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020 _a9781400886128
_qPDF
024 7 _a10.1515/9781400886128
_2doi
035 _a(DE-B1597)9781400886128
035 _a(DE-B1597)482035
035 _a(OCoLC)992489838
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPN771
_b.F59 2017eb
072 7 _aLIT006000
_2bisacsh
082 0 4 _a809/.91
_223
084 _aonline - DeGruyter
100 1 _aFoster, John Burt
_eautore
245 1 0 _aHeirs to Dionysus :
_bA Nietzschean Current in Literary Modernism /
_cJohn Burt Foster.
264 1 _aPrinceton, NJ :
_bPrinceton University Press,
_c[2017]
264 4 _c©1982
300 _a1 online resource (490 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aPrinceton Legacy Library ;
_v5154
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgments --
_tNote on Translation, Annotation, and Abbreviation --
_tIntroduction --
_tI. Influence as Transformation, Nietzsche as Influence --
_tII. Nietzsche's Legacy to the Modernists --
_tIII. From Nietzsche to the Savage God: An Early --
_tIV. Holding Forth against Nietzsche: D. H. Lawrence's Novels from Women in Love to The Plumed Serpent --
_tV. Preceded by Nietzsche's Madness: Andre Malraux as a Novelist in Man's Fate and The Walnut Trees of the Altenburg --
_tVI. Enter the Devil: Nietzsche's Presence in Doctor Faustus --
_tConclusion --
_tChronology of Works, Writers, and Events --
_tNotes --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aBuilding on recent transformative theories of influence, John Foster explores the many ways Nietzsche's intellectual and artistic example helped shape an interconnected series of major literary projects from 1900 to the 1940s. He portrays Nietzsche as a stimulating but disturbing force who left a well-defined legacy of concerns that modernists appropriated for their fiction. The author focuses particularly on Gide, D. H. Lawrence, Malraux, and Mann, analyzing their strategies of acceptance, revision, and subversion.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)
650 0 _aLiterature, Modern
_y20th century
_xHistory and criticism.
650 0 _aModernism (Literature).
650 0 _aPhilosophy in literature.
650 7 _aLITERARY CRITICISM / Semiotics & Theory.
_2bisacsh
653 _aAestheticism.
653 _aAllusion.
653 _aAnguish.
653 _aAntithesis.
653 _aApathy.
653 _aAphorism.
653 _aApollonian and Dionysian.
653 _aArt for art's sake.
653 _aArthur Schopenhauer.
653 _aBeyond Good and Evil.
653 _aBlack rage (law).
653 _aCareer.
653 _aCatharsis.
653 _aConsciousness.
653 _aCriticism.
653 _aCritique.
653 _aCultural Bolshevism.
653 _aD. H. Lawrence.
653 _aDeath in Venice.
653 _aDecadence.
653 _aDionysus.
653 _aDisenchantment.
653 _aDisgust.
653 _aDistrust.
653 _aDoctor Faustus (novel).
653 _aDoctor Faustus (play).
653 _aE. M. Forster.
653 _aEpigram.
653 _aExistence.
653 _aExistentialism.
653 _aFaust.
653 _aFriedrich Nietzsche.
653 _aGeoffrey Hartman.
653 _aGesta Romanorum.
653 _aGod is dead.
653 _aGood and evil.
653 _aHans Vaihinger.
653 _aHenri Bergson.
653 _aIconoclasm.
653 _aImagery.
653 _aIrony.
653 _aJacques Derrida.
653 _aJude the Obscure.
653 _aKarl Jaspers.
653 _aLast man.
653 _aLiterary modernism.
653 _aLiterature.
653 _aMan's Fate.
653 _aMaster–slave morality.
653 _aMephistopheles.
653 _aModernism.
653 _aMorality.
653 _aNecessitarianism.
653 _aNew Thought.
653 _aNietzschean affirmation.
653 _aNihilism.
653 _aOn the Aesthetic Education of Man.
653 _aOn the Genealogy of Morality.
653 _aOut of Revolution.
653 _aParadox.
653 _aParody.
653 _aPhilosopher.
653 _aPhilosophy of Friedrich Nietzsche.
653 _aPhilosophy.
653 _aPicaresque novel.
653 _aPity.
653 _aPolemic.
653 _aPosthumanism.
653 _aPsychoanalysis.
653 _aPsychology.
653 _aRainer Maria Rilke.
653 _aReligion.
653 _aRessentiment.
653 _aResult.
653 _aRobert Musil.
653 _aRomanticism.
653 _aScientism.
653 _aSelf-denial.
653 _aSelf-fulfillment.
653 _aSuperiority (short story).
653 _aSøren Kierkegaard.
653 _aThe Birth of Tragedy.
653 _aThe Case of Wagner.
653 _aThe Counterfeiters (novel).
653 _aThe Cult of the Self.
653 _aThe Four Great Errors.
653 _aThe Goths.
653 _aThe Philosopher.
653 _aThe Work of Art in the Age of Mechanical Reproduction.
653 _aTheodor W. Adorno.
653 _aThought.
653 _aThus Spoke Zarathustra.
653 _aTragedy.
653 _aTwilight of the Idols.
653 _aUtilitarianism.
653 _aWill to power.
653 _aWomen in Love.
653 _aWord and Object.
653 _aWriter.
653 _aWriting.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781400886128
856 4 0 _uhttps://www.degruyter.com/isbn/9781400886128
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781400886128/original
942 _cEB
999 _c209834
_d209834