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| 001 | 209017 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106150622.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 240625t20162016nju fo d z eng d | ||
| 019 | _a(OCoLC)929851555 | ||
| 020 |
_a9780691166797 _qprint |
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| 020 |
_a9781400873777 _qPDF |
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| 024 | 7 |
_a10.1515/9781400873777 _2doi |
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| 035 | _a(DE-B1597)9781400873777 | ||
| 035 | _a(DE-B1597)474194 | ||
| 035 | _a(OCoLC)979882294 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 | _aPG3481.I57 | |
| 072 | 7 |
_aLCO019000 _2bisacsh |
|
| 082 | 0 | 4 |
_a891.784409 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aVan Buskirk, Emily _eautore |
|
| 245 | 1 | 0 |
_aLydia Ginzburg's Prose : _bReality in Search of Literature / _cEmily Van Buskirk. |
| 264 | 1 |
_aPrinceton, NJ : _bPrinceton University Press, _c[2016] |
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| 264 | 4 | _c©2016 | |
| 300 | _a1 online resource (368 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAcknowledgments -- _tA Note about Spelling, Transliteration, and Archival References -- _tIntroduction -- _t1. Writing the Self after the Crisis of Individualism: Distancing and Moral Evaluation -- _t2. The Poetics of Desk-Drawer Notebooks -- _t3. Marginality in the Mainstream, Lesbian Love in the Third Person -- _t4. Passing Characters -- _t5. Transformations of Experience: Around and Behind Notes of a Blockade Person -- _tConclusion: Sustaining a Human Image -- _tNotes -- _tBibliography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aThe Russian writer Lydia Ginzburg (1902–90) is best known for her Notes from the Leningrad Blockade and for influential critical studies, such as On Psychological Prose, investigating the problem of literary character in French and Russian novels and memoirs. Yet she viewed her most vital work to be the extensive prose fragments, composed for the desk drawer, in which she analyzed herself and other members of the Russian intelligentsia through seven traumatic decades of Soviet history. In this book, the first full-length English-language study of the writer, Emily Van Buskirk presents Ginzburg as a figure of previously unrecognized innovation and importance in the literary landscape of the twentieth century.Based on a decade's work in Ginzburg’s archives, the book discusses previously unknown manuscripts and uncovers a wealth of new information about the author’s life, focusing on Ginzburg’s quest for a new kind of writing adequate to her times. She writes of universal experiences—frustrated love, professional failures, remorse, aging—and explores the modern fragmentation of identity in the context of war, terror, and an oppressive state. Searching for a new concept of the self, and deeming the psychological novel (a beloved academic specialty) inadequate to express this concept, Ginzburg turned to fragmentary narratives that blur the lines between history, autobiography, and fiction.This full account of Ginzburg’s writing career in many genres and emotional registers enables us not only to rethink the experience of Soviet intellectuals, but to arrive at a new understanding of writing and witnessing during a horrific century. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 0 |
_aIntellectuals _zSoviet Union _xHistory _y20th century. |
|
| 650 | 7 |
_aLITERARY COLLECTIONS / Women Authors. _2bisacsh |
|
| 653 | _aBakhtin. | ||
| 653 | _aBlok. | ||
| 653 | _aFrench novel. | ||
| 653 | _aHerzen. | ||
| 653 | _aKraftЅbbing. | ||
| 653 | _aLydia Ginzburg. | ||
| 653 | _aMandelstam. | ||
| 653 | _aMichael Lucey. | ||
| 653 | _aNotes of a Blockade Person. | ||
| 653 | _aPyotr Vyazemsky. | ||
| 653 | _aRussian novel. | ||
| 653 | _aRussian writer. | ||
| 653 | _aRussian writers. | ||
| 653 | _aShklovsky. | ||
| 653 | _aSoviet Union. | ||
| 653 | _aWeininger. | ||
| 653 | _aaging. | ||
| 653 | _acharacter analysis. | ||
| 653 | _afrustrated love. | ||
| 653 | _agenre. | ||
| 653 | _ain-between prose. | ||
| 653 | _aindividualism. | ||
| 653 | _aintelligentnost. | ||
| 653 | _aliterary character. | ||
| 653 | _aliterary scholars. | ||
| 653 | _alove. | ||
| 653 | _amemoirists. | ||
| 653 | _amoral action. | ||
| 653 | _anotebooks. | ||
| 653 | _aparadox. | ||
| 653 | _apersonal pronouns. | ||
| 653 | _apost-individualist prose. | ||
| 653 | _aprofessional failure. | ||
| 653 | _arealism. | ||
| 653 | _aremorse. | ||
| 653 | _aself-distancing. | ||
| 653 | _asexuality. | ||
| 653 | _ateenage diaries. | ||
| 653 | _athird-person narrative. | ||
| 653 | _awomen writers. | ||
| 653 | _awriting. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781400873777?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781400873777 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781400873777/original |
| 942 | _cEB | ||
| 999 |
_c209017 _d209017 |
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