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008 210830t20141989nju fo d z eng d
019 _a(OCoLC)1013957254
020 _a9780691604305
_qprint
020 _a9781400859610
_qPDF
024 7 _a10.1515/9781400859610
_2doi
035 _a(DE-B1597)9781400859610
035 _a(DE-B1597)447801
035 _a(OCoLC)922700494
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPN3331
072 7 _aLIT006000
_2bisacsh
082 0 4 _a801/.953
_219
084 _aonline - DeGruyter
100 1 _aWimmers, Inge Crosman
_eautore
245 1 0 _aPoetics of Reading /
_cInge Crosman Wimmers.
250 _aCourse Book
264 1 _aPrinceton, NJ :
_bPrinceton University Press,
_c[2014]
264 4 _c©1989
300 _a1 online resource (202 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aPrinceton Legacy Library ;
_v927
505 0 0 _tFrontmatter --
_tCONTENTS --
_tNOTE ON TRANSLATIONS --
_tAcknowledgments --
_tIntroduction --
_tONE. Frames of Reference and the Reader --
_tTWO. Rewriting vraisemblance in La Princesse de Cleves --
_tTHREE. Madame Bovary or the Dangers of Misreading --
_tFOUR. Proust's Palimpsest: Multiple Frames of Reference in A la recherche du temps perdu --
_tFIVE. Toward a Reflexive Act of Reading: Robbe-Grillet'S Projet pour une revolution a New York --
_tSIX. Conclusion: New Directions in the Reading of Narrative Fiction --
_tWorks Cited --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aWhat happens when we read novels and how do we make sense of them? Inge Wimmers explores these questions by developing a flexible poetics of reading that generously opens up the interpretive space between reader and text, while drawing on current theories of reading and combining rhetorical, pragmatic, and phenomenological approaches. "Poetics," here, is extended beyond the study of purely textual features to structures of exchange between text and reader. In a discussion of four major French novels from the seventeenth century to the present, the author not only sets up a broad-based poetics but also makes important contributions to contemporary issues in the study of narrative. Wimmers introduces the concept of multiple, interlocking frames of reference that allows for the integration of diverse critical perspectives. Analyzing La Princesse de Cleves, Madame Bovary, A la recherche du temps perdu, and Projet pour une revolution a New York, she shows how texts provide some frames of reference, while others are produced by the reader's disposition and cultural milieu.Originally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650 0 _aFiction.
650 0 _aFrench fiction
_xHistory and criticism.
650 7 _aLITERARY CRITICISM / Semiotics & Theory.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781400859610
856 4 0 _uhttps://www.degruyter.com/isbn/9781400859610
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9781400859610.jpg
942 _cEB
999 _c207848
_d207848