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001 208706
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008 210830t20151975nju fo d z eng d
020 _a9780691618104
_qprint
020 _a9781400870264
_qPDF
024 7 _a10.1515/9781400870264
_2doi
035 _a(DE-B1597)9781400870264
035 _a(DE-B1597)454386
035 _a(OCoLC)979595529
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER011010
_2bisacsh
082 0 4 _a792.02330924
084 _aonline - DeGruyter
100 1 _aMarker, Lise-Lone
_eautore
245 1 0 _aDavid Belasco :
_bNaturalism in the American Theatre /
_cLise-Lone Marker.
264 1 _aPrinceton, NJ :
_bPrinceton University Press,
_c[2015]
264 4 _c©1975
300 _a1 online resource (272 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aPrinceton Legacy Library ;
_v1402
505 0 0 _tFrontmatter --
_tContents --
_tIllustrations --
_tForeword --
_tIntroduction Legend's End --
_tChapter One. Beginnings --
_tChapter Two. Transition --
_tChapter Three. Vision and Method --
_tChapter Four. Costume Plays of Manners and Customs: "Sweet Kitty Bellairs" --
_tChapter Five. American Frontier Drama: "The Girl of the Golden West" --
_tChapter Six. Sociological Realism: "The Easiest Way" --
_tChapter Seven. Shakespeare and Naturalism: "The Merchant of Venice" --
_tEpilogue New Theatres for Old --
_tNotes --
_tChronology --
_tBibliography --
_tIndex --
_tBackmatter
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aA pioneer of stage naturalism, David Belasco has come to be universally recognized as one of the first important directors in the history of the American stage. Lise-Lone Marker's book is a full-length stylistic analysis and re-evaluation of his scenic art.Based on a rich body of primary sources, among which are Belasco's promptbooks and papers, the book synthesizes the aims, methods, and techniques inherent in the naturalistic production style that Belasco developed during the six decades of his career. The elements of that style-the magic reality of his stage settings, his innovations in plastic lighting, his directorial method-are also seen in the context of theatrical developments elsewhere.On the basis of this synthesis. Professor Marker reconstructs and analyzes four of Belasco's most important productions, each representative of a distinct phase of his directorial art. Her explorations uncover much new information about Belasco and the American theatre around the turn of the century.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650 0 _aNaturalismus.
650 0 _aTheater.
650 7 _aPERFORMING ARTS / Theater / Direction & Production.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781400870264
856 4 0 _uhttps://www.degruyter.com/isbn/9781400870264
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9781400870264.jpg
942 _cEB
999 _c208706
_d208706