| 000 | 06003nam a22017415i 4500 | ||
|---|---|---|---|
| 001 | 209718 | ||
| 003 | IT-RoAPU | ||
| 005 | 20230501182037.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 230103t20161993nju fo d z eng d | ||
| 019 | _a(OCoLC)979581038 | ||
| 020 |
_a9780691024653 _qprint |
||
| 020 |
_a9781400884407 _qPDF |
||
| 024 | 7 |
_a10.1515/9781400884407 _2doi |
|
| 035 | _a(DE-B1597)9781400884407 | ||
| 035 | _a(DE-B1597)476917 | ||
| 035 | _a(OCoLC)958120714 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 072 | 7 |
_aPOE005030 _2bisacsh |
|
| 082 | 0 | 4 |
_a889.132 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aRitsos, Yannis _eautore |
|
| 245 | 1 | 4 |
_aThe Fourth Dimension / _cYannis Ritsos. |
| 264 | 1 |
_aPrinceton, NJ : _bPrinceton University Press, _c[2016] |
|
| 264 | 4 | _c©1993 | |
| 300 | _a1 online resource (348 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 490 | 0 |
_aPrinceton Modern Greek Studies ; _v10 |
|
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction -- _tThe Window -- _tWinter Clarity -- _tChronicle -- _tMoonlight Sonata -- _tAgamemnon -- _tOrestes -- _tThe Dead House -- _tThe Return of Iphigenia -- _tUnder the Shadow of the Mountain -- _tChrysothemis -- _tPersephone -- _tIsmene -- _tAjax -- _tPhiloctetes -- _tHelen -- _tPhaedra -- _tWhen the Stranger Comes -- _tNOTES TO THE POEMS |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aIn the dramatic monologues that make up The Fourth Dimension--especially those based on the grim history of Mycenae and its royal protagonists--the celebrated modern Greek poet Yannis Ritsos presents a timeless poetic paradigm of the condition of Greece, past and present. The volume also contains a group of modern narratives, including the famous, and much-anthologized, "Moonlight Sonata." Ritsos, rightly, regarded the The Fourth Dimension as his finest achievement. It is now presented to English- speaking readers for the first time in its entirety. From "Philoctetes" All the speeches of great men, about the dead and about heroes. Astonishing, awesome words, pursued us even in our sleep, slipping beneath closed doors, from the banqueting hallwhere glasses and voices sparkled, and the veilof an unseen dancer rippled silentlylike a diaphanous, whirling wallbetween life and death. This throbbingour childhood nights, lightening the shadows of shieldsetched on white walls by slow moonlight. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) | |
| 650 | 0 | _aGreek poetry, Modern. | |
| 650 | 7 |
_aPOETRY / European / General. _2bisacsh |
|
| 653 | _aAegisthus. | ||
| 653 | _aAeschylus. | ||
| 653 | _aAnachronism. | ||
| 653 | _aAnnoyance. | ||
| 653 | _aAsthma. | ||
| 653 | _aAtreus. | ||
| 653 | _aBay leaf. | ||
| 653 | _aBed bug. | ||
| 653 | _aBlindman. | ||
| 653 | _aBloody Bones. | ||
| 653 | _aBrauron. | ||
| 653 | _aBryaxis. | ||
| 653 | _aCalchas. | ||
| 653 | _aCastor and Pollux. | ||
| 653 | _aCemetery. | ||
| 653 | _aChandelier. | ||
| 653 | _aChthonian (Cthulhu Mythos). | ||
| 653 | _aClothing. | ||
| 653 | _aClytemnestra. | ||
| 653 | _aCold cream. | ||
| 653 | _aConflagration. | ||
| 653 | _aCorset. | ||
| 653 | _aCover Her Face. | ||
| 653 | _aCowardice. | ||
| 653 | _aCyane. | ||
| 653 | _aDionysus. | ||
| 653 | _aDrawing room. | ||
| 653 | _aEarring. | ||
| 653 | _aEast Room. | ||
| 653 | _aEleusinian Mysteries. | ||
| 653 | _aErinyes. | ||
| 653 | _aEros. | ||
| 653 | _aEuripides. | ||
| 653 | _aFireplace. | ||
| 653 | _aForehead. | ||
| 653 | _aFurniture. | ||
| 653 | _aGarret. | ||
| 653 | _aGod Knows (novel). | ||
| 653 | _aGraziella. | ||
| 653 | _aGreasy hair. | ||
| 653 | _aGreek mythology. | ||
| 653 | _aHaemon. | ||
| 653 | _aHandkerchief. | ||
| 653 | _aHanging. | ||
| 653 | _aHeart failure. | ||
| 653 | _aHumiliation. | ||
| 653 | _aHurrying. | ||
| 653 | _aHyperbole. | ||
| 653 | _aKeening. | ||
| 653 | _aLaughter. | ||
| 653 | _aLion Gate. | ||
| 653 | _aMansion. | ||
| 653 | _aMead. | ||
| 653 | _aMeanness. | ||
| 653 | _aMetempsychosis. | ||
| 653 | _aMilitary parade. | ||
| 653 | _aMothball. | ||
| 653 | _aMourning. | ||
| 653 | _aMy Bed. | ||
| 653 | _aMycenae. | ||
| 653 | _aNapkin. | ||
| 653 | _aNeurosis. | ||
| 653 | _aOdor. | ||
| 653 | _aOdyssey. | ||
| 653 | _aOil lamp. | ||
| 653 | _aPallor. | ||
| 653 | _aPoetry. | ||
| 653 | _aPorcelain. | ||
| 653 | _aPriam. | ||
| 653 | _aPricking. | ||
| 653 | _aPutto. | ||
| 653 | _aPylades. | ||
| 653 | _aRoast chicken. | ||
| 653 | _aSacred bull. | ||
| 653 | _aSeven Against Thebes. | ||
| 653 | _aShirt. | ||
| 653 | _aSlavery. | ||
| 653 | _aSnoring. | ||
| 653 | _aSoliloquy. | ||
| 653 | _aSophocles. | ||
| 653 | _aStairs. | ||
| 653 | _aSymplegades. | ||
| 653 | _aTablecloth. | ||
| 653 | _aTattoo. | ||
| 653 | _aTecmessa. | ||
| 653 | _aThe First Man. | ||
| 653 | _aThe Other Hand. | ||
| 653 | _aTheoclymenus. | ||
| 653 | _aTheseus. | ||
| 653 | _aThreshing floor. | ||
| 653 | _aTray. | ||
| 653 | _aTrireme. | ||
| 653 | _aTrojan War. | ||
| 653 | _aTwelve Olympians. | ||
| 653 | _aTwo Old Men. | ||
| 653 | _aUrine. | ||
| 653 | _aVenus Anadyomene. | ||
| 653 | _aVinegar. | ||
| 653 | _aWooden horse (device). | ||
| 653 | _aWrinkle. | ||
| 700 | 1 |
_aBardsley, Beverly _eautore |
|
| 700 | 1 |
_aGreen, Peter _eautore |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781400884407 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781400884407 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781400884407/original |
| 942 | _cEB | ||
| 999 |
_c209718 _d209718 |
||