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001			207878
003			IT-RoAPU
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008			210830t20141989nju fo d z eng d
019			_a(OCoLC)1013956290
020			_a9780691607467 _qprint
020			_a9781400859948 _qPDF
024	7		_a10.1515/9781400859948 _2doi
035			_a(DE-B1597)9781400859948
035			_a(DE-B1597)447977
035			_a(OCoLC)922698732
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPR888.E982 -- B73 1989eb
072		7	_aLIT004290 _2bisacsh
082	0	4	_a823/.91/099287
084			_aonline - DeGruyter
245	0	0	_aBreaking the Sequence : _bWomen's Experimental Fiction / _ced. by Miriam Fuchs, Ellen G. Friedman.
250			_aCourse Book
264		1	_aPrinceton, NJ : _bPrinceton University Press, _c[2014]
264		4	_c©1989
300			_a1 online resource (344 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aPrinceton Legacy Library ; _v960
505	0	0	_tFrontmatter -- _tCONTENTS -- _tPREFACE -- _tPERMISSIONS ACKNOWLEDGMENTS -- _tINTRODUCTION -- _tContexts and Continuities: An Introduction to Women's Experimental Fiction in English -- _tPERSPECTIVES -- _tIlliterations -- _tMale Signature, Female Aesthetic: The Gender Politics of Experimental Writing -- _tFIRST GENERATION: BEFORE 1930 -- _tDorothy Richardson Versus the Novvle -- _tWoolfenstein -- _tSecond generation: 1930 - 1960 -- _tBreaking the Master Narrative: Jean Rhys's Wide Sargasso Sea -- _tThe Radical Narrative of Djuna Barnes's Nigbtwood -- _tJane Bowles: Experiment as Character -- _tH.D.'s Fiction: Convolutions to Clarity -- _tThe Music of the Womb: Anaïs Nin's "Feminine" Writing -- _tTHIRD GENERATION: AFTER 1960 -- _t"Stepping-Stones Into the Dark": Redundancy and Generation in Christine Brooke-Rose's Amalgamemnon -- _tMarguerite Young's Miss Macintosh, My Darling: Liquescence as Form -- _tFiction as Language Game: The Hermeneutic Parables of Lydia Davis and Maxine Chernoff -- _tThe Artists of Hell: Kathy Acker and "Punk" Aesthetics -- _tVoices in the Head: Style and Consciousness in the Fiction of Ann Quin -- _tOne Hundred and Three Chapters of Little Times: Collapsed and Transfigured Moments in the Fiction of Barbara Guest -- _tThe Sense of Unending: Joyce Carol Oates's Bellefleur as an Experiment in Feminine Storytelling -- _tLITERATURE IN TRANSLATION -- _tExperimental Novels? Yes, But Perhaps "Otherwise": Nathalie Sarraute, Monique Wittig -- _tThe Clandestine Fictions of Marguerite Duras -- _tNOTES ON CONTRIBUTORS -- _tSELECTED LIST OF WOMEN EXPERIMENTALISTS -- _tINDEX
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThese nineteen essays introduce the rich and until now largely unexplored tradition of women's experimental fiction in the twentieth century. The writers discussed here range from Gertrude Stein to Christine Brooke-Rose and include, among others, Virginia Woolf, Jean Rhys, Jane Bowles, Marguerite Young, Eva Figes, Joyce Carol Oates, and Marguerite Duras. "Friedman and Fuchs demonstrate the breadth of their research, first in their introduction to the volume, in which they outline the history of the reception of women's experimental fiction, and analyze and categorize the work not only of the writers to whom essays are devoted but of a number of others, too; and second in an extensive and wonderfully useful bibliography."--Emma Kafalenos, The International Fiction Review "After an introduction that is practically itself a monograph, eighteen essayists (too many of them distinguished to allow an equitable sampling) take up three generations of post-modernists."--American Literature "The editors see this volume as part of the continuing feminist project of the `recovery and foregrounding of women writers.' Friedman and Fuchs's substantive introduction excellently synthesizes the issues presented in the rest of the volume."--Patrick D. Murphy, Studies in the HumanitiesOriginally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650		7	_aLITERARY CRITICISM / Women Authors. _2bisacsh
700	1		_aBlau Duplessis, Rachel _eautore
700	1		_aBrooke-Rose, Christine _eautore
700	1		_aBrée, Germaine _eautore
700	1		_aDekoven, Marianne _eautore
700	1		_aDibattista, Maria _eautore
700	1		_aDillon, Millicent _eautore
700	1		_aFraser, Kathleen _eautore
700	1		_aFriedman, Ellen G. _eautore _ecuratore
700	1		_aFuchs, Miriam _eautore _ecuratore
700	1		_aGerstenberger, Donna _eautore
700	1		_aHanscombe, Gillian E. _eautore
700	1		_aMartin, Richard _eautore
700	1		_aMcCaffery, Larry _eautore
700	1		_aNodelman, Perry _eautore
700	1		_aPerloff, Marjorie _eautore
700	1		_aSpencer, Sharon _eautore
700	1		_aStevick, Philip _eautore
700	1		_aWagner-Martin, Linda W. _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781400859948
856	4	0	_uhttps://www.degruyter.com/isbn/9781400859948
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9781400859948.jpg
942			_cEB
999			_c207878 _d207878