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008			210830t20151979nju fo d z eng d
020			_a9780691614212 _qprint
020			_a9781400869206 _qPDF
024	7		_a10.1515/9781400869206 _2doi
035			_a(DE-B1597)9781400869206
035			_a(DE-B1597)454280
035			_a(OCoLC)979882182
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aPOE005030 _2bisacsh
084			_aonline - DeGruyter
100	1		_aGreene, Robert W. _eautore
245	1	0	_aSix French Poets of Our Time : _bA Critical and Historical Study / _cRobert W. Greene.
264		1	_aPrinceton, NJ : _bPrinceton University Press, _c[2015]
264		4	_c©1979
300			_a1 online resource (216 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aPrinceton Essays in Literature ; _v1456
505	0	0	_tFrontmatter -- _tPreface -- _tContents -- _tIntroduction -- _tI. Pierre Reverdy -- _tII. Francis Ponge -- _tIII. René Char -- _tIV. André du Bouchet -- _tV. Jacques Dupin -- _tVI. Marcelin Pleynet -- _tAfterword -- _tNotes -- _tIndex -- _tBackmatter
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aDuring the last sixty to seventy years avant-garde poetry in France has evolved in two directions: one toward poetry conceived as a means to an end, the other toward poetry as an end in itself. Focusing on Pierre Reverdy, Francis Ponge, René Char, André du Bouchet, Jacques Dupin, and Marcelin Pleynet as the modern French poets who most faithfully reflect these directions, Robert Greene's chronological study allows us to follow the two-pronged evolution of French poetry since 1910. Situating his argument in a detailed historical context and basing it on comparisons with artistic movements and the poets' own writings on art, and on extended analyses of selected representative poems, the author is able to establish a new intellectual-historical perspective on contemporary poetry. Professor Greene finds that whereas Reverdy, Char, du Bouchet, and Dupin all embrace a conception of poetry as quest, as a search for the absolute, as the Way of beauty or truth, Ponge and Pleynet hold to a view of poetry as jête, as a celebration of the relative, as the play and display of language in action. What knits them together, he concludes, is the way in which each poet sums up his era as a stage in the development of twentieth-century French poetry.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650		0	_aFrench poetry _x20th century _xHistory and criticism.
650		0	_aFrench poetry _y20th century _xHistory and criticism.
650		7	_aPOETRY / European / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781400869206
856	4	0	_uhttps://www.degruyter.com/isbn/9781400869206
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9781400869206.jpg
942			_cEB
999			_c208614 _d208614