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| 001 | 209268 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214233757.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 210830t20151964nju fo d z eng d | ||
| 019 | _a(OCoLC)1013938803 | ||
| 020 |
_a9780691624679 _qprint |
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| 020 |
_a9781400876983 _qPDF |
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| 024 | 7 |
_a10.1515/9781400876983 _2doi |
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| 035 | _a(DE-B1597)9781400876983 | ||
| 035 | _a(DE-B1597)468337 | ||
| 035 | _a(OCoLC)957504960 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 | _aML410.D83 | |
| 072 | 7 |
_aMUS020000 _2bisacsh |
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| 082 | 0 | 4 | _a781.9735 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aHamm, Charles Edward _eautore |
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| 245 | 1 | 0 |
_aChronology of the Works of Guillaume Dufay / _cCharles Edward Hamm. |
| 264 | 1 |
_aPrinceton, NJ : _bPrinceton University Press, _c[2015] |
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| 264 | 4 | _c©1964 | |
| 300 | _a1 online resource (214 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aPrinceton Legacy Library ; _v2152 |
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| 505 | 0 | 0 |
_tFrontmatter -- _tPREFACE -- _tACKKOWIEDGEMENTS -- _tCONTENTS -- _tCHAPTER I. EARLIEST WORKS, ca. 1415-1423 -- _tCHAPTER 2. 1423-1429 -- _tCHAPTER 3. 1426-1431 -- _tCHAPTER 4. 1426-1433 -- _tCHAPTER 5. 1433-1435 -- _tCHAPTER 6. 1433 - 1445 -- _tCHAPTER 7. 1433-ca. 1455 -- _tCHAPTER 8. 1435-ca. 1460 -- _tCHAPTER 9. ca. 1454-1474 -- _tSUMMARY, CONCLUSIONS, PROPOSALS -- _tAPPENDIX A. THE DUFAY WORKS -- _tAPPENDIX B. Manuscript Abbreviations -- _tBIBLIOGRAPHY -- _tINDEX |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aAlthough, according to the author, much sound research, has been done in the Dufay era in recent years," Charles Hamm's book marks the first time an attempt has been made at a comprehensive chronology of the works of this composer. Professor Hamm approaches all Dufay's compositions from the point of view of mensural practice, and has been able to date each piece more precisely than would have been possible in a chronology based on manuscript studies or stylistic analyses. He has divided the works into nine groups, according to details of mensural usage, and on the basis of datable works and other evidence has suggested dates within which the pieces of each group were written. Based on his study of Dufay's mensural practice, the author suggests that the Missa Sancti Antoni and several other works attributed to Dufay may not have been written by him.Originally published in 1964.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) | |
| 650 | 7 |
_aMUSIC / History & Criticism. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781400876983 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781400876983 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/cover/covers/9781400876983.jpg |
| 942 | _cEB | ||
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_c209268 _d209268 |
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