| 000 | 06833nam a22017295i 4500 | ||
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| 001 | 209834 | ||
| 003 | IT-RoAPU | ||
| 005 | 20230501182038.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 230127t20171982nju fo d z eng d | ||
| 020 | _a9781400886128 _qPDF | ||
| 024 | 7 | _a10.1515/9781400886128 _2doi | |
| 035 | _a(DE-B1597)9781400886128 | ||
| 035 | _a(DE-B1597)482035 | ||
| 035 | _a(OCoLC)992489838 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 050 | 4 | _aPN771 _b.F59 2017eb | |
| 072 | 7 | _aLIT006000 _2bisacsh | |
| 082 | 0 | 4 | _a809/.91 _223 | 
| 084 | _aonline - DeGruyter | ||
| 100 | 1 | _aFoster, John Burt _eautore | |
| 245 | 1 | 0 | _aHeirs to Dionysus : _bA Nietzschean Current in Literary Modernism / _cJohn Burt Foster. | 
| 264 | 1 | _aPrinceton, NJ : _bPrinceton University Press, _c[2017] | |
| 264 | 4 | _c©1982 | |
| 300 | _a1 online resource (490 p.) | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 490 | 0 | _aPrinceton Legacy Library ; _v5154 | |
| 505 | 0 | 0 | _tFrontmatter -- _tContents -- _tAcknowledgments -- _tNote on Translation, Annotation, and Abbreviation -- _tIntroduction -- _tI. Influence as Transformation, Nietzsche as Influence -- _tII. Nietzsche's Legacy to the Modernists -- _tIII. From Nietzsche to the Savage God: An Early -- _tIV. Holding Forth against Nietzsche: D. H. Lawrence's Novels from Women in Love to The Plumed Serpent -- _tV. Preceded by Nietzsche's Madness: Andre Malraux as a Novelist in Man's Fate and The Walnut Trees of the Altenburg -- _tVI. Enter the Devil: Nietzsche's Presence in Doctor Faustus -- _tConclusion -- _tChronology of Works, Writers, and Events -- _tNotes -- _tIndex | 
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aBuilding on recent transformative theories of influence, John Foster explores the many ways Nietzsche's intellectual and artistic example helped shape an interconnected series of major literary projects from 1900 to the 1940s. He portrays Nietzsche as a stimulating but disturbing force who left a well-defined legacy of concerns that modernists appropriated for their fiction. The author focuses particularly on Gide, D. H. Lawrence, Malraux, and Mann, analyzing their strategies of acceptance, revision, and subversion.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) | |
| 650 | 0 | _aLiterature, Modern _y20th century _xHistory and criticism. | |
| 650 | 0 | _aModernism (Literature). | |
| 650 | 0 | _aPhilosophy in literature. | |
| 650 | 7 | _aLITERARY CRITICISM / Semiotics & Theory. _2bisacsh | |
| 653 | _aAestheticism. | ||
| 653 | _aAllusion. | ||
| 653 | _aAnguish. | ||
| 653 | _aAntithesis. | ||
| 653 | _aApathy. | ||
| 653 | _aAphorism. | ||
| 653 | _aApollonian and Dionysian. | ||
| 653 | _aArt for art's sake. | ||
| 653 | _aArthur Schopenhauer. | ||
| 653 | _aBeyond Good and Evil. | ||
| 653 | _aBlack rage (law). | ||
| 653 | _aCareer. | ||
| 653 | _aCatharsis. | ||
| 653 | _aConsciousness. | ||
| 653 | _aCriticism. | ||
| 653 | _aCritique. | ||
| 653 | _aCultural Bolshevism. | ||
| 653 | _aD. H. Lawrence. | ||
| 653 | _aDeath in Venice. | ||
| 653 | _aDecadence. | ||
| 653 | _aDionysus. | ||
| 653 | _aDisenchantment. | ||
| 653 | _aDisgust. | ||
| 653 | _aDistrust. | ||
| 653 | _aDoctor Faustus (novel). | ||
| 653 | _aDoctor Faustus (play). | ||
| 653 | _aE. M. Forster. | ||
| 653 | _aEpigram. | ||
| 653 | _aExistence. | ||
| 653 | _aExistentialism. | ||
| 653 | _aFaust. | ||
| 653 | _aFriedrich Nietzsche. | ||
| 653 | _aGeoffrey Hartman. | ||
| 653 | _aGesta Romanorum. | ||
| 653 | _aGod is dead. | ||
| 653 | _aGood and evil. | ||
| 653 | _aHans Vaihinger. | ||
| 653 | _aHenri Bergson. | ||
| 653 | _aIconoclasm. | ||
| 653 | _aImagery. | ||
| 653 | _aIrony. | ||
| 653 | _aJacques Derrida. | ||
| 653 | _aJude the Obscure. | ||
| 653 | _aKarl Jaspers. | ||
| 653 | _aLast man. | ||
| 653 | _aLiterary modernism. | ||
| 653 | _aLiterature. | ||
| 653 | _aMan's Fate. | ||
| 653 | _aMaster–slave morality. | ||
| 653 | _aMephistopheles. | ||
| 653 | _aModernism. | ||
| 653 | _aMorality. | ||
| 653 | _aNecessitarianism. | ||
| 653 | _aNew Thought. | ||
| 653 | _aNietzschean affirmation. | ||
| 653 | _aNihilism. | ||
| 653 | _aOn the Aesthetic Education of Man. | ||
| 653 | _aOn the Genealogy of Morality. | ||
| 653 | _aOut of Revolution. | ||
| 653 | _aParadox. | ||
| 653 | _aParody. | ||
| 653 | _aPhilosopher. | ||
| 653 | _aPhilosophy of Friedrich Nietzsche. | ||
| 653 | _aPhilosophy. | ||
| 653 | _aPicaresque novel. | ||
| 653 | _aPity. | ||
| 653 | _aPolemic. | ||
| 653 | _aPosthumanism. | ||
| 653 | _aPsychoanalysis. | ||
| 653 | _aPsychology. | ||
| 653 | _aRainer Maria Rilke. | ||
| 653 | _aReligion. | ||
| 653 | _aRessentiment. | ||
| 653 | _aResult. | ||
| 653 | _aRobert Musil. | ||
| 653 | _aRomanticism. | ||
| 653 | _aScientism. | ||
| 653 | _aSelf-denial. | ||
| 653 | _aSelf-fulfillment. | ||
| 653 | _aSuperiority (short story). | ||
| 653 | _aSøren Kierkegaard. | ||
| 653 | _aThe Birth of Tragedy. | ||
| 653 | _aThe Case of Wagner. | ||
| 653 | _aThe Counterfeiters (novel). | ||
| 653 | _aThe Cult of the Self. | ||
| 653 | _aThe Four Great Errors. | ||
| 653 | _aThe Goths. | ||
| 653 | _aThe Philosopher. | ||
| 653 | _aThe Work of Art in the Age of Mechanical Reproduction. | ||
| 653 | _aTheodor W. Adorno. | ||
| 653 | _aThought. | ||
| 653 | _aThus Spoke Zarathustra. | ||
| 653 | _aTragedy. | ||
| 653 | _aTwilight of the Idols. | ||
| 653 | _aUtilitarianism. | ||
| 653 | _aWill to power. | ||
| 653 | _aWomen in Love. | ||
| 653 | _aWord and Object. | ||
| 653 | _aWriter. | ||
| 653 | _aWriting. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781400886128 | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781400886128 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781400886128/original | 
| 942 | _cEB | ||
| 999 | _c209834 _d209834 | ||