| 000 | 06126nam a22017295i 4500 | ||
|---|---|---|---|
| 001 | 208573 | ||
| 003 | IT-RoAPU | ||
| 005 | 20230501182024.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 230127t20151972nju fo d z eng d | ||
| 020 |
_a9780691606958 _qprint |
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| 020 |
_a9781400868711 _qPDF |
||
| 024 | 7 |
_a10.1515/9781400868711 _2doi |
|
| 035 | _a(DE-B1597)9781400868711 | ||
| 035 | _a(DE-B1597)454231 | ||
| 035 | _a(OCoLC)979742919 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 050 | 4 | _aN70 | |
| 072 | 7 |
_aART000000 _2bisacsh |
|
| 082 | 0 | 4 | _a701 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aSircello, Guy _eautore |
|
| 245 | 1 | 0 |
_aMind and Art : _bAn Essay on the Varieties of Expression / _cGuy Sircello. |
| 264 | 1 |
_aPrinceton, NJ : _bPrinceton University Press, _c[2015] |
|
| 264 | 4 | _c©1972 | |
| 300 | _a1 online resource (364 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 490 | 0 |
_aPrinceton Legacy Library ; _v1796 |
|
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tPreface -- _tIntroduction -- _tChapter one. Expressive Properties of Art -- _tChapter two. The Mind in Art -- _tChapter three./ Language and Expression -- _tChapter four. Expressing the Objective World -- _tChapter five. The Expression of Ideas -- _tChapter six. Signs and Expressions -- _tChapter seven. Causation and Expression -- _tChapter eight. Showing and Expressing -- _tChapter nine. The Romantic Mind Triumphant -- _tChapter ten. Self-Expression -- _tSelected Bibliography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aGuy Sircello's analysis of the varieties of expression and his use of them to justify a particular view of the human mind clarify a number of controversial topics in contemporary philosophy, among them the notion of "artistic acts," language as expression, the expression of ideas, expressions as "natural signs," and the nature of the causal relationship between an expression and what is expressed.Originally published in 1972.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) | |
| 650 | 0 |
_aArt _xPhilosophy. |
|
| 650 | 0 |
_aArt _xPsychology. |
|
| 650 | 7 |
_aART / General. _2bisacsh |
|
| 653 | _aAbsurdity. | ||
| 653 | _aAdjective. | ||
| 653 | _aAesthetics. | ||
| 653 | _aAllegory. | ||
| 653 | _aAnalogy. | ||
| 653 | _aAnecdote. | ||
| 653 | _aAnger. | ||
| 653 | _aAnthropomorphism. | ||
| 653 | _aArt. | ||
| 653 | _aBDSM. | ||
| 653 | _aBook. | ||
| 653 | _aBoredom. | ||
| 653 | _aCategory mistake. | ||
| 653 | _aCausality. | ||
| 653 | _aCircumlocution. | ||
| 653 | _aClassicism. | ||
| 653 | _aCognate. | ||
| 653 | _aConnotation. | ||
| 653 | _aConsciousness. | ||
| 653 | _aConstant conjunction. | ||
| 653 | _aCopying. | ||
| 653 | _aCriticism. | ||
| 653 | _aDefamation. | ||
| 653 | _aDisgust. | ||
| 653 | _aDistrust. | ||
| 653 | _aEl Greco. | ||
| 653 | _aEmotionalism. | ||
| 653 | _aEquanimity. | ||
| 653 | _aExplanation. | ||
| 653 | _aExternalization. | ||
| 653 | _aFalsity. | ||
| 653 | _aFeeling. | ||
| 653 | _aFine art. | ||
| 653 | _aGreatness. | ||
| 653 | _aHallucination. | ||
| 653 | _aHostility. | ||
| 653 | _aIllocutionary act. | ||
| 653 | _aImagination. | ||
| 653 | _aIndication (medicine). | ||
| 653 | _aInferiority complex. | ||
| 653 | _aInformality. | ||
| 653 | _aInseparability. | ||
| 653 | _aIrony. | ||
| 653 | _aJargon. | ||
| 653 | _aLaziness. | ||
| 653 | _aLiterature. | ||
| 653 | _aLytton Strachey. | ||
| 653 | _aMagnanimity. | ||
| 653 | _aMetaphor. | ||
| 653 | _aModern philosophy. | ||
| 653 | _aModesty. | ||
| 653 | _aMoral character. | ||
| 653 | _aMusic criticism. | ||
| 653 | _aNarcissism. | ||
| 653 | _aNon-fiction. | ||
| 653 | _aNonsense. | ||
| 653 | _aNonverbal communication. | ||
| 653 | _aObscurantism. | ||
| 653 | _aOriginality. | ||
| 653 | _aParadox. | ||
| 653 | _aPersonal identity. | ||
| 653 | _aPhenomenon. | ||
| 653 | _aPhilosopher. | ||
| 653 | _aPhilosophy of language. | ||
| 653 | _aPhilosophy. | ||
| 653 | _aPhrase (music). | ||
| 653 | _aPity. | ||
| 653 | _aPoetry. | ||
| 653 | _aPoliteness. | ||
| 653 | _aPraxiteles. | ||
| 653 | _aProse. | ||
| 653 | _aRespect. | ||
| 653 | _aResult. | ||
| 653 | _aRomanticism. | ||
| 653 | _aSadness. | ||
| 653 | _aSanity. | ||
| 653 | _aSarcasm. | ||
| 653 | _aScience. | ||
| 653 | _aScientist. | ||
| 653 | _aSelfishness. | ||
| 653 | _aSentimentality. | ||
| 653 | _aSophistication. | ||
| 653 | _aSpirituality. | ||
| 653 | _aSuggestion. | ||
| 653 | _aSympathy. | ||
| 653 | _aSymptom. | ||
| 653 | _aThe Concept of Mind. | ||
| 653 | _aThe Other Hand. | ||
| 653 | _aThe Philosopher. | ||
| 653 | _aTheory of Forms. | ||
| 653 | _aTheory of art. | ||
| 653 | _aTheory of mind. | ||
| 653 | _aTheory. | ||
| 653 | _aThought. | ||
| 653 | _aUnderstanding. | ||
| 653 | _aUniqueness. | ||
| 653 | _aVagueness. | ||
| 653 | _aVerb. | ||
| 653 | _aWork of art. | ||
| 653 | _aWriting. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781400868711 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781400868711 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781400868711/original |
| 942 | _cEB | ||
| 999 |
_c208573 _d208573 |
||