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008 210824t20171993nju fo d z eng d
020 _a9781400887194
_qPDF
024 7 _a10.1515/9781400887194
_2doi
035 _a(DE-B1597)9781400887194
035 _a(DE-B1597)481952
035 _a(OCoLC)1004884029
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPS3505.R272
072 7 _aLIT014000
_2bisacsh
082 0 4 _a811.5209
084 _aonline - DeGruyter
100 1 _aHammer, Langdon
_eautore
245 1 0 _aHart Crane and Allen Tate :
_bJanus-Faced Modernism /
_cLangdon Hammer.
264 1 _aPrinceton, NJ :
_bPrinceton University Press,
_c[2017]
264 4 _c©1993
300 _a1 online resource (296 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aPrinceton Legacy Library ;
_v5176
505 0 0 _tFrontmatter --
_tContents --
_tPreface --
_tAcknowledgments --
_tI. Janus-Faced Modernism --
_tOne. Toward the Institute of Literary Autonomy and Tradition --
_tII. Tate: The Right Kind of Modernism --
_tTwo. The Realism of The Waste Land --
_tThree. Genius and the Rational Order of Criticism --
_tFour. The Burial of the Confederate Dead --
_tCoda. "Mrs. Tate's" Tombstone --
_tIII. Crane: Modernism in Reverse --
_tFive. A Resurrection of Some Kind --
_tSix. Dice of Drowned Men's Bones --
_tSeven. The Floating Singer of The Bridge --
_tCoda. Unanswered Questions --
_tIV. Beyond Modernism --
_tEight. Robert Lowell's Breakdown --
_tNotes --
_tWorks Cited --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aFocusing on the vexed friendship between Hart Crane and Allen Tate, this book examines twentieth-century American poetry's progress toward institutional sanction and professional organization, a process in which sexual identities, poetic traditions, and literary occupations were in question and at stake. Langdon Hammer combines biography and formalist analysis to argue that American modernism was a Janus-faced phenomenon, at once emancipatory and elitist, which simultaneously attacked traditional cultural authority and reconstructed it in new forms. Hammer shows how Crane and Tate, working in relation to each other and to T. S. Eliot, created for themselves the competing roles of "genius" and "poet-critic." Crane embraced the self-authorizing powers of the individual talent at the cost of standing outside the emerging consensus of high modernist literary culture, an aesthetic isolation which converged with his social isolation as a gay man. Tate, turning against Crane, linked the modernist defense of tradition to an embattled heterosexual masculinity, while he adapted Eliot's stance to a career sustained by criticism and teaching. Ending his book with a discussion of Robert Lowell's career, Hammer maintains that Lowell's "confessional" poetry recapitulates the conflict enacted by Crane and Tate.Originally published in 1993.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)
650 0 _aAmerican poetry
_y20th century
_xHistory and criticism.
650 0 _aAuthorship
_xCollaboration
_xHistory
_y20th century.
650 0 _aModernism (Literature)
_zUnited States.
650 0 _aPoets, American
_y20th century
_vBiography.
650 7 _aLITERARY CRITICISM / Poetry.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781400887194
856 4 0 _uhttps://www.degruyter.com/isbn/9781400887194
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9781400887194.jpg
942 _cEB
999 _c209931
_d209931