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| 003 | IT-RoAPU | ||
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| 008 | 210830t20141988nju fo d z eng d | ||
| 019 | _a(OCoLC)1013937030 | ||
| 019 | _a(OCoLC)1029821132 | ||
| 019 | _a(OCoLC)1032691568 | ||
| 019 | _a(OCoLC)1037981061 | ||
| 019 | _a(OCoLC)1042029721 | ||
| 019 | _a(OCoLC)1046617190 | ||
| 019 | _a(OCoLC)1046924632 | ||
| 019 | _a(OCoLC)1047003007 | ||
| 020 |
_a9780691602677 _qprint |
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| 020 |
_a9781400859597 _qPDF |
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| 024 | 7 |
_a10.1515/9781400859597 _2doi |
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| 035 | _a(DE-B1597)9781400859597 | ||
| 035 | _a(DE-B1597)447510 | ||
| 035 | _a(OCoLC)922702279 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 | _aML2110 | |
| 072 | 7 |
_aMUS028000 _2bisacsh |
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| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 |
_aReading Opera / _ced. by Arthur Groos, Roger Parker. |
| 250 | _aCourse Book | ||
| 264 | 1 |
_aPrinceton, NJ : _bPrinceton University Press, _c[2014] |
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| 264 | 4 | _c©1988 | |
| 300 | _a1 online resource (364 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aPrinceton Studies in Opera ; _v23 |
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| 505 | 0 | 0 |
_tFrontmatter -- _tCONTENTS -- _tACKNOWLEDGMENTS -- _tINTRODUCTION -- _tAppropriation in Wagner's Tristan Libretto -- _tBoito and F.-V. Hugo's "Magnificent Translation": A Study in the Genesis of the Otello Libretto -- _tAn Unseen Player: Destiny in FelUas et Malisande -- _tThe Origins of Italian Literaturoper: Guglielmo Ratcliff, La figlia di Iorio, Parisina, and Francesca da Rimini -- _tErik's Dream and Tannhauser's Journey -- _tThe Languages of Love in Carmen -- _tHow to Avoid Believing (While Reading Iago's "Credo") -- _tThe Numinous in Gotterdammerung -- _tMusorgsky's Libretti on Historical Themes: From the Two Borises to Khovanshchina -- _tBoito and the 1868 Mefistofele Libretto as a Reform Text -- _tOn Reading Nineteenth-Century Opera: Verdi through the Looking-Glass -- _tStrauss and the Pervert -- _tA Deconstructive Postscript: Reading Libretti and Misreading Opera -- _tINDEX |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _a"Libretto-bashing has a distinguished tradition in the blood sport of opera," writes Arthur Groos in the introduction to this broad survey of critical approaches to that much-maligned genre. To examine, and to challenge, the long-standing prejudice against libretti and the scholarly tradition that has, until recently, reiterated it, Groos and Roger Parker have commissioned thirteen stimulating essays by musicologists, literary critics, and historians. Taken as a whole, the volume demonstrates that libretti are now very much within the purview of contemporary humanistic scholarship. Libretti pose questions of intertextuality, transposition of genre, and reception history. They invite a broad spectrum of contemporary reading strategies ranging from the formalistic to the feminist. And as texts for music they raise issues in the relation between the two mediums and their respective traditions. Reading Opera will be of value to anyone with a serious interest in opera and contemporary opera criticism. The essays cover the period from the early nineteenth to the early twentieth centuries, with a particular focus on works of the later nineteenth century. The contributors are Carolyn Abbate, William Ashbrook, Katherine Bergeron, Caryl Emerson, Nelly Furman, Sander L. Gilman, Arthur Groos, James A. Hepokoski, Jurgen Maehder, Roger Parker, Paul Robinson, Christopher Wintle, and Susan Youens.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) | |
| 650 | 0 | _aLibretto. | |
| 650 | 0 | _aMusic and literature. | |
| 650 | 7 |
_aMUSIC / Genres & Styles / Opera. _2bisacsh |
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| 700 | 1 |
_aAbbate, Carolyn _eautore |
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| 700 | 1 |
_aAshbrook, William _eautore |
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| 700 | 1 |
_aBergeron, Katherine _eautore |
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| 700 | 1 |
_aEmerson, Caryl _eautore |
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| 700 | 1 |
_aFurman, Nelly _eautore |
|
| 700 | 1 |
_aGilman, Sander L. _eautore |
|
| 700 | 1 |
_aGroos, Arthur _eautore _ecuratore |
|
| 700 | 1 |
_aHepokoski, James A. _eautore |
|
| 700 | 1 |
_aMaehder, Jurgen _eautore |
|
| 700 | 1 |
_aParker, Roger _eautore _ecuratore |
|
| 700 | 1 |
_aRobinson, Paul _eautore |
|
| 700 | 1 |
_aWintle, Christopher _eautore |
|
| 700 | 1 |
_aYouens, Susan _eautore |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781400859597 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781400859597 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/cover/covers/9781400859597.jpg |
| 942 | _cEB | ||
| 999 |
_c207846 _d207846 |
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