000			04080nam a22005535i 4500
001			210159
003			IT-RoAPU
005			20221214233833.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			210927t20182018nju fo d z eng d
020			_a9780691177038 _qprint
020			_a9781400890279 _qPDF
024	7		_a10.23943/9781400890279 _2doi
035			_a(DE-B1597)9781400890279
035			_a(DE-B1597)501091
035			_a(OCoLC)1028181921
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aN5613 _b.V68 2018eb
072		7	_aART015060 _2bisacsh
082	0	4	_a709.38 _223
084			_aonline - DeGruyter
100	1		_aVout, Caroline _eautore
245	1	0	_aClassical Art : _bA Life History from Antiquity to the Present / _cCaroline Vout.
264		1	_aPrinceton, NJ : _bPrinceton University Press, _c[2018]
264		4	_c©2018
300			_a1 online resource (376 p.) : _b80 color + 132 b/w illus.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tPreface -- _tAcknowledgments -- _t1. Setting the Agenda, or Putting the Art into Heritage -- _t2. Finding the Classical in Hellenistic Greece -- _t3. Making Greek Culture Roman Culture -- _t4. Roman Art, the Building Blocks of Empire -- _t5. Reviving Antiquity in Renaissance Italy -- _t6. European Court Society and the Shaping of the Canon -- _t7. "Neoclassicisms" and the English Country House -- _t8. Seeing Anew in the Nineteenth Century -- _t9. The Death of Classical Art? -- _t10. And the Moral of the Story... -- _tNotes -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aHow did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future.What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum.A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021)
650		0	_aArt and society _xHistory.
650		0	_aArt, Classical _xAppreciation _xHistory.
650		0	_aClassical antiquities _xAppreciation _xHistory.
650		0	_aSculpture, Classical _xAppreciation _xHistory.
650		7	_aART / History / Ancient & Classical. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.23943/9781400890279?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9781400890279
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781400890279/original
942			_cEB
999			_c210159 _d210159