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| 001 | 208254 | ||
| 003 | IT-RoAPU | ||
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| 008 | 210830t20141997nju fo d z eng d | ||
| 019 | _a(OCoLC)1013946533 | ||
| 020 |
_a9780691602431 _qprint |
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| 020 |
_a9781400864294 _qPDF |
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_a10.1515/9781400864294 _2doi |
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| 035 | _a(DE-B1597)9781400864294 | ||
| 035 | _a(DE-B1597)447295 | ||
| 035 | _a(OCoLC)922696572 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 |
_aPA3067 _b.S74 1997eb |
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| 072 | 7 |
_aPER011020 _2bisacsh |
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| 082 | 0 | 4 |
_a881/.0109 _220 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aStehle, Eva _eautore |
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| 245 | 1 | 0 |
_aPerformance and Gender in Ancient Greece : _bNondramatic Poetry in Its Setting / _cEva Stehle. |
| 250 | _aCourse Book | ||
| 264 | 1 |
_aPrinceton, NJ : _bPrinceton University Press, _c[2014] |
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| 264 | 4 | _c©1997 | |
| 300 | _a1 online resource (386 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aPrinceton Legacy Library ; _v331 |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tPreface -- _tAbbreviations -- _tIntroduction -- _tCHAPTER ONE. Community Poetry -- _tCHAPTER TWO. Women in Performance in the Community -- _tCHAPTER THREE. Male Performers in the Community -- _tCHAPTER FOUR. Bardic Poetry -- _tCHAPTER FIVE. The Symposium -- _tCHAPTER SIX. Sappho's Circle -- _tConclusion -- _tAppendix: Chronology of Primary Sources -- _tTransliterated Terms -- _tBibliography -- _tIndex Locorum -- _tGeneral Index |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _a"Like love, Greek poetry was not for hereafter," writes Eva Stehle, "but shared in the present mirth and laughter of festival, ceremony, and party." Describing how men and women, young and adult, sang or recited in public settings, Stehle treats poetry as an occasion for the performer's self-presentation. She discusses a wide range of pre-Hellenistic poetry, including Sappho's, compares how men and women speak about themselves, and constructs an innovative approach to performance that illuminates gender ideology. After considering the audience and the function of different modes of performance--community, bardic, and closed groups--Stehle explores this poetry as gendered speech, which interacts with performers' bodily presence to create social identities for the speakers. Texts for female choral performers reveal how women in public spoke in order to disavow the power of their speech and their sexual power. Male performers, however, could manipulate gender as an ideological system: they sometimes claimed female identity in addition to male, associated themselves with triumph over a defeated (mythical) female figure, or asserted their disconnection from women, thereby creating idealized social identities for themselves. A final chapter concentrates on the written poetry of Sappho, which borrows the communicative strategy of writing in order to create a fictional speaker distinct from the singer, a "Sappho" whom others could re-create in imagination.Originally published in 1997.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) | |
| 650 | 0 |
_aBards and bardism _xHistory _yTo 1500. |
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| 650 | 0 |
_aGreek poetry _xHistory and criticism. |
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| 650 | 0 |
_aOral interpretation of poetry _xHistory _yTo 1500. |
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| 650 | 0 |
_aOral tradition _zGreece. |
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| 650 | 0 |
_aSex role _zGreece. |
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| 650 | 0 |
_aWomen and literature _zGreece. |
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| 650 | 0 |
_aWomen in the performing arts _zGreece. |
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| 650 | 7 |
_aPERFORMING ARTS / Theater / History & Criticism. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781400864294 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781400864294 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/cover/covers/9781400864294.jpg |
| 942 | _cEB | ||
| 999 |
_c208254 _d208254 |
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