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| 001 | 208092 | ||
| 003 | IT-RoAPU | ||
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| 008 | 210830t20141991nju fo d z eng d | ||
| 019 | _a(OCoLC)1013947490 | ||
| 019 | _a(OCoLC)1029823120 | ||
| 019 | _a(OCoLC)1032693855 | ||
| 019 | _a(OCoLC)1037980185 | ||
| 019 | _a(OCoLC)1041973584 | ||
| 019 | _a(OCoLC)1046607280 | ||
| 019 | _a(OCoLC)1046692575 | ||
| 019 | _a(OCoLC)1047015718 | ||
| 020 |
_a9780691601397 _qprint |
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| 020 |
_a9781400862276 _qPDF |
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| 024 | 7 |
_a10.1515/9781400862276 _2doi |
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| 035 | _a(DE-B1597)9781400862276 | ||
| 035 | _a(DE-B1597)447711 | ||
| 035 | _a(OCoLC)922699065 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 | _aPS368 | |
| 072 | 7 |
_aLIT004020 _2bisacsh |
|
| 082 | 0 | 4 |
_a810.9/003 _220 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aRailton, Stephen _eautore |
|
| 245 | 1 | 0 |
_aAuthorship and Audience : _bLiterary Performance in the American Renaissance / _cStephen Railton. |
| 250 | _aCourse Book | ||
| 264 | 1 |
_aPrinceton, NJ : _bPrinceton University Press, _c[2014] |
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| 264 | 4 | _c©1991 | |
| 300 | _a1 online resource (252 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aPrinceton Legacy Library ; _v1214 |
|
| 505 | 0 | 0 |
_tFrontmatter -- _tCONTENTS -- _tACKNOWLEDGMENTS -- _tChapter I. THE ANXIETY OF PERFORMANCE -- _tChapter II. THE HIGH PRIZE OF ELOQUENCE": EMERSON AS ORATOR -- _tChapter III. HE DID NOT FEEL HIMSELF EXCEPT IN OPPOSITION": THOREAU'S WALDEN -- _tChapter IV. MOTHERS, HUSBANDS, AND AN UNCLE: STOWE'S UNCLE TOM'S CABIN -- _tChapter V. THE DEMOCRATIC NONESUCH: SOUTHWESTERN HUMOR -- _tChapter VI. TO OPEN AN INTERCOURSE WITH THE WORLD": HAWTHORNE'S SCARLET LETTER -- _tChapter VII. "AT THE WRITER'S CONTROL": POE'S PSYCHOLOGY OF COMPOSITION -- _tChapter VIII. YOU MUST HAVE PLENTY OF SEA-ROOM TO TELL THE TRUTH IN": MELVILLE'S MOBY-DICK -- _tChapter IX. CONCLUSION: "WHO AIN'T A SLAVE?" -- _tNOTES -- _tINDEX |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aStephen Railton's study of the American Renaissance proposes a fresh way of conceiving the writer as a performing artist and the text as an enactment of the drama of its own performance. Railton focuses on how major prose works of the period are preoccupied with their readers--how they seek to negotiate the conflicted space between the authors, who brought to the act of publication their own anxieties of ambition and identity, and the contemporary American reading public, which, as a growing mass audience in a democracy, had acquired an unprecedented authority over the terms of literary performance. New readings of Emerson's orations, Poe's tales, the sketches of the Southwest Humorists, Walden, Uncle Tom's Cabin, The Scarlet Letter, and Moby-Dick relocate American writers in the dramatic context in which they suffered and thrived. The book attends closely to historicist issues, arguing that one of the most profound ways that the culture shaped these texts was also the most immediate--as the audience each writer had to address. Equally concerned with biographical themes, it appreciates each of the major works within the larger pattern of the writer's public career and private needs.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) | |
| 650 | 0 |
_aAmerican prose literature _xHistory and criticism _x19th century. |
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| 650 | 0 |
_aAmerican prose literature _y19th century _xHistory and criticism. |
|
| 650 | 0 |
_aAuthors and readers _xHistory _x19th century _xUnited States. |
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| 650 | 0 |
_aAuthors and readers _zUnited States _xHistory _y19th century. |
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| 650 | 0 |
_aAuthorship _xHistory _x19th century _xUnited States. |
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| 650 | 0 |
_aAuthorship _xHistory _y19th century. |
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| 650 | 0 |
_aReader-response criticism _xUnited States. |
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| 650 | 0 |
_aReader-response criticism _zUnited States. |
|
| 650 | 7 |
_aLITERARY CRITICISM / American / General. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781400862276 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781400862276 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/cover/covers/9781400862276.jpg |
| 942 | _cEB | ||
| 999 |
_c208092 _d208092 |
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