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| 001 | 210116 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106150630.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 240625t20182018nju fo d z eng d | ||
| 020 | _a9781400889600 _qPDF | ||
| 024 | 7 | _a10.23943/9781400889600 _2doi | |
| 035 | _a(DE-B1597)9781400889600 | ||
| 035 | _a(DE-B1597)491091 | ||
| 035 | _a(OCoLC)1032303158 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 050 | 4 | _aPN56.U8 | |
| 072 | 7 | _aLIT024000 _2bisacsh | |
| 082 | 0 | 4 | _a809.93372 _223 | 
| 084 | _aonline - DeGruyter | ||
| 100 | 1 | _aRobertson, Michael _eautore | |
| 245 | 1 | 4 | _aThe Last Utopians : _bFour Late Nineteenth-Century Visionaries and Their Legacy / _cMichael Robertson. | 
| 264 | 1 | _aPrinceton, NJ : _bPrinceton University Press, _c[2018] | |
| 264 | 4 | _c©2018 | |
| 300 | _a1 online resource (336 p.) : _b17 b/w illus. | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 505 | 0 | 0 | _tFrontmatter -- _tCONTENTS -- _tAcknowledgments -- _tINTRODUCTION -- _tCHAPTER 1. Locating Nowhere -- _tCHAPTER 2. Edward Bellamy’s Orderly Utopia -- _tCHAPTER 3. William Morris’s Artful Utopia -- _tCHAPTER 4. Edward Carpenter’s Homogenic Utopia -- _tCHAPTER 5. Charlotte Perkins Gilman’s Motherly Utopia -- _tCHAPTER 6. After the Last Utopians -- _tNotes -- _tBibliographical Note -- _tIndex | 
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aThe entertaining story of four utopian writers—Edward Bellamy, William Morris, Edward Carpenter, and Charlotte Perkins Gilman—and their continuing influence todayFor readers reared on the dystopian visions of Nineteen Eighty-Four and The Handmaid's Tale, the idea of a perfect society may sound more sinister than enticing. In this lively literary history of a time before "Orwellian" entered the cultural lexicon, Michael Robertson reintroduces us to a vital strain of utopianism that seized the imaginations of late nineteenth-century American and British writers.The Last Utopians delves into the biographies of four key figures--Edward Bellamy, William Morris, Edward Carpenter, and Charlotte Perkins Gilman—who lived during an extraordinary period of literary and social experimentation. The publication of Bellamy's Looking Backward in 1888 opened the floodgates of an unprecedented wave of utopian writing. Morris, the Arts and Crafts pioneer, was a committed socialist whose News from Nowhere envisions a workers' Arcadia. Carpenter boldly argued that homosexuals constitute a utopian vanguard. Gilman, a women's rights activist and the author of "The Yellow Wallpaper," wrote numerous utopian fictions, including Herland, a visionary tale of an all-female society.These writers, Robertson shows, shared a belief in radical equality, imagining an end to class and gender hierarchies and envisioning new forms of familial and romantic relationships. They held liberal religious beliefs about a universal spirit uniting humanity. They believed in social transformation through nonviolent means and were committed to living a simple life rooted in a restored natural world. And their legacy remains with us today, as Robertson describes in entertaining firsthand accounts of contemporary utopianism, ranging from Occupy Wall Street to a Radical Faerie retreat. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 0 | _aUtopias in literature. | |
| 650 | 7 | _aLITERARY CRITICISM / Modern / General . _2bisacsh | |
| 653 | _aActivism. | ||
| 653 | _aAmericans. | ||
| 653 | _aCapitalism. | ||
| 653 | _aCareer. | ||
| 653 | _aCharles Fourier. | ||
| 653 | _aCharlotte Perkins Gilman. | ||
| 653 | _aCivilization. | ||
| 653 | _aCommunalism (political philosophy). | ||
| 653 | _aContemporary society. | ||
| 653 | _aCounterculture. | ||
| 653 | _aCourtship. | ||
| 653 | _aDystopia. | ||
| 653 | _aEdward Bellamy. | ||
| 653 | _aEdward Carpenter. | ||
| 653 | _aEnthusiasm. | ||
| 653 | _aEugenics. | ||
| 653 | _aFriedrich Engels. | ||
| 653 | _aGender equality. | ||
| 653 | _aGeorge Bernard Shaw. | ||
| 653 | _aHerland (novel). | ||
| 653 | _aHis Family. | ||
| 653 | _aHousehold. | ||
| 653 | _aIdeology. | ||
| 653 | _aInception. | ||
| 653 | _aIndividualism. | ||
| 653 | _aIntellectual. | ||
| 653 | _aJohn Ruskin. | ||
| 653 | _aJohn Stuart Mill. | ||
| 653 | _aLaborer. | ||
| 653 | _aLecture. | ||
| 653 | _aLiterature. | ||
| 653 | _aLooking Backward. | ||
| 653 | _aLyman Tower Sargent. | ||
| 653 | _aMarxism. | ||
| 653 | _aMatthew Carter. | ||
| 653 | _aModernity. | ||
| 653 | _aMother. | ||
| 653 | _aMrs. | ||
| 653 | _aNarrative. | ||
| 653 | _aNew Atlantis. | ||
| 653 | _aNew Lanark. | ||
| 653 | _aNews from Nowhere. | ||
| 653 | _aNonviolence. | ||
| 653 | _aNovelist. | ||
| 653 | _aNuclear family. | ||
| 653 | _aOf Education. | ||
| 653 | _aOwenism. | ||
| 653 | _aPatriarchy. | ||
| 653 | _aPhilosopher. | ||
| 653 | _aPoet laureate. | ||
| 653 | _aPoetry. | ||
| 653 | _aPolitical philosophy. | ||
| 653 | _aPolitics. | ||
| 653 | _aPopulism. | ||
| 653 | _aProgress and Poverty. | ||
| 653 | _aProgressivism in the United States. | ||
| 653 | _aPublication. | ||
| 653 | _aRalph Waldo Emerson. | ||
| 653 | _aRossetti. | ||
| 653 | _aSlavery. | ||
| 653 | _aSlum. | ||
| 653 | _aThomas Carlyle. | ||
| 653 | _aTranscendentalism. | ||
| 653 | _aUtopia. | ||
| 653 | _aUtopian and dystopian fiction. | ||
| 653 | _aUtopian socialism. | ||
| 653 | _aUtopian studies. | ||
| 653 | _aWealth. | ||
| 653 | _aWorking class. | ||
| 653 | _aWriting. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.23943/9781400889600?locatt=mode:legacy | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781400889600 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781400889600/original | 
| 942 | _cEB | ||
| 999 | _c210116 _d210116 | ||