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008 210830t20141990nju fo d z eng d
019 _a(OCoLC)979742834
020 _a9780691600376
_qprint
020 _a9781400861385
_qPDF
024 7 _a10.1515/9781400861385
_2doi
035 _a(DE-B1597)9781400861385
035 _a(DE-B1597)447708
035 _a(OCoLC)889253264
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPR5442.L6
072 7 _aLIT014000
_2bisacsh
082 0 4 _a821.7
_220
084 _aonline - DeGruyter
100 1 _aUlmer, William A.
_eautore
245 1 0 _aShelleyan Eros :
_bThe Rhetoric of Romantic Love /
_cWilliam A. Ulmer.
250 _aCourse Book
264 1 _aPrinceton, NJ :
_bPrinceton University Press,
_c[2014]
264 4 _c©1990
300 _a1 online resource (202 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aPrinceton Legacy Library ;
_v1120
505 0 0 _tFrontmatter --
_tCONTENTS --
_tPREFACE --
_tEDITIONS AND ABBREVIATIONS --
_tChapter 1. SHELLEY'S POETICS OF LOVE --
_tChapter 2. THE VANISHED BODY --
_tChapter 3. EROS AND REVOLUTION --
_tChapter 4. THE UNBINDING OF METAPHOR --
_tChapter 5. THE POLITICS OF RECEPTION --
_tChapter 6. ITALIAN PLATONICS --
_tChapter 7. SHELLEY'S DEATH MASQUE --
_tINDEX
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aIn this work William Ulmer boldly advances our understanding of Shelley's concept of love by exploring eros as a figure for the poet's political and artistic aspirations. Applying a combination of deconstructive, historicist, and psychoanalytic approaches to six major poems, Ulmer follows the logic of the writing's rhetoric of love by tracing links between such elements as imagination, eros, metaphor, allegory, mirroring, repetition, death, and narcissism. Ulmer takes the mutual desire of self and antitype as a paradigm for rhetorical and social relations throughout Shelley and, in a significant departure from critical consensus, argues that his poetics were predominantly idealist.Ulmer demonstrates how the idealism of Shelleyan eros centers on a symbiosis of contraries organized as a dialectical variation of metaphor. In so doing, he contends that this idealism is both a rhetorical construct and revolutionary agency, and traces the failure of Shelley's visionary humanism to the gradual emergence of contradictions latent in his idealism. What emerges are new readings of individual texts and a reconsideration of the poet's imaginative development.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650 0 _aLove in literature.
650 0 _aLove poetry, English
_xHistory and criticism.
650 7 _aLITERARY CRITICISM / Poetry.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781400861385
856 4 0 _uhttps://www.degruyter.com/isbn/9781400861385
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9781400861385.jpg
942 _cEB
999 _c208009
_d208009