000			06352nam a22012135i 4500
001			209687
003			IT-RoAPU
005			20221214233813.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			210824t20162017nju fo d z eng d
019			_a(OCoLC)984643854
020			_a9780691170312 _qprint
020			_a9781400883721 _qPDF
024	7		_a10.1515/9781400883721 _2doi
035			_a(DE-B1597)9781400883721
035			_a(DE-B1597)474655
035			_a(OCoLC)967529890
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPR595.W6
072		7	_aLIT025050 _2bisacsh
082	0	4	_a821.8099287 _223
084			_aonline - DeGruyter
100	1		_aLootens, Tricia _eautore
245	1	4	_aThe Political Poetess : _bVictorian Femininity, Race, and the Legacy of Separate Spheres / _cTricia Lootens.
264		1	_aPrinceton, NJ : _bPrinceton University Press, _c[2016]
264		4	_c©2017
300			_a1 online resource (344 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tIntroduction: Slaves, Spheres, Poetess Poetics -- _tSection 1. Racializing the Poetess: Haunting "Separate Spheres" -- _tChapter One. Antislavery Afterlives: Changing the Subject / Haunting the Poetess -- _tChapter Two. "Not Another 'Poetess'": Feminist Criticism, Nineteenth-Century Poetry, and the Racialization of Suicide -- _tSection 2. Suspending Spheres: The Violent Structures of Patriotic Pacifism -- _tChapter Three. Suspending Spheres, Suspending Disbelief: Hegel's Antigone, Craik's Crimea, Woolf's Three Guineas -- _tChapter Four. Turning and Burning: Sentimental Criticism, Casabiancas, and the Click of the Cliché -- _tSection 3. Transatlantic Occasions: Nineteenth-Century Antislavery Poetics at the Limits -- _tChapter Five. Teaching Curses, Teaching Nations: Abolition Time and the Recoils of Antislavery Poetics -- _tChapter Six. Harper's Hearts: "Home Is Never Natural or Safe" -- _tNotes -- _tWorks Cited -- _tAcknowledgments -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThe Political Poetess challenges familiar accounts of the figure of the nineteenth-century Poetess, offering new readings of Poetess performance and criticism. In performing the Poetry of Woman, the mythic Poetess has long staked her claims as a creature of "separate spheres"-one exempt from emerging readings of nineteenth-century women's political poetics. Turning such assumptions on their heads, Tricia Lootens models a nineteenth-century domestic or private sphere whose imaginary, apolitical heart is also the heart of nation and empire, and, as revisionist histories increasingly attest, is traumatized and haunted by histories of slavery. Setting aside late Victorian attempts to forget the unfulfilled, sentimental promises of early antislavery victories, The Political Poetess restores Poetess performances like Julia Ward Howe's "Battle Hymn of the Republic" and Emma Lazarus's "The New Colossus" to view-and with them, the vitality of the Black Poetess within African-American public life.Crossing boundaries of nation, period, and discipline to "connect the dots" of Poetess performance, Lootens demonstrates how new histories and ways of reading position poetic texts by Felicia Dorothea Hemans, Elizabeth Barrett Browning, Dinah Mulock Craik, George Eliot, and Frances E. W. Harper as convergence points for larger engagements ranging from Germaine de Staël to G.W.F. Hegel, Virginia Woolf, Elizabeth Bishop, Alice Walker, and beyond.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)
650		0	_aEnglish poetry _xWomen authors _xHistory and criticism.
650		0	_aEnglish poetry _y19th century _xHistory and criticism.
650		0	_aFeminism and literature _zGreat Britain _xHistory _y19th century.
650		7	_aLITERARY CRITICISM / Subjects & Themes / Women . _2bisacsh
653			_aA Curse for a Nation.
653			_aAbolition time.
653			_aAlice Walker.
653			_aAntigone.
653			_aBlack Poetess.
653			_aCasabianca.
653			_aCheryl Walker.
653			_aDinah Mulock Craik.
653			_aElizabeth Barrett Browning.
653			_aElizabeth Bishop.
653			_aElizabeth V. Spelman.
653			_aEllen Moers.
653			_aEmma Lazarus.
653			_aErlene Stetson.
653			_aFelicia Dorothea Hemans.
653			_aFrances Ellen Watkins Harper.
653			_aFruits of Sorrow.
653			_aG.W.F. Hegel.
653			_aHarriet Tubman.
653			_aJ.M.W. Turner.
653			_aJulia Ward Howe.
653			_aMeridian.
653			_aNightingale's Burden.
653			_aPoetess performance.
653			_aPoetess reception.
653			_aPoetess.
653			_aPolitical Poetess.
653			_aSecond Wave Poetess criticism.
653			_aThe Vision of the Czar of Russia.
653			_aThe Works of Mrs. Hemans.
653			_aVictorian femininity.
653			_aVictorian studies.
653			_aVirginia Woolf.
653			_aantislavery poetics.
653			_aantislavery.
653			_acritical race studies.
653			_adisplacement.
653			_aelegy.
653			_aethical refocalization.
653			_afemininity.
653			_afeminist criticism.
653			_afeminist theory.
653			_ahaunting.
653			_anational sentimentality.
653			_apatriotic poetry.
653			_apoems.
653			_apoetic reading.
653			_apolitical poetics.
653			_aprivate sphere.
653			_arace.
653			_asentimental poetry.
653			_aseparate spheres.
653			_aslavery.
653			_asuspended spheres.
653			_awomen.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781400883721?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9781400883721
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9781400883721.jpg
942			_cEB
999			_c209687 _d209687