000			06539nam a22017535i 4500
001			208633
003			IT-RoAPU
005			20230501182025.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			230127t20151975nju fo d z eng d
020			_a9780691618098 _qprint
020			_a9781400869459 _qPDF
024	7		_a10.1515/9781400869459 _2doi
035			_a(DE-B1597)9781400869459
035			_a(DE-B1597)454305
035			_a(OCoLC)979580559
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aART000000 _2bisacsh
084			_aonline - DeGruyter
100	1		_aHermeren, Goran _eautore
245	1	0	_aInfluence in Art and Literature / _cGoran Hermeren.
264		1	_aPrinceton, NJ : _bPrinceton University Press, _c[2015]
264		4	_c©1975
300			_a1 online resource (366 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aPrinceton Legacy Library ; _v1445
505	0	0	_tFrontmatter -- _tContents -- _tIllustrations -- _tPreface -- _tAbbreviations -- _t1. Problems and Distinctions -- _t2 Conditions for Influence -- _t3. Measurement of Influence -- _t4 Consequences and Conclusions -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThis is a systematic study of the conceptual framework used by critics and scholars in their discussions of influence in art and literature. Göran Hermerén explores the key questions raised in scholarly debate on the topic: What is meant by "influence"? What methods can be used to settle disagreements about influence? What reasons could be used to support or reject statements about artistic and literary influence? The book is based on descriptive analyses in which the author has tried to make explicit what is said or implied in a number of "ations from scholarly writings on art and literature. Throughout, the emphasis is on clarifying the assumptions on which the use of the concept of influence is based, thus describing the limitations and merits of this kind of comparative research for critics and scholars.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)
650		0	_aArt _xThemes, motives.
650		0	_aArt _xThèmes, motifs.
650		0	_aInfluence (Literary, artistic, etc.).
650		0	_aJudgment (Aesthetics).
650		0	_aLiterature _xPhilosophy.
650		0	_aLittérature _xPhilosophie.
650		7	_aART / General. _2bisacsh
653			_aAdjective.
653			_aAesthetic Theory.
653			_aAesthetics.
653			_aAllegory.
653			_aAllusion.
653			_aAnachronism.
653			_aAncient art.
653			_aAnecdote.
653			_aAntithesis.
653			_aArt criticism.
653			_aArt history.
653			_aArtistic merit.
653			_aBaroque painting.
653			_aCaravaggio.
653			_aCarolingian art.
653			_aCausality.
653			_aCliché.
653			_aClinamen.
653			_aClose reading.
653			_aComparative literature.
653			_aComparative method (linguistics).
653			_aContemporary art.
653			_aContemporary philosophy.
653			_aCounterfactual conditional.
653			_aCriticism.
653			_aCubism.
653			_aD. H. Lawrence.
653			_aDeed.
653			_aDigression.
653			_aDrapery.
653			_aEngraving.
653			_aEpic poetry.
653			_aExplanation.
653			_aEzra Pound.
653			_aFine art.
653			_aFlorentine painting.
653			_aForgery.
653			_aFrench literature.
653			_aGenre.
653			_aHuman Action.
653			_aHumanities.
653			_aIconography.
653			_aIdeogrammic method.
653			_aIdeology.
653			_aIllocutionary act.
653			_aIllusionism (art).
653			_aIllustration.
653			_aIllustrator.
653			_aImagery.
653			_aIndian aesthetics.
653			_aIndividualism.
653			_aInvention.
653			_aJapanese art.
653			_aJournalism.
653			_aLanguages of Art.
653			_aLas Meninas.
653			_aLiterary genre.
653			_aLiterature.
653			_aMarcel Duchamp.
653			_aMetaphor.
653			_aMonograph.
653			_aMural.
653			_aMutatis mutandis.
653			_aNarrative.
653			_aOil sketch.
653			_aOntology.
653			_aOriginality.
653			_aOverreaction.
653			_aPablo Picasso.
653			_aPaul Gauguin.
653			_aPerlocutionary act.
653			_aPhilosopher.
653			_aPhilosophy of history.
653			_aPhilosophy of language.
653			_aPlagiarism.
653			_aPoetry.
653			_aPublication.
653			_aPublishing.
653			_aRapprochement.
653			_aRequirement.
653			_aResult.
653			_aRomanticism.
653			_aSecondary source.
653			_aSpeech act.
653			_aStill life.
653			_aStipulation.
653			_aStipulative definition.
653			_aSuggestion.
653			_aSymbolism (arts).
653			_aThe Conceptual Framework.
653			_aTheory of art.
653			_aTheory.
653			_aThought.
653			_aTitian.
653			_aTreatise.
653			_aValue judgment.
653			_aVisual arts.
653			_aWork of art.
653			_aWriter.
653			_aWriting.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781400869459
856	4	0	_uhttps://www.degruyter.com/isbn/9781400869459
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781400869459/original
942			_cEB
999			_c208633 _d208633