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| 001 | 209984 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214233825.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 221201t20172018nju fo d z eng d | ||
| 020 |
_a9780691175362 _qprint |
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| 020 |
_a9781400887897 _qPDF |
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| 024 | 7 |
_a10.1515/9781400887897 _2doi |
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| 035 | _a(DE-B1597)9781400887897 | ||
| 035 | _a(DE-B1597)501112 | ||
| 035 | _a(OCoLC)1004271491 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aLIT024040 _2bisacsh |
|
| 082 | 0 | 4 |
_a820.9007 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aMole, Tom _eautore |
|
| 245 | 1 | 0 |
_aWhat the Victorians Made of Romanticism : _bMaterial Artifacts, Cultural Practices, and Reception History / _cTom Mole. |
| 264 | 1 |
_aPrinceton, NJ : _bPrinceton University Press, _c[2017] |
|
| 264 | 4 | _c©2018 | |
| 300 |
_a1 online resource (336 p.) : _b28 halftones. 2 line illus. 4 tables. 2 maps. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tList of Illustrations & Tables -- _tAcknowledgments -- _tIntroduction: Don Juan in the Pub -- _tPART I. THE WEB OF RECEPTION -- _tRomantic Writers in the Victorian Media Ecology -- _tReception Traditions and Punctual Historicism -- _tMinding the Generation Gap -- _tPART II. ILLUSTRATIONS -- _tIllustration as Renovation -- _tRenovating Romantic Poetry: Retrofitted Illustrations -- _tTurning the Page: Illustrated Frontmatter -- _tPART III. SERMONS -- _tA Religious Reception Tradition -- _tConverting Shelley -- _tSpurgeon, Byron, and the Contingencies of Mediation -- _tPART IV. STATUES -- _tSecular Pantheons for the Reformed Nation: Byron in Cambridge -- _tThe Distributed Pantheon: Scott in Edinburgh -- _tThe Networked Pantheon: Byron in London -- _tPART V. ANTHOLOGIES -- _tScattered Odes in Shattered Books: Quantifying Victorian Anthologies -- _tRomantic Short Poems in Victorian Anthologies -- _tRomantic Long Poems in Victorian Anthologies -- _tCoda: Ozymandias at the Olympics; or, She Walks in Brixton -- _tNotes -- _tBibliography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aThis insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth—one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media.Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing—such as photographs, postcards, books, and collectibles—that in turn remade the public’s understanding of Romantic writers.Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 7 |
_aLITERARY CRITICISM / Modern / 19th Century . _2bisacsh |
|
| 653 | _aAlgernon Charles Swinburne. | ||
| 653 | _aAnecdote. | ||
| 653 | _aAnthology. | ||
| 653 | _aAtheism. | ||
| 653 | _aAuthor. | ||
| 653 | _aBenjamin Disraeli. | ||
| 653 | _aBiography. | ||
| 653 | _aBook design. | ||
| 653 | _aCalton Hill. | ||
| 653 | _aCambridge University Press. | ||
| 653 | _aCharles Dickens. | ||
| 653 | _aChilde Harold's Pilgrimage. | ||
| 653 | _aChristianity. | ||
| 653 | _aClergy. | ||
| 653 | _aEdition (book). | ||
| 653 | _aEmbellishment. | ||
| 653 | _aEnglish literature. | ||
| 653 | _aEnglish poetry. | ||
| 653 | _aEngraving. | ||
| 653 | _aFelicia Hemans. | ||
| 653 | _aFirst appearance. | ||
| 653 | _aFranco Moretti. | ||
| 653 | _aFrank Kermode. | ||
| 653 | _aGeorge Eliot. | ||
| 653 | _aGod. | ||
| 653 | _aGuide to the Lakes. | ||
| 653 | _aHandbook. | ||
| 653 | _aHarriet Beecher Stowe. | ||
| 653 | _aHebrew Melodies. | ||
| 653 | _aHenry Chorley. | ||
| 653 | _aIllustration. | ||
| 653 | _aIllustrator. | ||
| 653 | _aJerome McGann. | ||
| 653 | _aJohn Ruskin. | ||
| 653 | _aLecture. | ||
| 653 | _aLiterary criticism. | ||
| 653 | _aLiterature. | ||
| 653 | _aLong poem. | ||
| 653 | _aLord Byron. | ||
| 653 | _aMary Shelley. | ||
| 653 | _aMatthew Arnold. | ||
| 653 | _aModernity. | ||
| 653 | _aNarrative. | ||
| 653 | _aNational Library of Scotland. | ||
| 653 | _aNew Generation (Malayalam film movement). | ||
| 653 | _aNew Historicism. | ||
| 653 | _aNew media. | ||
| 653 | _aNewspaper. | ||
| 653 | _aNovel. | ||
| 653 | _aParatext. | ||
| 653 | _aPercy Bysshe Shelley. | ||
| 653 | _aPhotography. | ||
| 653 | _aPoet. | ||
| 653 | _aPoetry. | ||
| 653 | _aPoets' Corner. | ||
| 653 | _aPostcard. | ||
| 653 | _aPreface. | ||
| 653 | _aPrinces Street Gardens. | ||
| 653 | _aPrinceton University Press. | ||
| 653 | _aPrint culture. | ||
| 653 | _aPrinting. | ||
| 653 | _aPrintmaking. | ||
| 653 | _aPrometheus Unbound (Aeschylus). | ||
| 653 | _aProse. | ||
| 653 | _aPublication. | ||
| 653 | _aPublishing. | ||
| 653 | _aQueen Mab. | ||
| 653 | _aReligion. | ||
| 653 | _aReprint. | ||
| 653 | _aRomantic poetry. | ||
| 653 | _aRomanticism. | ||
| 653 | _aScott Monument. | ||
| 653 | _aScott's (restaurant). | ||
| 653 | _aSecularization. | ||
| 653 | _aSensibility. | ||
| 653 | _aSermon. | ||
| 653 | _aShe Walks in Beauty. | ||
| 653 | _aSpecial collections. | ||
| 653 | _aStanza. | ||
| 653 | _aStephen Greenblatt. | ||
| 653 | _aSubjectivity. | ||
| 653 | _aSupporter. | ||
| 653 | _aT. S. Eliot. | ||
| 653 | _aThe Anthologist. | ||
| 653 | _aThe Aspern Papers. | ||
| 653 | _aThe Destruction of Sennacherib. | ||
| 653 | _aThe Giaour. | ||
| 653 | _aThe Lay of the Last Minstrel. | ||
| 653 | _aThe Other Hand. | ||
| 653 | _aThe Pencil of Nature. | ||
| 653 | _aTheology. | ||
| 653 | _aTroilus and Criseyde. | ||
| 653 | _aVictorian era. | ||
| 653 | _aWai Chee Dimock. | ||
| 653 | _aWalter Benjamin. | ||
| 653 | _aWilliam Michael Rossetti. | ||
| 653 | _aWilliam Shakespeare. | ||
| 653 | _aWilliam Wordsworth. | ||
| 653 | _aWriter. | ||
| 653 | _aWriting. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781400887897?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781400887897 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781400887897/original |
| 942 | _cEB | ||
| 999 |
_c209984 _d209984 |
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