocles.
653 _aStephen Greenblatt.
653 _aSuffering.
653 _aSuperiority (short story).
653 _aSøren Kierkegaard.
653 _aTeleology.
653 _aThe Birth of Tragedy.
653 _aThe Marriage of Heaven and Hell.
653 _aThe Philosopher.
653 _aTheodicy.
653 _aTheory.
653 _aThomas Kyd.
653 _aThought.
653 _aTragedy.
653 _aTragic hero.
653 _aVerisimilitude.
653 _aW. D. Ross.
653 _aWilliam Prynne.
653 _aWilliam Shakespeare.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781400859382
856 4 0 _uhttps://www.degruyter.com/isbn/9781400859382
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781400859382/original
942 _cEB
999 _c207826
_d207826