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008 210830t20141989nju fo d z eng d
019 _a(OCoLC)1013955509
020 _a9780691601588
_qprint
020 _a9781400861675
_qPDF
024 7 _a10.1515/9781400861675
_2doi
035 _a(DE-B1597)9781400861675
035 _a(DE-B1597)447068
035 _a(OCoLC)922699364
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPR595.P85 -- F34 1988eb
072 7 _aLIT004120
_2bisacsh
082 0 4 _a821.8093
084 _aonline - DeGruyter
100 1 _aFaas, Ekbert
_eautore
245 1 0 _aRetreat into the Mind :
_bVictorian Poetry and the Rise of Psychiatry /
_cEkbert Faas.
250 _aCourse Book
264 1 _aPrinceton, NJ :
_bPrinceton University Press,
_c[2014]
264 4 _c©1989
300 _a1 online resource (322 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aPrinceton Legacy Library ;
_v1153
505 0 0 _tFrontmatter --
_tContents --
_tIntroduction --
_tI. Dramatic or Psychological Monologue --
_tII. The New Mental Science --
_tIII. The Psychological School of Poetry: Beginnings --
_tIV. The Psychological School of Poetry: Origins --
_tV. Precedents I: The Romantic "Science of Feelings" --
_tVI. Precedents II: Shakespeare --
_tVII. Dead End: Matthew Arnold --
_tVIII. The Psychological School of Poetry: Patterns --
_tIX. The Psychological School of Poetry: Contents --
_tX. Swinburne, or the Psychopathology of Poetic Creation --
_tEpilogue: Toward a Poete Maudit Aesthetic --
_tAppendix: Practitioners of the Dramatic Monologue Among Minor Victorian Poets --
_tNotes --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aHere Ekbert Faas examines the complex interrelationships among the fields of early psychiatry, poetry, and aesthetics through an in-depth study of the Victorian dramatic monologue and its Romantic antecedents. Discussing the work of over thirty major and minor poets, he focuses on what Victorian critics viewed as an unprecedented psychological school of poetry related to early psychiatry and rooted in the poetic "science of feelings" (Wordsworth). This broad historical perspective enables Faas to redefine our current terminology regarding the dramatic monologue and to document the extent to which early psychiatry shaped the poetry, poetics, and general frame of mind of the Victorians. "In the nineteenth century, English poetry began to explore the psyche in ways contemporaries recognized as new. Wordsworth and Coleridge pioneered what Arnold, Tennyson, and Browning continued. Professor Faas painstakingly documents this, and reactions to it, with reference to simultaneous psychiatric work. Fascinating."--EncounterOriginally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650 7 _aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781400861675
856 4 0 _uhttps://www.degruyter.com/isbn/9781400861675
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9781400861675.jpg
942 _cEB
999 _c208036
_d208036